मिस्र की रानी क्लियोपेट्रा, रोम के शाही महत्वाकांक्षाओं का विरोध करते समय विजय और त्रासदी दोनों का अनुभव करती है.मिस्र की रानी क्लियोपेट्रा, रोम के शाही महत्वाकांक्षाओं का विरोध करते समय विजय और त्रासदी दोनों का अनुभव करती है.मिस्र की रानी क्लियोपेट्रा, रोम के शाही महत्वाकांक्षाओं का विरोध करते समय विजय और त्रासदी दोनों का अनुभव करती है.
- 4 ऑस्कर जीते
- 6 जीत और कुल 13 नामांकन
Grégoire Aslan
- Pothinus
- (as Gregoire Aslan)
Jacqueline Chan
- Lotos
- (as Jacqui Chan)
फ़ीचर्ड समीक्षाएं
Cleopatra is an epic in every sense of the word-lavish sets, extravagant costumes, and a runtime that truly immerses you in the political and romantic turmoil of Ancient Egypt and Rome. The film is undeniably a visual masterpiece, with its breathtaking cinematography and grand production values standing the test of time.
Elizabeth Taylor embodies Cleopatra with a magnetic presence, portraying her as both a fierce ruler and a woman caught in the power struggles of her time. Richard Burton and Rex Harrison add depth to the historical drama, making the love affairs and political betrayals feel engaging despite the film's lengthy runtime.
While the movie's ambition sometimes outweighs its pacing, leading to moments that drag, its historical grandeur and commanding performances make it a classic worth watching.
A visually stunning epic that, despite its flaws, remains an iconic portrayal of one of history's most legendary figures.
Elizabeth Taylor embodies Cleopatra with a magnetic presence, portraying her as both a fierce ruler and a woman caught in the power struggles of her time. Richard Burton and Rex Harrison add depth to the historical drama, making the love affairs and political betrayals feel engaging despite the film's lengthy runtime.
While the movie's ambition sometimes outweighs its pacing, leading to moments that drag, its historical grandeur and commanding performances make it a classic worth watching.
A visually stunning epic that, despite its flaws, remains an iconic portrayal of one of history's most legendary figures.
Regarded as the biggest flop (at least until "Ishtar") in motion picture history, "Cleopatra" has been given the short end of the stick since it first premiered in 1963 but it still is a great film. True, it did plague 20th Century Fox to the point of near bankruptcy (until "The Sound of Music" saved it in 1965) and Elizabeth Taylor's health overshadowed the film schedule but there are more good things about the film than there are bad, the backlashing of the film has just blown itself all out of proportion. Richard Burton and Elizabeth's much-publicized offscreen love affair grew to such a feverishly fiery degree that it made their onscreen relationship as Antony and Cleopatra all the more genuine. Rex Harrison as Caesar is first-rate as well and yet he was the only one out of the entire cast that received an Oscar nomination (Richard Burton was one who should have been in the running as well... his performance is equal to his earlier work in "The Robe" and later in "Becket" and "Anne of the Thousand Days"). Miss Taylor is very commanding in the role of her career and as a result few remember Claudette Colbert's earlier turn as Egypt's most memorable ruler in Cecil B. De Mille's 1934 version. The one point I want to make is that the film should have gotten more praise than it did... like "The Wizard of Oz", "Fantasia" and "It's a Wonderful Life" it seems to get more appreciation by it's second generation than it did it's first.
There will never be a movie quite like CLEOPATRA again when you consider when it was made. While James Cameron has given us TITANIC and AVATAR which surpassed CLEOPATRA in expense and certainly in box office and Peter Jackson has mined the works of J. R. R. Tolkein with great success, CLEOPATRA was the green light for that type of film and it's still shining brightly after 60 years. In fact the film looks better today than it did in 1963. Part of the reason for that is the fact that now we can see it in the version which is close to what writer-director Joseph L. Manciewicz (ALL ABOUT EVE) wanted us to see.
Two separate love stories contained in two 2 hour films. Part 1 - CAESAR & CLEOPATRA and Part 2 - ANTONY & CLEOPATRA. Manciewicz certainly didn't lack chutzpah for taking on George Bernard Shaw in the first film and Shakespeare in the second. With the help of a once in a lifetime cast of American and British actors, Elizabeth Taylor at her loveliest, Rex Harrison at his most regal, and Richard Burton at his most powerful, the film manages to both entertain and enthrall in equal measure.
After seeing this 50th Anniversary Edition, I was surprised at how compelling it was. Unbelievable grandeur, eye-popping costumes, magnificent widescreen photography, an effective music score, and at least a dozen memorable performances that bring the literate script to life. After CLEOPATRA's premiere at 248 minutes, Fox cut the film to 192 minutes to increase showings and a lot of important details were lost. Today a two or even three part release would have been pre-ordained (think LORD OF THE RINGS or THE HOBBIT).
This 50th Anniversary DVD (and Blu-Ray) restores the premiere version and shows Elizabeth Taylor at the top of her game. People always complain how she dragged Burton down but I think it was the other way around for she was rarely this good again and never as beautiful as she is here. If you've never seen CLEOPATRA uncut then you really need to. It comes from an age when Hollywood epics had something to say as well as something to show off. While the Blu-Ray is a knockout, this DVD is a close second and can be played on more devices. It's also usually available at a better price and loaded with special features as well...For more reviews visit The Capsule Critic.
Two separate love stories contained in two 2 hour films. Part 1 - CAESAR & CLEOPATRA and Part 2 - ANTONY & CLEOPATRA. Manciewicz certainly didn't lack chutzpah for taking on George Bernard Shaw in the first film and Shakespeare in the second. With the help of a once in a lifetime cast of American and British actors, Elizabeth Taylor at her loveliest, Rex Harrison at his most regal, and Richard Burton at his most powerful, the film manages to both entertain and enthrall in equal measure.
After seeing this 50th Anniversary Edition, I was surprised at how compelling it was. Unbelievable grandeur, eye-popping costumes, magnificent widescreen photography, an effective music score, and at least a dozen memorable performances that bring the literate script to life. After CLEOPATRA's premiere at 248 minutes, Fox cut the film to 192 minutes to increase showings and a lot of important details were lost. Today a two or even three part release would have been pre-ordained (think LORD OF THE RINGS or THE HOBBIT).
This 50th Anniversary DVD (and Blu-Ray) restores the premiere version and shows Elizabeth Taylor at the top of her game. People always complain how she dragged Burton down but I think it was the other way around for she was rarely this good again and never as beautiful as she is here. If you've never seen CLEOPATRA uncut then you really need to. It comes from an age when Hollywood epics had something to say as well as something to show off. While the Blu-Ray is a knockout, this DVD is a close second and can be played on more devices. It's also usually available at a better price and loaded with special features as well...For more reviews visit The Capsule Critic.
First of please note this is a review of the recent restored DVD version of the film not the savagely cut older version of the film.
Having watched the documentary on this film it seems amazing this film was ever completed how the director managed to get anything even vaguely coherent to the screen is a minor miracle in itself. Cleopatra is a luscious period epic and it's clear no expense was spared on either scenery or costumes, gorgeous to look at but somehow unsatisfying at the end. The movie seems to lose it's way half way through as Rex Harrison departs so for me does the quality of this movie.
It's difficult to tell whether this is due to over the top performances from Taylor and Burton or the forced cuts to reduce the running time. Roddy McDowell is the highlight of the 2nd half of the film and i'm sure Joaquin Phoenix must have researched his role for Gladiator here, McDowell's Octavian is chilling in the extreme. But the rest of the 2nd half of the movie descends into melodrama, where the 1st gave us the excellent Harrison restrained and regal as Ceaser the 2nd gives us real life lovers Burton and Taylor locked in an over-acted doomed romance. But throughout the film there are supporting actors giving first class performances that without the cuts would be interesting to see Martin Landau, Andrew Keir, Hume Cronyn and George Cole all have their moments it's just a shame there aren't more of them.
If I could split my vote over the two halves of the movie the first half would get 9/10 the 2nd 6/10 as I can't I'm going with a 7/10 overall.
Having watched the documentary on this film it seems amazing this film was ever completed how the director managed to get anything even vaguely coherent to the screen is a minor miracle in itself. Cleopatra is a luscious period epic and it's clear no expense was spared on either scenery or costumes, gorgeous to look at but somehow unsatisfying at the end. The movie seems to lose it's way half way through as Rex Harrison departs so for me does the quality of this movie.
It's difficult to tell whether this is due to over the top performances from Taylor and Burton or the forced cuts to reduce the running time. Roddy McDowell is the highlight of the 2nd half of the film and i'm sure Joaquin Phoenix must have researched his role for Gladiator here, McDowell's Octavian is chilling in the extreme. But the rest of the 2nd half of the movie descends into melodrama, where the 1st gave us the excellent Harrison restrained and regal as Ceaser the 2nd gives us real life lovers Burton and Taylor locked in an over-acted doomed romance. But throughout the film there are supporting actors giving first class performances that without the cuts would be interesting to see Martin Landau, Andrew Keir, Hume Cronyn and George Cole all have their moments it's just a shame there aren't more of them.
If I could split my vote over the two halves of the movie the first half would get 9/10 the 2nd 6/10 as I can't I'm going with a 7/10 overall.
Once again I have watched the complete Cleopatra (or at least the complete Cleopatra available). In addition, because I watched the DVD version of the movie, I also was able to view the outstanding documentary "Cleopatra: The Film that Changed Hollywood". And, once again, I am all but overwhelmed by the movie. Elizabeth Taylor may very well be one of the most under-rated actresses of the last fifty years; her public private life has always overshadowed her acting ability. But it is not her notoriety that puts her in the same league with other two time Oscar winners like Jane Fonda, Sally Field, Tom Hanks, etc. In Cleopatra, as in George Stevens' Giant, she runs the gamut from adolescent to matriarch, from calculating queen to devastated lover, and rings every bell in between. But her performance alone does not make the movie. Not only is she supported by Burton, in one of his best screen performances, and Rex Harrison, in one of his best, Taylor's old friend Roddy McDowall gives the performace of his lifetime (how sad that a clerical error cost him his Oscar); we see a young Martin Landau, a young Carroll O'Connor, a young Jean Marsh, give performances worthy of anything they've ever put on screen since. The documentary points out that the original Mankiewicz cut of the film was 6 1/2 hours long and that Fox is currently trying to reassemble the film as originally cut. If they ever succeed in doing so, I would stand in line to see it in theatres and buy it on DVD the first chance I got. As a history freak, it more than satisfies; as a fan of brilliant acting, it wows! Everyone should see it at least once!
क्या आपको पता है
- ट्रिवियाWriter and director Joseph L. Mankiewicz was fired during post-production, due to the quarrels with the then-newly reinstalled Fox President Darryl F. Zanuck over the nature of editing the movie's length. Since he wrote the script as he was shooting, Twentieth Century Fox soon realized that only Mankiewicz knew how the story fit together. He was then brought back to complete the project.
- गूफ़When Caesar is saying goodbye to Cleopatra in Alexandria before sailing back to Rome, one of his aides hurries him by warning, "Caesar, I'm afraid the tides will soon be against you." In fact, the Mediterranean Sea has no tides, or, more precisely, its tides are so minimal that they don't affect navigation. No ship sailing from a Mediterranean port would have to worry about catching a tide.
- इसके अलावा अन्य वर्जनPremiered at a length of 243 minutes. A week after the premiere, the film was reduced to 222 minutes, and edited further to 194 minutes for general release. The 194-minute version was the default broadcast television version for years; home video and cable television releases are of the full-length cut.
- कनेक्शनEdited into Marilyn: Something's Got to Give (1990)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Kleopatra
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $4,40,00,000(अनुमानित)
- US और कनाडा में सकल
- $5,77,77,778
- दुनिया भर में सकल
- $5,77,80,433
- चलने की अवधि5 घंटे 20 मिनट
- रंग
- पक्ष अनुपात
- 2.39 : 1
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