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Fuego

  • 1964
  • Not Rated
  • 1 घं 30 मि
IMDb रेटिंग
5.7/10
328
आपकी रेटिंग
Martha Hyer in Fuego (1964)
थ्रिलरहॉरर

अपनी भाषा में प्लॉट जोड़ेंA married man has a brief affair, then goes back to his wife and children. His jilted mistress, believing that if he had no more family he'd come back to her, sets fire to his house, hoping ... सभी पढ़ेंA married man has a brief affair, then goes back to his wife and children. His jilted mistress, believing that if he had no more family he'd come back to her, sets fire to his house, hoping to kill them. The man, unsuccessfully trying to rescue them, is horribly burned. After he ... सभी पढ़ेंA married man has a brief affair, then goes back to his wife and children. His jilted mistress, believing that if he had no more family he'd come back to her, sets fire to his house, hoping to kill them. The man, unsuccessfully trying to rescue them, is horribly burned. After he undergoes an operation to reconstruct his face, he begins to plot his revenge against his ... सभी पढ़ें

  • निर्देशक
    • Julio Coll
    • Luis García
  • लेखक
    • Sidney W. Pink
    • Luis de los Arcos
  • स्टार
    • Barry Sullivan
    • Martha Hyer
    • Sherry Moreland
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.7/10
    328
    आपकी रेटिंग
    • निर्देशक
      • Julio Coll
      • Luis García
    • लेखक
      • Sidney W. Pink
      • Luis de los Arcos
    • स्टार
      • Barry Sullivan
      • Martha Hyer
      • Sherry Moreland
    • 17यूज़र समीक्षाएं
    • 9आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 जीत

    फ़ोटो24

    पोस्टर देखें
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    + 19
    पोस्टर देखें

    टॉप कलाकार13

    बदलाव करें
    Barry Sullivan
    Barry Sullivan
    • Vance Pierson
    Martha Hyer
    Martha Hyer
    • Laura Blanco
    Sherry Moreland
    • Verna Pierson
    Luis Prendes
    Luis Prendes
    • Police Inspector
    Fernando Hilbeck
    Fernando Hilbeck
    • Julio
    Soledad Miranda
    Soledad Miranda
    • Liz Frade
    Carlos Casaravilla
    Carlos Casaravilla
    • Frade
    Paco Morán
    • Doctor
    • (as Francisco Moran)
    Marisenka
    • Isabella Blanco
    Hugo Pimentel
    Hugo Pimentel
    • Gaspar
    Pilarin Gomez
    • Sally Pierson
    Eric Chapman
    Roberto Llamas
    • निर्देशक
      • Julio Coll
      • Luis García
    • लेखक
      • Sidney W. Pink
      • Luis de los Arcos
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं17

    5.7328
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    फ़ीचर्ड समीक्षाएं

    6dwr246

    Before there was "Fatal Attraction," there was...

    Love is a passion that burns like a fire. So it has been said for centuries. This cautionary tale takes a rather literal view of that assertion, and brings us a surprisingly good thriller.

    Vance Pierson (Barry Sullivan) is an engineer who moves to Spain for work related reasons. Accompanying him are his wife Verna (Sherry Moreland), and daughter Sally (oddly, this small part doesn't appear to be credited to the actress who played her). They are a happy family, crammed into a tiny apartment. So Vance decides to buy a house. He goes to look at a rather impressive one, and arrives just in time to stop the owner, Laura (Martha Hyer), from burning it down so she can collect the insurance money. While Vance convinces her that she'll do better with the proceeds from a sale of the house, sparks of a different kind fly between the two of them, and soon they are involved in a passionate affair. However, when first a co-worker, and then Verna learn of the affair, Vance decides it's time to end it. As he is breaking things off with Laura, he makes the mistake of telling her that if it weren't for Verna and Sally, he would be with her. Laura decides that perhaps the best thing to do is to get rid of Verna and Sally, and since she has already mapped out a strategy for burning down the house, she simply waits until Vance has gone out for the evening and Verna and Sally are asleep upstairs, and then she sets fire to it. Vance returns unexpectedly, and runs into the burning house to try to save his wife and daughter. Unfortunately, all he succeeds in doing is getting badly burned himself while Verna and Sally die in the fire. Laura goes to visit Vance in the hospital, and when she confirms Vance's suspicions that she set the fire, he orders her out of his room, telling her that if he ever comes across her again, he'll kill her. Horrified, Laura leaves. The action shifts forward a few years, and Vance, now horribly disfigured, and wearing a mask all the time, is a roustabout with a carnival. For some strange reason, the owner's daughter, Liz (Soledad Miranda) is smitten with him, but given Vance's past, he is understandably unwilling to get involved with her. And then one day the carnival arrives in the town where Laura lives...

    Given the setup, this could have been a really cheesy movie, but the writing is surprisingly good, giving the story twists and turns that keep it from becoming predictable, and a few nasty shocks that definitely grab the viewers' attention. Vance's ultimate revenge on Laura is presented in a way that is not satisfying, helping to point out that perhaps revenge was not the right solution to his problems. All in all, a more thoughtful script than one would expect from this kind of movie.

    From a production standpoint, the best part of the film was watching Laura set up the fire by splashing gasoline throughout the house, taking the added step up hooking the plumbing up to a gas can, and then setting a fuse to give herself time to get away. When the fire spreads through the house, it is an exciting, if frightening scene. Contrasted with that, the scene where Vance renders Laura unconscious, and sets her apartment on fire is much tamer, helping to make his revenge on her unsatisfying. And the makeup used to show Vance's face when he reveals his disfigurement was also impressive.

    The acting is a bit stylized, as was typical of the time period, but overall it is good. Sullivan gives an excellent portrayal of a complex man, delving into the dark corners of the mind of a man who first succumbs to lust, and then is driven by guilt and anger. Hyer's performance sizzles. Her beauty bewitches, and while her actions are deplorable, her regret at the outcome of what she has caused gives you a small amount of sympathy for her. Moreland's betrayed wife is well done, and the uncredited actress who plays Sally turns in a good, if occasionally cloying performance. The only real puzzle is Miranda, who gives us no clue as to what her character's attraction to Vance is all about, thus while her actions speak of good intentions, they make little sense, since we have no context in which to put them.

    A dark, cautionary tale, surprisingly well done. A curiosity piece, but one well worth seeing.
    5Kelt Smith

    An Evil MARTHA HYER In A Good Suspense Thriller !!!

    Low budget, odd little movie has some chills, and good performances by MARTHA HYER and BARRY SULLIVAN. Laura Blanco (HYER) is a divorcee with a young daughter who has a fling with family man Vince Pierson (SULLIVAN). When his wife finds out, Vince tries to break off from Laura. She, however, has other ideas and believes that if Vince's wife & daughter are out of the way, she'll have him all to herself. Seeing Vince leave his house with wife & daughter still inside upstairs, Laura slips in and splashes gasoline around and sets the house ablaze. She even goes so far as to cut the water off, and attach a container of gasoline to the plumbing. Vince comes back and runs into the burning house to save his family. I can't say anymore without giving away the ending, but the rest is a pretty good thriller. HYER is very good as pure evil Laura. SULLIVAN also does well as Vince. In some ways this movie might remind you of FATAL ATTRACTION 20 years earlier. A stern warning to married men seeking greener pastures. This was one of AMERICAN INTERNATIONAL pictures, low on production dollars, and yet with its creepy plot, still a worthwhile thriller!!!
    6kevinolzak

    First seen on Pittsburgh's Chiller Theater in 1967

    1963's "Pyro" is a Spanish title known as "Fuego" (Fire) in Spain, more broadly known as "Pyro - The Thing Without a Face" or "Pyro - Man Without a Face," or "Phantom of the Ferris Wheel" (its most appropriate moniker). Producer Sidney W. Pink, previous purveyor of "The Angry Red Planet," "Reptilicus," and "Journey to the Seventh Planet," first conceived of the script as "A Cold Wind from Hell" (this would be his favorite film), AIP once more footing the bill for international production, their contract star Vincent Price up for the role of Vance Pierson shortly after his visit to freezing Rome for "The Last Man on Earth." Perhaps his busy Hollywood schedule resulted in a casting change that enabled Barry Sullivan to accept, not so charismatic but playing a part that requires as much with at least three potential female lovers on hand. Despite being advertised as a horror film (and a flop in the US), the picture certainly doesn't play out that way, the carnival music opening showing us Pierson's family life coinciding with his engineering work, requiring him to move to Spain to begin construction of a circular generator (he displays a passion for all things round). While searching for suitable accommodations he comes upon an estate that looks promising, only its pyromaniac owner, supposed widow Laura Blanco (Martha Hyer), already has a full proof plan devised to burn the whole thing down to collect the insurance money. Before you can even perceive 'playing with fire,' he's falling into bed with this crazy pyromaniac mother, a literally burning affair that goes on for five months, to the obvious consternation of Pierson's wife (Sherry Moreland) and daughter (Pilarin Gomez). He rationalizes all of this to his own, self involved satisfaction: "my home has always been too peaceful, home sweet home, you are war...as long as we keep peace at home, I'll be needing violence!" Careful what you wish for Vance, because once you decide to end this relationship, your firebug playmate just won't take it lying down, replaying her original intention to now torch the house with his wife and child asleep inside. Setting out on a business meeting before a proper reconciliation, his partner wisely turns back, only too late to save the deceased, poor Vance forced to leap from his bedroom window completely engulfed in flames that produce fourth degree burns that no surgeon can restore to normalcy (shades of Peter Lorre in "The Face Behind the Mask"). Why Laura isn't immediately arrested and put away goes unexplained, her impromptu visit to him at the hospital allowing him the opportunity to swear vengeance by doing to her family what she did to his, after which he vanishes for 15 months. Reports of Laura's mother and maid perishing in a fire have authorities wondering if Pierson is beginning to make good on his threat, now posing as all around mechanic Peter, moving all about as part owner of a traveling carnival where he manages the ferris wheel with help from his partner's daughter Liz Frade (Soledad Miranda). How his human mask closely resembles his former features, and why none of the investigators recognize him is also a mystery, but he does locate his lover's island hideaway, living with a daughter who shows the same dangerous habits as her fiery mother (like John Huston and Faye Dunaway in "Chinatown," incest is suggested but never truly confirmed for we learn nothing about the missing father or dead husband). The entire first half takes its time setting up the pivotal moment when Laura's insane plot bears fruit, the second half inexplicably trying to turn this obviously psychotic murderess into a frightened victim.
    duke1907

    Scared the hell out of me

    I watched this movie one Saturday night on Creature Features when I was about 10-years-old and it scared the hell out of me. I had to climb in bed and sleep with my mother for the rest of the night. I didn't scare easily, I had watched The Exorcist, The Omen and every other horror movie of that day, but this one did it to me. It was the shot where Barry Sullivan reveals his face and it is burned and scarred. It truly was a scary moment for me. I bought the DVD a few years ago and rewatched it. I was 35 and didn't have to go sleep with my mother, but it was still creepy. This is a pretty good movie to seek out. Even 25 years later it still had the ability to creep me out.
    5lee-96696

    A Fiery but Somewhat Flawed Curiosity

    Pyro... The Thing Without a Face is a film that ignites a strange and often bewildering cinematic experience. For those venturing into its smoky depths, be prepared for a bizarre concoction that feels like a hot fever dream blending elements of a Fatal Attraction-esque obsession, the lurid thrills of an Italian giallo, and the campy charm of Hammer horror schlock, all filtered through a distinctly mid-1960s Spanish lens.

    The film's central dynamic echoes the dangerous allure and escalating tension of Fatal Attraction, albeit with a decidedly more surreal and less psychologically nuanced approach. A seemingly innocent encounter between a renowned hydroelectric expert, played by a bland Barry Sullivan, and a sexy widow, Martha Hyer, trying to sell - or destroy by arson - a white elephant mansion sparks a possessive and destructive infatuation, setting the stage for a descent into madness and violence. Lots of foreshadowing here: a basement full of five-gallon containers of gasolines, siphon hoses, deliberately sabotaged electrics.

    However, the film's identity crystallizes when viewed through the lens of Italian giallo. The stylish visuals, often drenched in vibrant colors and punctuated by moments of shocking violence (though perhaps tamer than some gialli), create an unsettling atmosphere. The mystery surrounding the disfigured "Pyro" adds a layer of suspense, even if the execution sometimes leans towards the unintentionally comical.

    There is also a strange carnival theme running throughout with the Sullivan character having an unexplained obsession with, of all things, ferris wheels.

    Adding another layer to this odd cinematic stew is a distinct Hammer film schlock sensibility. The sometimes theatrical performances, and the reliance on atmosphere over intricate plotting contribute to a feeling of vintage B-movie charm. The fact that this unfolds in a remote, northern Spanish setting (rainy, cloudy Galicia) further enhances its unique and slightly off-kilter appeal.

    The contrast between water and fire - Sullivan is supervising a massive hydroelectric plant with many stock scenes of water gushing out of overflow tunnels - and Hyer as a pyromaniac adds something for thought.

    While Pyro... The Thing Without a Face undoubtedly possesses a certain undeniable curiosity and a retro charm that some viewers will find appealing, it's not without its flaws. The narrative can be disjointed, the pacing uneven, and the "Thing Without a Face" itself might elicit more chuckles than chills for modern audiences. The attempts at suspense can sometimes fall flat, and the overall execution occasionally struggles to fully realize its ambitious genre mash-up.

    If you appreciate films that dare to be different, even if they stumble along the way, and you have a fondness for the groovy vibes of mid-1960s genre cinema, this fiery Spanish curiosity might just spark your interest.

    इस तरह के और

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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      This film bombed in America, but was a blockbuster overseas with it's alternative title "Phantom of the Ferris Wheel".
    • गूफ़
      In the new house, the home plate "Se Vende" (in Spanish) is either bilingual in English ("For Sale"), which certainly did not happen in Spain...
    • कनेक्शन
      Referenced in Schlock! The Secret History of American Movies (2001)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 22 जनवरी 1964 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • स्पेन
      • यूनाइटेड स्टेट्स
    • भाषाएं
      • अंग्रेज़ी
      • स्पेनिश
    • इस रूप में भी जाना जाता है
      • A Cold Wind from Hell
    • फ़िल्माने की जगहें
      • Viveiro, Lugo, गैलिसिया, स्पेन
    • उत्पादन कंपनी
      • Sidney W. Pink Productions
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    • चलने की अवधि
      1 घंटा 30 मिनट
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      • Mono

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    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Martha Hyer in Fuego (1964)
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    What is the English language plot outline for Fuego (1964)?
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