The Courtship of Eddie's Father

Your view of this movie will depend on whether you like Eddie or find him too precocious and pushy about his dad's romantic life. Personally, I was utterly charmed. There is a lot of chemistry between Glenn Ford and Ronnie Howard as the father and son duo, and I loved their conversations. I thought Ford's interpretation was very good. His feelings and personality come across clearly in all his scenes. However, you can expect that of a high-quality, seasoned actor. The fact that a child actor like Howard can match him is impressive.

This movie is what we could call a dramedy. It has comic elements and is a delight to watch, but it also has moments of genuine drama. On that, it differs from The Parent Trap, which also shows kids playing matchmakers for their parents but is all comedy. In The Courtship of Eddie's Father we also have serious dramatic moments, like Eddie's reaction when he finds his dead goldfish, showing that beyond his usual cheerfulness, the trauma of losing his mother is still raw. This mixture of genres might not work for some viewers, but it did for me. It gives the movie more weight and heart.

A delight to watch.

Glenn Ford did two films with director Vincente Minnelli, the incredibly bad sound remake of The Four Horseman of the Apocalypse and this very good family film about a widower and his young son trying to get on with life after the wife and mother has passed away.

The Courtship of Eddie's Father in addition to being made into a long running television series with Bill Bixby, Miyoshi Umeki, and Brandon Cruz, still holds up very well after 44 years.

What makes the film is the very real chemistry between Glenn Ford and Ron Howard who was on hiatus from the Andy Griffith show to make this film. The Courtship of Eddie's Father is about two very real individuals trying to work through the hurt that's surrounding a very big hole in their lives.

Ford plays the manager of a radio station and Jerry Van Dyke has a nice role as Ford's best friend and one of the disc jockeys. Roberta Sherwood has the part of the housekeeper who's trying to learn Spanish, the part that Miyoshi Umeki did for television. As you can imagine it was rewritten somewhat.

There are three women interested in Ford at one time or another. Shirley Jones is the best friend of the deceased, living in the apartment across the way. Dina Merrill is the society lady that she is in real life. And Stella Stevens is the beauty queen from Montana who's got some hidden talents. One guess who Ford looks like he'll wind up with in the end. Give you a hint, it's the one Ron Howard wishes it is.

After the disaster of The Four Horseman of the Apocalypse, Minnelli owed Glenn Ford a good picture and he certainly delivered.

My wife and I watched this film last night on TCM (all hail) and we both enjoyed it. I get so tired of hearing comments about this and other films being "dated". What do you expect? I consider what other people call "dated" as direct links into what society was like at the time the film(s) was(were) written, kind of a celluloid sociology course. Lighten up! A movie that is forty-three years old isn't going to be a modern example of people, places, and things. Sheesh! Anyway, what I'll take from this film is that Ronny Howard WAS the finest child actor in films and television. Consider that, in 1963, at 9 years old, he was already doing the Opie-thing for 3 years. In this film, he acts nothing like Opie, he turns into a whole different child: Eddie Corbitt. The under-used Shirley Jones (big crush) was marvelous again, and Glenn Ford was supremely good at his self-styled "non-acting". Stella Stevens's drum solo scene is an excellent highlight. Also, did anyone recognize Clint Howard as a toddler at Eddie's birthday party scene? Or Rance Howard as a camp counselor?

First I need to point out that this movie isn't much like the later TV series. It stars Glenn Ford as a widower raising a young child, played by Ron Howard. While their relationship is loving and sweet, they are both looking for a new wife/mother. And Ron Howard is a little devil trying to set up Dad! I like the kid's taste, though, as he sets his sights first on Stella Stevens and then on Shirley Jones--that kid had great taste! Even though you can easily predict where the movie will end up, the acting and writing and direction are so good that you don't really mind at all. That's because it is sentimental but avoids schmaltzy, gooey over-sentimentalism that could have easily ruined this film--thanks in part to a decent use of comedy.

I saw most of this film again for the first time in years the other day.I then purchased the DVD to catch the ending..and was glad i did. being a fan of Glenn Ford and Shirley Jones as well as "Ronny" Howard i couldn't pass this one up. Glenn Ford's Eddie's Father isn't the same laid back Eddie's Father that Bill Bixby was in the TV series that was based on this movie.His is a bit quirkier and introspective and maybe not as funny and warm but still worth getting to know. The matchmaking that goes on is strictly sixties through and through a formula we have seen time and time again but the hint of Eddie's Father having himself a time while he is out "courting" is as subtle as a man in a chicken suit in church. Ron Howard is as good as ever and although Brandon Cruz who was Eddie in the TV series was a bit warmer Ron Howard's Eddie is a more honest to god kid most of the time,with all the faults that come with being an 8 yr old boy The women in the film..all beautiful all talented all out for Eddie"s father are as you would expect in an early sixties film kind of cardboard cutouts but good on the eyes