The Richard Boone Show

I can add little to the well-made comments of the ex-Georgian (now safely in Mass.) regarding THE RICHARD BOONE SHOW. It was indeed unique on television in the 1960s and beyond.

The producers probably thought the name would attract viewers, but obviously not enough. I would like to think this rotating cast of characters and situations was "ahead of its time," but perhaps there was no such time. Series, a.k.a. "prime time" television watchers apparently did not like the insecurity of no characters or settings to which they could become attached. Always there was something new, even unique, c.f. the afore-mentioned episode by Odets. THE RICHARD BOONE SHOW was not in keeping with Ray Bradbury's notion of "television family" -- which the host's expositions from the Green Room could not replace. To be best of my recollection, Richard Boone disappeared from television with this noble experiment.

I was five, yes,five, when this show first ran. Until recently, I judged on a single, wonderful episode, "Vote No on Eleven" which I somehow managed to see. Jeannete Nolan was nominated for an Emmy for her portrayal of a bag lady. Recently, I have been able to catch some episodes on You Tube, and what I have seen is truly excellent.It is very sad that this show failed to be a hit, as Richard Boone and Buck Houghton put a lot into it. The cast of the show was uniformly excellent.The shows music was by Henry Mancini, except for the first episode, "Statement of Fact' which featured music by Bernard Hermann.

As a somewhat geeky kid of 8, I'd somehow usually manage to stay up a little late on the nights when The Richard Boone Show was on. It was in a way an echo of earlier TV classic shows like Plahouse 90, in that each week there would be a new show with a new cast, but the twist was this was all done by the show's repertory company. The company was filled with excellent actors; some of whom were already quite well known and respected, like Harry Morgan (who directed a few episodes), Jeanette Nolan, Guy Stockwell, Lloyd Bochner and the always excellent Michael Constantine. Also on hand was Robert Blake, a long time veteran but a few years away from starring roles in "In Cold Blood" and later TV's "Baretta". Part of the excitement was each week that the spotlight would shine on the chosen cast. Richard Boone added substance to the show in his tasks as narrator, sometime ensemble actor and if memory serves even worked as an episodic director on the show as well. The writing of the show was varied and of quality with some great writers in the company like Clifford Odets. It was a disappointment to me that the show did not last beyond one season. It was a gem that for some sad reason did not click with the ratings. It would be great to see the show on Nick or some cable station sometime.

Oh for the days when great writers, directors and actors populated TV with shows other than Police and Medical soaps, reality shows and sitcoms. Don't get me wrong, I enjoy many sitcoms, but I miss the variety of good dramas and even the variety shows like Ed Sullivan, Hollywood Palace, The Danny Kaye show, etc.

If you ever see this show listed or shown anywhere-- do try and catch it.

1963-64 featured two unique bits of prime-time series programming: George C. Scott's social work series on CBS, EAST SIDE WEST SIDE, with its vivid bi-racial stories (several strong enough they were never shown in Georgia, where I watched), and Richard Boone's one-hour series of original dramas, each one acted by the show's in-house cast of players. Boone, John McIntyre (WAGON TRAIN) and Henry Morgan (DRAGNET)were well known, Robert Blake was about to be-- the rest of the company were just as often featured (Bethel Leslie and Jeanette Nolan were particularly strong). They took the repertory ideal very seriously-- Clifford Odets wrote the premiere script, and their most noticed hour was written by Horton Foote ("All the Comforts of Home"). The quality of these shows was less remarkable than Scott's show, which I am convinced would still look good today. But Boone's experiment made a strong case for the idea that this was what actors should be doing, to enlarge their skills. Wherever Laura Devon, Lloyd Bochner, and Warren Stevens are today, they should be satisfied to have been part of this project.

This show is fondly remembered by those of us who saw it, but not as precisely as might be. One reviewer remembers John McIntyre on it, which he was not, and speaks of the various roles of "Bobby Benson," by which I think he means Robert Blake, as there's no Bobby Benson in the cast list. Another person remembers it being an alternative to "The Fugitive," but my family and I saw every episode of both of those shows, so they couldn't have been on opposite each other. Nevertheless, this was as great a show as everyone says. The rotating cast members distinguished themselves before, during and especially afterward in many memorable roles on stage, screen, television, radio and recording. Boone himself, alas, had little chance to fulfill the versatility he showed in the various plays, being mostly typecast in villain roles for the rest of his career. The Richard Boone Show itself quickly joined the list of excellent TV programs that simply never caught the fancy of the general audience. There's never been another show like it.