[go: up one dir, main page]

    कैलेंडर रिलीज़ करेंटॉप 250 फ़िल्मेंसबसे लोकप्रिय फ़िल्मेंज़ोनर के आधार पर फ़िल्में ब्राउज़ करेंटॉप बॉक्स ऑफ़िसशोटाइम और टिकटफ़िल्मी समाचारइंडिया मूवी स्पॉटलाइट
    TV और स्ट्रीमिंग पर क्या हैटॉप 250 टीवी शोसबसे लोकप्रिय TV शोशैली के अनुसार टीवी शो ब्राउज़ करेंTV की खबरें
    देखने के लिए क्या हैसबसे नए ट्रेलरIMDb ओरिजिनलIMDb की पसंदIMDb स्पॉटलाइटफैमिली एंटरटेनमेंट गाइडIMDb पॉडकास्ट
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter पुरस्कारअवार्ड्स सेंट्रलफ़ेस्टिवल सेंट्रलसभी इवेंट
    जिनका जन्म आज के दिन हुआ सबसे लोकप्रिय सेलिब्रिटीसेलिब्रिटी से जुड़ी खबरें
    मदद केंद्रयोगदानकर्ता क्षेत्रपॉल
उद्योग के पेशेवरों के लिए
  • भाषा
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
वॉचलिस्ट
साइन इन करें
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
ऐप का इस्तेमाल करें
  • कास्ट और क्रू
  • उपयोगकर्ता समीक्षाएं
  • ट्रिविया
  • अक्सर पूछे जाने वाला सवाल
IMDbPro

Mahanagar

  • 1963
  • U
  • 2 घं 11 मि
IMDb रेटिंग
8.3/10
5.3 हज़ार
आपकी रेटिंग
Mahanagar (1963)
Workplace DramaDramaFinancial Drama

कोलकाता की एक मध्यमवर्गीय महिला, बढ़ते वित्तीय दबाव के कारण नौकरी करने का फ़ैसला करती है. हालांकि उसकी बढ़ती सफलता से उसका पति असुरक्षित महसूस करने लगता है.कोलकाता की एक मध्यमवर्गीय महिला, बढ़ते वित्तीय दबाव के कारण नौकरी करने का फ़ैसला करती है. हालांकि उसकी बढ़ती सफलता से उसका पति असुरक्षित महसूस करने लगता है.कोलकाता की एक मध्यमवर्गीय महिला, बढ़ते वित्तीय दबाव के कारण नौकरी करने का फ़ैसला करती है. हालांकि उसकी बढ़ती सफलता से उसका पति असुरक्षित महसूस करने लगता है.

  • निर्देशक
    • Satyajit Ray
  • लेखक
    • Narendranath Mitra
    • Satyajit Ray
  • स्टार
    • Anil Chatterjee
    • Madhavi Mukherjee
    • Jaya Bachchan
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    8.3/10
    5.3 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Satyajit Ray
    • लेखक
      • Narendranath Mitra
      • Satyajit Ray
    • स्टार
      • Anil Chatterjee
      • Madhavi Mukherjee
      • Jaya Bachchan
    • 37यूज़र समीक्षाएं
    • 74आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 4 जीत और कुल 1 नामांकन

    फ़ोटो68

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 61
    पोस्टर देखें

    टॉप कलाकार26

    बदलाव करें
    Anil Chatterjee
    Anil Chatterjee
    • Subrata Mazumdar
    Madhavi Mukherjee
    Madhavi Mukherjee
    • Arati Mazumder
    • (as Madhabi Mukherjee)
    Jaya Bachchan
    Jaya Bachchan
    • Bani
    • (as Jaya Bhaduri)
    Haren Chatterjee
    Haren Chatterjee
    • Priyogopal (Subrata's father)
    Sefalika Devi
    Sefalika Devi
    • Sarojini (Subrata's Mother)
    • (as Shephalika Devi)
    Prasenjit Sarkar
    Prasenjit Sarkar
    • Pintu
    Haradhan Bannerjee
    Haradhan Bannerjee
    • Himangshu Mukherjee
    • (as Haradhan Banerjee)
    Vicky Redwood
    Vicky Redwood
    • Edith Simmons
    Bibhuti Banerjee
      Manisha Chakraborty
      Tapan Chatterjee
      Tapan Chatterjee
        Arun Chowdhury
        Pritish Dey
        Shailen Ganguli
        Shyamal Ghoshal
        Shyamal Ghoshal
        Anuradha Guha
        Jyoti Kripalani
        Samir Lahiri
        • निर्देशक
          • Satyajit Ray
        • लेखक
          • Narendranath Mitra
          • Satyajit Ray
        • सभी कास्ट और क्रू
        • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

        उपयोगकर्ता समीक्षाएं37

        8.35.3K
        1
        2
        3
        4
        5
        6
        7
        8
        9
        10

        फ़ीचर्ड समीक्षाएं

        Chrysanthepop

        A Classic Gem It Is

        Through 'Mahanagar' the great Satyajit Ray tells a story of an ordinary traditional family living in the modern big city (hence the title). However, the breadwinner of the family does not earn enough money to support the whole family. The wife decides to support him by working herself. Fortunately she finds a job and befriends a modern Anglo-Indian co-worker who does influence her by applying lip-stick and giving her a pair of sunglasses. The father of the family is a retired teacher and he does not accept the fact that his daughter-in-law is working. Gradually, the rest of the family disapprove her working. The retired teacher visits his former student and 'asks' for financial help.

        Through this wonderful family drama, Ray tells us a story of the clash between modern and traditional values in a middle-class family struggling to make a living in the big city. Furthermore, Ray examines the 'urban' relationships as is reflected between the employer and employee, the husband and wife, the co-workers, the working mother and her child and so on. It is no surprise that Ray is THE most accomplished director of Indian cinema. This film, like pretty much everything else he did, only reminds us why.

        The performances are top-notch. Again, this is no surprise as Ray manages to extract the best from his actors. Madhabi Mukherjee is breathtaking as we see her transform from a naive housewife, to a determined and excited employee to a strong courageous woman who stands up for her friend. Anil Chatterjee is excellent as the struggling husband who tries to make ends meet, silently accepts his wife's working but secretly resenting it. Vicky Redwood adds freshness with a strong presence and a likable performance. Haradhan Bannerjee is very good as the prejudiced but sympathetic boss. Jaya Bhadhuri delivers a very natural performance. The rest of the cast are all just as competent.

        The ending isn't the traditional happy ending one witnesses in the numerous Indian films but it's one of optimism and hope that beautifully 'seals' the film. 'Mahanagar' is a fantastic example of the best of Indian cinema. A classic gem it is.
        10hypostylin

        A fascinating dissection of gender roles in the age of modernity.

        I loved this film. Madhabi Mukherjee is gorgeous and so engaging, with the virtuosic ability to represent the stresses of a changing Calcutta through a simple glance. Mahanagar is a fascinating dramatic case study of the collision of modernism and traditionalism that produced a sociocultural duality/dichotomy in twentieth-century India's urban landscapes.

        We see all sorts of manifestations of duality in Mahanagar. The tension-cum-rivalry of Arati and Subrata is, of course, the most obvious manifestation. However, we also have the duality of the new- generation Arati/Subrata and the old-generation Sarojini/Priyogopal (Subrata's mother and father) and Arati, who wears traditional clothing and speaks Bengali, versus Edith, the English-speaking Anglo-Indian in Western dress. These instances of duality speak directly to the moment in which things began to make a 180-degree shift in India, when women became the breadwinners of the household and traditional gender norms became subsumed by sexual liberation.

        With a leading lady as precise as Mukherjee, Ray was able wrap these complex coterminous processes up in a relatively tidy package. Mahanagar is essential viewing.
        8lyrxsf

        City Blues

        Mahangar captures the middle class culture of post-independence Calcutta effectively. The movie shows the emotional crisis of a family caught between family tradition and increasing expenses. The husband-wife relationship starts unraveling under the stress of brand new corporate identity and financial comfort the wife discovers. Its interesting how the other family members come to terms and make peace with the changed dynamics when they see their own gratification with the higher salary. Ray has done an exceptional job in uplifting the role of the Indian wife and depicting an almost perfect superwoman character – rising to the occasion and being the pillar of support at home and at work. Throughout these changes in lifestyle, she continues to rely upon her husband for moral support. The ending is well scripted – in their current dire situation, the couple finds mutual confidence and solace to continue the struggle and dream.
        10zetes

        Exceptional

        If, at some point in the future, Pather Panchali cannot fulfil its duties as Satyajit Ray's masterpiece, Mahanagar can step up and fill in the position. Or perhaps the two films can co-rule, as they compliment each other so nicely. Pather Panchali is the simple, straightforward masterpiece and Mahanagar is the more ambitious and complex work. The first is Ray's La Strada and the second his La Dolce Vita.

        The Big City is a subtle, flowing work about a young housewife (Madhabi Mukherjee, who would also star in Ray's Charulata) in a middle-class family who finds a job when her father-in-law needs a new pair of spectacles. The family is very conservative, and this upsets everyone. Her husband's manhood is somewhat insulted, her father- and mother-in-law (who both live with the married couple in a rather small apartment) feel that it's just not right, and her son thinks he's been forgotten. The only one who supports her is her younger sister-in-law; she sees her as a role model. The husband (Anil Chatterjee) tries to get her to quit, but, when he loses his own job, he changes his mind quickly. Now she becomes the breadwinner, and he is effectively castrated.

        This could have been a little, humble film, like many of Ray's works. But here he decides to examine a huge portion of his own culture, setting up many opposites and studying them closely. We have the husband and wife, man and woman, old-world conservatism and new-world progression, young and old, employer and employee. The list goes on. The depth of this film is nearly endless, and I'm sure it would hold up to any number of repeated viewings. The only flaw that I can see is a somewhat contrived climax - Ray had this problem in a few of his films.

        I do have to give special praise to the two leads. Mukherjee and Chatterjee are just brilliant in the film. The supporting cast is also uniformly excellent.
        8Peter_Young

        Ray's unforgettable metropolis...

        Arati is a young middle-class housewife. The household includes Arati, her husband Subrata, who works as a bank clerk, their children and his elderly parents. Subrata is unable to support the entire family with his salary, and after a great deal of indecision, the couple decide that Arati must find a job. And she does so, much to the displeasure of his parents, who react with shame and anger when they find out that their daughter in-law has turned from a housewife into a working woman against tradition.

        The story follows Arati's acclimation with her job as a sales woman, her growing independence, and her new relationships with people from different social and financial classes, one example being a young Anglo-Indian colleague named Edith whom she befriends. The real conflict, however, does not happen when Arati's in-laws start a silent "cold war", but when her husband himself loses his own job and Arati becomes the sole breadwinner of the family. Subrata loses self-respect and is filled with negative feelings of inferiority and shame.

        This is the story of Satyajit Ray's extraordinary classic 'Mahanagar', a poignant, quiet and moving picture which depicts a whole world of conflicts resulting from modernisation and changing social and generational norms. Ray's portrayal of the urban India, its lifestyle and people, is brilliantly done. Everything about the film is, as expected, very authentic, very real and very easily identifiable with Ray's style of film-making. He makes the proceedings and the characters very interesting and very easy to relate to.

        The film deals with the struggle of middle-class families to survive in the big city through their everyday hardships, but in the process, shows the gender role conflicts and criticises the hypocrisy of traditional conservativeness. One such instance is shown when Arati's father-in-law, a retired teacher who had complained that he was in need of a new pair of spectacles, now prefers going and begging from his former student rather than accepting money from his working daughter-in-law who 'breaks tradition'.

        The relationships in Mahanagar are perfectly portrayed, whether it's Arati's relationship with her husband, with her kid, with her in-laws, with her employer. But the best thing about it is the portrayal of Arati's acquaintance with her new self. Her job provides her with confidence and self-belief as she grows increasingly independent, both socially and economically. Mainly due to her friendship with the Anglo-Indian Edith, who she would later stand up for, Arati learns to use lipsticks, wear dark fashionable glasses, speak more assertively and stand up against injustice, while still maintaining her individuality as a simple, unselfish woman.

        Madhabi Mukherjee is astonishing as Arati. She is a natural beauty, and acts with grace and dignity. She convincingly transforms from a simple housewife into a modern and smart woman of substance, always letting the viewer sense her struggle, confusion and pain. Anil Chatterjee is great as the slightly embittered yet loving husband. Jaya Bhaduri is completely lovable and charming in her debut role. Prasenjit Sarkar is cute as a button as Pintu. Vicky Redwood is quite nice though her line delivery is often weak. Haradhan Bannerjee is very sympathetic as Arati's boss though his character is slightly prejudiced.

        Mahanagar is another example of Ray's indelible craftsmanship, of his superb storytelling and his exceptional ability to tell a universal story which is both moving and educative in a simple yet very effective way. The film's pace may be a bit slow, but it is steady enough, and the picture remains thoroughly and consistently engaging and captivating. The ending is bittersweet - sad yet optimistic, satisfying and inspiring. Mahanagar is overall a beautiful social drama; a classic and fascinating piece which is highly recommended.

        इस तरह के और

        Charulata
        8.1
        Charulata
        Nayak
        8.3
        Nayak
        Kapurush
        7.6
        Kapurush
        Jana Aranya
        8.3
        Jana Aranya
        Devi
        7.7
        Devi
        Jalsaghar
        7.8
        Jalsaghar
        आगंतुक
        8.0
        आगंतुक
        Pratidwandi
        8.1
        Pratidwandi
        Teen Kanya
        7.9
        Teen Kanya
        Days and Nights in the Forest
        8.1
        Days and Nights in the Forest
        अपराजितो
        8.2
        अपराजितो
        Mahapurush
        7.0
        Mahapurush

        कहानी

        बदलाव करें

        क्या आपको पता है

        बदलाव करें
        • ट्रिविया
          Fifteen-year old Jaya Bhaduri's (later known as Jaya Bachchan) film debut and her only film with Satyajit Ray.
        • गूफ़
          When Priyogopal (Subrata's father) goes to visit his student Anupam Roychowdhury to ask for money he is shown having a conversation with Anupam in his office. When he is explaining his circumstance the camera shows him only sitting on a chair with his walking stick. In the very next scene when all the three characters are shown (third one being Anupam's wife ) the top of his walking stick has changed direction. The round bit on top was towards the right before and is turned to the left in the very next scene.
        • भाव

          Arati: You wouldn't recognize me on the job.

          Subrata Mazumdar: What about at home? Would I recognize you at home?

          Arati: You don't recognize me? Tell me honestly.

          [Subrata shakes his head no]

          Arati: Why not?

          Subrata Mazumdar: It all feels a bit unfamiliar. It feels a bit...

          Arati: What about this?

          [points at her cheek]

          Arati: You don't recognize my mole? I'm still the same housewife.

        • कनेक्शन
          Referenced in Creative Artists of India: Satyajit Ray (1964)

        टॉप पसंद

        रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
        साइन इन करें

        अक्सर पूछे जाने वाला सवाल15

        • How long is The Big City?Alexa द्वारा संचालित

        विवरण

        बदलाव करें
        • रिलीज़ की तारीख़
          • 27 सितंबर 1963 (भारत)
        • कंट्री ऑफ़ ओरिजिन
          • भारत
        • आधिकारिक साइट
          • Satyajit Ray (India)
        • भाषाएं
          • बंगाली
          • अंग्रेज़ी
        • इस रूप में भी जाना जाता है
          • The Big City
        • फ़िल्माने की जगहें
          • RN Mukherjee Rd, कलकत्ता, वेस्ट बंगाल, भारत(closing shot: view of the city)
        • उत्पादन कंपनी
          • R.D.Banshal & Co.
        • IMDbPro पर और कंपनी क्रेडिट देखें

        तकनीकी विशेषताएं

        बदलाव करें
        • चलने की अवधि
          2 घंटे 11 मिनट
        • रंग
          • Black and White
        • ध्वनि मिश्रण
          • Mono
        • पक्ष अनुपात
          • 1.37 : 1

        इस पेज में योगदान दें

        किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
        Mahanagar (1963)
        टॉप गैप
        What is the Spanish language plot outline for Mahanagar (1963)?
        जवाब
        • और अंतराल देखें
        • योगदान करने के बारे में और जानें
        पेज में बदलाव करें

        एक्सप्लोर करने के लिए और भी बहुत कुछ

        हाल ही में देखे गए

        कृपया इस फ़ीचर का इस्तेमाल करने के लिए ब्राउज़र कुकीज़ चालू करें. और जानें.
        IMDb ऐप पाएँ
        ज़्यादा एक्सेस के लिए साइन इन करेंज़्यादा एक्सेस के लिए साइन इन करें
        सोशल पर IMDb को फॉलो करें
        IMDb ऐप पाएँ
        Android और iOS के लिए
        IMDb ऐप पाएँ
        • सहायता
        • साइट इंडेक्स
        • IMDbPro
        • Box Office Mojo
        • IMDb डेटा लाइसेंस
        • प्रेस रूम
        • विज्ञापन
        • नौकरियाँ
        • उपयोग की शर्तें
        • गोपनीयता नीति
        • Your Ads Privacy Choices
        IMDb, एक Amazon कंपनी

        © 1990-2025 by IMDb.com, Inc.