Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

Stanley Kubrick's first and only comedic masterpiece is still the finest ever made. I love everything in the movie: the brilliant acting, sensational script, flawless direction, and even those quirky visual effects. Not only was this film hilarious, it was a breakthrough for the entire film industry when first released. In addition to it's amazing satirical basis, the film also played a major role in how films were advertised and marketed... as if Peter Seller's performance wasn't enough! The sets were also very convincing and just plain great! So realistic in fact, that the FBI almost investigated how they got the B-52 Bomber replicated to near perfection!

In the end, 'Dr. Strangelove: or How I Learned to Stop Worrying and Love the Bomb' is the best comedy. It's also another milestone in film making and another reason to be astonished when looking at the work of Stanley Kubrick.

An obvious perfect ***** / *****

I didn't quite understand all of the jokes, but I enjoyed this movie enormously. It is essentially one of the best satirical comedies out there. Peter Sellers was hilarious here in no less than 3 roles. My personal favourite was the president. My favourite line of the film is actually in the title of this review, as Dad and I watched this at midnight and couldn't stop laughing. I loved Sellers also as the man in the wheelchair Strangelove, who tries to impersonate Hitler, I think. There was a brilliant performance from fine actor George C. Scott, who I really admire. I personally think there isn't enough of these two stars on television, I really don't. I noticed a young James Earl Jones too, and the camera-work and direction were both excellent. Got to love the music, I did, a bit ironic, but that was the intention. Great movie! 9/10. Bethany Cox

As a film Dr. Strangelove was so well received that a more serious film on the same topic, Failsafe, failed to find an audience. Yet Strangelove made you think as well as entertain which is the ultimate object of any great work of cinema.

General Jack D. Ripper has sent out the Strategic Air Command bombers and locked down Burpelson Air Force Base so that higher ups can't interfere. He's struck back at the dirty Communists for pushing fluoridation of the water supply which he feels has interfered with his bodily functions.

Ripper might want to have checked with the Air Force Chief of Staff, General Buck Turgidson who when we meet him seems to have all his bodily functions working just fine. A second opinion on Ripper's lack of bodily functions might have revised his reason on why his particular functions weren't doing well.

Of course his actions have created a crisis and President Muffley of the United States is busy trying to talk to Premier Kissoff of the USSR to prevent a nuclear war. That is in case those SAC bombers can't be recalled. One of the bombers commanded by Major Kong is anxious to do battle with the 'Rooskies'.

Director Stanley Kubrick went poaching on the black comedy normally that would be the province of Billy Wilder. But even Wilder in his wildest dreams never used those wonderful Dickensian names for his characters that Kubrick is so delighting in. My favorite however is the part played by Keenan Wynn as the army colonel commanding the tactical force that liberates Burpelson, Colonel Bat Guano.

Jack D. Ripper is played by Sterling Hayden a man consumed by his lack of bodily functions. This is a takeoff on Army General Edwin Walker who commanded US troops in Germany and was relieved when it was discovered he was indoctrinating his troops with John Birch Society propaganda which included their fears about fluoridation of water. Curiously enough that cause was actually taken up by other than fanatic right-wingers, people like Ralph Nader. Could Ripper have been right after all?

George C. Scott is cigar chomping, bodily functioning spoof of legendary SAC commander Curtis LeMay. He's having quite the difficult time in deciding just who to root for in this crisis.

Peter Sellers got an Oscar nomination for playing three different characters in Dr. Strangelove. Sellers is President Muttley, Colonel Mandrake of the RAF an exchange officer serving under Sterling Hayden and the crazed former Nazi nuclear scientist Dr. Strangelove. Watching the film, it's almost hard to believe this is the same man using three different voices and appearances that makeup alone could not explain. Sellers lost to his fellow British player Rex Harrison for My Fair Lady.

In fact Dr. Strangelove also lost as Best Picture to My Fair Lady. Of course George Bernard Shaw never put his legendary wit to the issue of mutual nuclear annihilation. Neither did Billy Wilder, but I have a feeling those two talents together couldn't have done any better than Stanley Kubrick.

The image that stays in your mind from the film I guarantee will be Slim Pickens as Major Kong riding that hydrogen bomb down to its 'Rooskie' target like a bucking bronco.

Hopefully we won't meet Major Kong again, who knows where and who knows when.

This movie is possibly the best comedy ever made, only with one fact against it: it's not very "comical". Hilarious? Yes. Comical? Absolutely not. The horrors of the nuclear war caused by a simple mistake materialize before us, directed with skill by the late maestro, Kubrick.

There are simply not enough words to describe Peter Sellers's BRILLIANT performance in three roles: A british officer, the U.S president and Dr. Strangelove. He is hilarious as the british officer, with his wonderful accent, gloomy and neurotic as the president and simply insane as Dr. Strangelove.

Also note that this movie includes a performance by very young James Earl Jones, who we now all know as the voice behind Darth Vader.

The ending scene is also a masterpiece.

The insane acting talent displayed by Peter Sellers isn't the only thing this film did for me. It created a sense of pure panic while simultaneously finding humor in this early piece of brilliance from Kubrick in his long directing career. George C. Scott also turned in a fantastic performance as a typical war hungry 1950's/60's military general. This film will transport you into the middle of a Cold War era. A period where despite the warning label in the beginning explaining its fictional origin, it definitely possessed real possibilities. The whole cast does a absolutely brilliant job and I am a firm believer that this will remain timelessly enjoyable.