डॉक्टर के समय और स्थान में रोमांच, एक टाइम लॉर्ड जो पुनर्जन्म करके उपस्थिति और व्यक्तित्व को बदलता है।डॉक्टर के समय और स्थान में रोमांच, एक टाइम लॉर्ड जो पुनर्जन्म करके उपस्थिति और व्यक्तित्व को बदलता है।डॉक्टर के समय और स्थान में रोमांच, एक टाइम लॉर्ड जो पुनर्जन्म करके उपस्थिति और व्यक्तित्व को बदलता है।
- 2 BAFTA अवार्ड के लिए नामांकित
- 5 जीत और कुल 2 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
This series is just too huge to put into words. Classic Who has so many different styles and stories and protagonists. It's amazing concepts and different, iconic things.things that are just common knowledge in our culture today. Eight Doctors. Eight eras. There's just too much of it to put into words. Doctor Who is just part of British culture due to this fine, twenty six season long story of a time travelling alien.
Each Doctor's era is very different. They seem to have the same style as the Doctor. The Doctor ran the show, with the exception of the First Doctor (William Hartnell) to a degree, who let his companions take charge. Each Doctor had unique personalities, and the style and stories of Classic Who matched the Doctor they were assigned to.
The First Doctor was more of an adviser and let his companions take control, but he was still a crazy, lovable alien just like his other incarnations. The Second Doctor (Patrick Troughton) is my favourite, he's very childish but intelligent and was grown up when he needed to be. The Third Doctor (Jon Pertwee) was the earthbound Doctor started off as arrogant and annoyed, but gradually became more loving. The Fourth Doctor (Tom Baker) arguably made the show popular and is the most known Classic Doctor. He's also arguably the most childish and always had that huge smile.
The Fifth Doctor (Peter Davison) was the youngest Classic Doctor, but acted like the oldest at times. He's arguably the most unlucky Doctor as he just wants fun but death surrounds him. The Sixth Doctor (Colin Baker) is arguably (yes, again) the most disliked Doctor due to his arrogance and choice of clothing (not his fault). He was very childish and serious most of the time. The Seventh Doctor (Sylvester McCoy) was the clown to start off with, but gradually got much darker and more manipulative but always remained childish. The Eighth Doctor (Paul McGann) was probably the most human Doctor, and seemed to be one of the most childish but had a hidden sadness and rage, leading into New Who.
The TARDIS is the Doctor's iconic time and space travelling machine. It has became so iconic in British culture that if a child sees an old police box, he'll/she'll probably shout "TARDIS!" and point. The Master is the Doctor's nemesis, his Moriarty, who can also regenerate when injured as they are both the aliens called Time Lords from Gallifrey. Daleks are another iconic thing in Britain now, try and find somebody who doesn't know what one is.
Of course, these are only brief descriptions and don't go into each era, which usually matches the Doctor at the time. The series is so massive that I could describe it for hours. So impressive. A small concept became such an iconic show. Possibly more famous than Robin Hood, another British achievement.
I gave this series a 9 for a reason, though. I believe the pacing is too slow. It's hard to pay attention much of the time as things take so long to happen. This was normal at the time of 1960s Doctor Who, but not the extent this series. As fun and interesting as it is, it can bore me to a very large extent. If only each story was cut in half, bar some of the better paces stories.
So a huge cultural thing, but the series itself has a number of problems. The concepts are so genius, though, that these can be forgiven. I just find the series hard to watch a lot of the time. I'll review New Who (2005-) separately.
Each Doctor's era is very different. They seem to have the same style as the Doctor. The Doctor ran the show, with the exception of the First Doctor (William Hartnell) to a degree, who let his companions take charge. Each Doctor had unique personalities, and the style and stories of Classic Who matched the Doctor they were assigned to.
The First Doctor was more of an adviser and let his companions take control, but he was still a crazy, lovable alien just like his other incarnations. The Second Doctor (Patrick Troughton) is my favourite, he's very childish but intelligent and was grown up when he needed to be. The Third Doctor (Jon Pertwee) was the earthbound Doctor started off as arrogant and annoyed, but gradually became more loving. The Fourth Doctor (Tom Baker) arguably made the show popular and is the most known Classic Doctor. He's also arguably the most childish and always had that huge smile.
The Fifth Doctor (Peter Davison) was the youngest Classic Doctor, but acted like the oldest at times. He's arguably the most unlucky Doctor as he just wants fun but death surrounds him. The Sixth Doctor (Colin Baker) is arguably (yes, again) the most disliked Doctor due to his arrogance and choice of clothing (not his fault). He was very childish and serious most of the time. The Seventh Doctor (Sylvester McCoy) was the clown to start off with, but gradually got much darker and more manipulative but always remained childish. The Eighth Doctor (Paul McGann) was probably the most human Doctor, and seemed to be one of the most childish but had a hidden sadness and rage, leading into New Who.
The TARDIS is the Doctor's iconic time and space travelling machine. It has became so iconic in British culture that if a child sees an old police box, he'll/she'll probably shout "TARDIS!" and point. The Master is the Doctor's nemesis, his Moriarty, who can also regenerate when injured as they are both the aliens called Time Lords from Gallifrey. Daleks are another iconic thing in Britain now, try and find somebody who doesn't know what one is.
Of course, these are only brief descriptions and don't go into each era, which usually matches the Doctor at the time. The series is so massive that I could describe it for hours. So impressive. A small concept became such an iconic show. Possibly more famous than Robin Hood, another British achievement.
I gave this series a 9 for a reason, though. I believe the pacing is too slow. It's hard to pay attention much of the time as things take so long to happen. This was normal at the time of 1960s Doctor Who, but not the extent this series. As fun and interesting as it is, it can bore me to a very large extent. If only each story was cut in half, bar some of the better paces stories.
So a huge cultural thing, but the series itself has a number of problems. The concepts are so genius, though, that these can be forgiven. I just find the series hard to watch a lot of the time. I'll review New Who (2005-) separately.
Doctor Who was my childhood. This show was, and still is, awesome. Right from the start, it was set apart from sci-fi shows at the time. This show was originally intended to be educational. But all that changed one fateful day in 1963. Yes, that's right, I'm talking about... the Daleks.
These monsters were one of the few things from sci-fi that could illicit pure, unadulterated terror in me. Other monsters eventually cropped up over the years, like the Cybermen, Sontarans, Silurians, Sea Devils, the Master, the list goes on...
In short, there is a reason this show has spawned countless spin- offs, a TV movie, and has lasted for 50 years.
It is because it is a staple of British television. Even cancellation couldn't stop this gem.
After 16 years in development hell, barring the aforementioned movie, Doctor Who returned.
These monsters were one of the few things from sci-fi that could illicit pure, unadulterated terror in me. Other monsters eventually cropped up over the years, like the Cybermen, Sontarans, Silurians, Sea Devils, the Master, the list goes on...
In short, there is a reason this show has spawned countless spin- offs, a TV movie, and has lasted for 50 years.
It is because it is a staple of British television. Even cancellation couldn't stop this gem.
After 16 years in development hell, barring the aforementioned movie, Doctor Who returned.
After a wait of almost sixteen years and with only just over a week to go before the new series of "Doctor Who" begins, let's hope that some classics are on the way to warrant all the hype and, above all, that the show remains true to its original spirit and is as fun as it always was. With that in mind, I thought it might be an opportune time to reflect on some of the great stories of the past.
From First Doctor William Hartnell's era, my choice of favourite story would have to be "The Dalek Invasion of Earth". The use of extensive location filming enhances its atmosphere greatly. I know that, forty years on, the Robomen look and sound silly and the flying saucer is obviously dangled from a piece of string but the serial's shortcomings are compensated by the imagery of the Dalek rising from the River Thames and a group of them patrolling Trafalgar Square, not to mention crossing Westminster Bridge in the trailer. And then there is the sensitive ending marking Carole Ann Ford's departure from the series after playing the Doctor's granddaughter, Susan, for ten stories...
So many perfect serials from Second Doctor Patrick Troughton's time on the show! "Fury from the Deep" is my choice because it frightened me more than anything else I'd ever seen. It has several excellent cliffhangers and I'll never forget one of the characters walking out to sea and not stopping as she becomes totally immersed by the water or Victoria trapped in a locked room as the seaweed and foam threaten to engulf her. I long to see this story again but, alas, it seems gone forever.
I love the first six serials of the Jon Pertwee era because they are complex and challenging. Of the six, "The Mind of Evil" is my favourite though writer Don Houghton's other serial, "Inferno", comes a close second. The reason I like it is because the idea of a parasite feeding off the fear in men's minds is so much more frightening than some lumbering monster!
My favourite Tom Baker serial is "Genesis of the Daleks" despite the BBC always falling back on it for repeat seasons! Writer Terry Nation, creator of the Daleks, devised the character of Davros in order to raise the standard of dialogue between hero and enemy, succeeding here in discussing many moral issues. Sarah Jane Smith seemingly falling to her death from the rocket scaffolding, as she tries to make her escape, and the freeze frame is another moment that will always stay with me.
Cliffhangers play an important part in making a good serial and "The Caves of Androzani" boasts two of the finest. When Peter Davison's Doctor and new companion Peri are shot dead at the end of the first episode I didn't foresee the resolution. It's a shame it took until the last story of this era to get it right but director Graeme Harper presents us with a thoroughly gripping tour de force. Christopher Gable is electrifying as Sharaz Jek and I love the scene of the dying Doctor, coat caked in mud, struggling to carry his companion back to the TARDIS in an act of self-sacrifice that leads to his premature regeneration at the story's close.
"Revelation of the Daleks" is "Doctor Who" for adults. Writer Eric Saward presents us with an alternative take on the Doctor through the character of Orcini, and his sidekick with personal hygiene problems, which is why Colin Baker's Doctor doesn't really enter the fray until over halfway through. Nicola Bryant, as Peri, is lucky to have worked with Harper on both his serials which may account for why she is one of my favourite companions. There are moments of real pathos in this serial such as Natasha discovering what has really become of her father and the death of Jobel, which is no mean feat when you consider the ghastly nature of his character!
Finally, from Sylvester McCoy's three years on the show, my choice has to be "The Curse of Fenric". This period has come in for much criticism when, certainly during the last two years, the show was actually beginning to find its feet again. It wasn't all played for laughs as is often suggested. One of the scariest things in this serial isn't the Haemovores or the rather placid Ancient One but the transformation of the two girls into vampires because the allegory, equating loose morality with bodily decay, is far more frightening than any monster could be, even when those monsters are well-realised. The story contains some very memorable dialogue too. Who can forget the chilling menace of "We play the contest again... Time Lord"?
And, if I was only allowed just one of the seven to take to my mythical island it would have to be, if it still existed in the BBC's archive, "Fury from the Deep". I don't think I would be disappointed, given the opportunity to see it again, as anything that can leave such an indelible mark on the memory has to have been an extremely powerful piece.
From First Doctor William Hartnell's era, my choice of favourite story would have to be "The Dalek Invasion of Earth". The use of extensive location filming enhances its atmosphere greatly. I know that, forty years on, the Robomen look and sound silly and the flying saucer is obviously dangled from a piece of string but the serial's shortcomings are compensated by the imagery of the Dalek rising from the River Thames and a group of them patrolling Trafalgar Square, not to mention crossing Westminster Bridge in the trailer. And then there is the sensitive ending marking Carole Ann Ford's departure from the series after playing the Doctor's granddaughter, Susan, for ten stories...
So many perfect serials from Second Doctor Patrick Troughton's time on the show! "Fury from the Deep" is my choice because it frightened me more than anything else I'd ever seen. It has several excellent cliffhangers and I'll never forget one of the characters walking out to sea and not stopping as she becomes totally immersed by the water or Victoria trapped in a locked room as the seaweed and foam threaten to engulf her. I long to see this story again but, alas, it seems gone forever.
I love the first six serials of the Jon Pertwee era because they are complex and challenging. Of the six, "The Mind of Evil" is my favourite though writer Don Houghton's other serial, "Inferno", comes a close second. The reason I like it is because the idea of a parasite feeding off the fear in men's minds is so much more frightening than some lumbering monster!
My favourite Tom Baker serial is "Genesis of the Daleks" despite the BBC always falling back on it for repeat seasons! Writer Terry Nation, creator of the Daleks, devised the character of Davros in order to raise the standard of dialogue between hero and enemy, succeeding here in discussing many moral issues. Sarah Jane Smith seemingly falling to her death from the rocket scaffolding, as she tries to make her escape, and the freeze frame is another moment that will always stay with me.
Cliffhangers play an important part in making a good serial and "The Caves of Androzani" boasts two of the finest. When Peter Davison's Doctor and new companion Peri are shot dead at the end of the first episode I didn't foresee the resolution. It's a shame it took until the last story of this era to get it right but director Graeme Harper presents us with a thoroughly gripping tour de force. Christopher Gable is electrifying as Sharaz Jek and I love the scene of the dying Doctor, coat caked in mud, struggling to carry his companion back to the TARDIS in an act of self-sacrifice that leads to his premature regeneration at the story's close.
"Revelation of the Daleks" is "Doctor Who" for adults. Writer Eric Saward presents us with an alternative take on the Doctor through the character of Orcini, and his sidekick with personal hygiene problems, which is why Colin Baker's Doctor doesn't really enter the fray until over halfway through. Nicola Bryant, as Peri, is lucky to have worked with Harper on both his serials which may account for why she is one of my favourite companions. There are moments of real pathos in this serial such as Natasha discovering what has really become of her father and the death of Jobel, which is no mean feat when you consider the ghastly nature of his character!
Finally, from Sylvester McCoy's three years on the show, my choice has to be "The Curse of Fenric". This period has come in for much criticism when, certainly during the last two years, the show was actually beginning to find its feet again. It wasn't all played for laughs as is often suggested. One of the scariest things in this serial isn't the Haemovores or the rather placid Ancient One but the transformation of the two girls into vampires because the allegory, equating loose morality with bodily decay, is far more frightening than any monster could be, even when those monsters are well-realised. The story contains some very memorable dialogue too. Who can forget the chilling menace of "We play the contest again... Time Lord"?
And, if I was only allowed just one of the seven to take to my mythical island it would have to be, if it still existed in the BBC's archive, "Fury from the Deep". I don't think I would be disappointed, given the opportunity to see it again, as anything that can leave such an indelible mark on the memory has to have been an extremely powerful piece.
The sheer volume of Doctor Who episodes makes briefly commenting on all aspects of this wonderful show a challenge. However, I can make some recommendations for new viewers.
If the ONLY thing you want from science fiction is special effects, then Doctor Who is not for you. The quality of the effects are often admirable when the shoestring production budget considerations are factored in, but Doctor Who never really equaled the special effects of other shows. What Doctor Who does deliver is keen attention to character, dialogue, and plot. Doctor Who was always something more than its 1963 b&w kid's show origins suggest, and over the years it evolved into a program that could make some very clever, thought-provoking comments and observations while at the same time delivering a fun and suspenseful adventure.
Cliffhangers were what made me a fan from the beginning. Unfortunately, Doctor Who tends to be shown now in movie-style blocks. This dilutes those marvelous cliffhangers. Every episode of the show is about a half-hour, but most stories had at least 4 parts. At the end of each part, the Doctor or one of his many companions faces seemingly absolute, inescapable doom of some kind or another. I was lucky enough to first see Doctor Who on PBS, one half-hour episode per week-night. My friends and I had to wait a whole agonizing day to see the Doctor's clever escape or rescue. I don't know how the UK fans had the patience to wait a week. If you can, you should try to preserve the breaks too in order to get a real sense of the show, even if you just pause a few moments between parts.
One more thing to remember is that the Doctor is enigmatic. We still don't know everything there is to know about this renegade Time Lord. Part of the fun of the show is learning about the complex character and his history. But rest assured, his hearts are always in the right place.
So which episode should you start with? Every fan has a favorite Doctor and episode. I think you can't go wrong with "Remembrance of the Daleks" (1988). The 7th Doctor and Ace are a great team. Or try "City of Death" (1979), a terrific 4th Doctor and Romana story set in Paris. But ask around and check the web; other fans will send you in other directions. That's the most fun thing about discovering this show, there are so many directions to explore.
If the ONLY thing you want from science fiction is special effects, then Doctor Who is not for you. The quality of the effects are often admirable when the shoestring production budget considerations are factored in, but Doctor Who never really equaled the special effects of other shows. What Doctor Who does deliver is keen attention to character, dialogue, and plot. Doctor Who was always something more than its 1963 b&w kid's show origins suggest, and over the years it evolved into a program that could make some very clever, thought-provoking comments and observations while at the same time delivering a fun and suspenseful adventure.
Cliffhangers were what made me a fan from the beginning. Unfortunately, Doctor Who tends to be shown now in movie-style blocks. This dilutes those marvelous cliffhangers. Every episode of the show is about a half-hour, but most stories had at least 4 parts. At the end of each part, the Doctor or one of his many companions faces seemingly absolute, inescapable doom of some kind or another. I was lucky enough to first see Doctor Who on PBS, one half-hour episode per week-night. My friends and I had to wait a whole agonizing day to see the Doctor's clever escape or rescue. I don't know how the UK fans had the patience to wait a week. If you can, you should try to preserve the breaks too in order to get a real sense of the show, even if you just pause a few moments between parts.
One more thing to remember is that the Doctor is enigmatic. We still don't know everything there is to know about this renegade Time Lord. Part of the fun of the show is learning about the complex character and his history. But rest assured, his hearts are always in the right place.
So which episode should you start with? Every fan has a favorite Doctor and episode. I think you can't go wrong with "Remembrance of the Daleks" (1988). The 7th Doctor and Ace are a great team. Or try "City of Death" (1979), a terrific 4th Doctor and Romana story set in Paris. But ask around and check the web; other fans will send you in other directions. That's the most fun thing about discovering this show, there are so many directions to explore.
It is now wonder this show has run for as long as it has. I'm reviewing the classic series only, although why it's split into two I've never fathomed out. Seven actors held the mantle of being the Doctor, credit to William Hartnell, for being the hook, for gripping the initial viewers, and credit to Patrick Troughton for doing the unthinkable and taking over the lead role.
I love how each generation of my friends had a 'Doctor,' and how passionate they felt towards theirs. I grew up with Sylvester as mine, and sadly by then the show was in a huge decline and subsequently ended up being axed.
Purple patch of the show for me Series 13, Tom and Lis on supreme form, fantastic production values, and writing to match, the whole Gothic horror format worked amazingly well. Such a shame that the quality went out of the show during the late eighties for the most part, but there are definite hidden gems in there, Remembrance of the Daleks being a prime example.
I'm sure we all know parts of the series inside out, so doing a general review is quite difficult, all I can say is that I've loved this show since I was young and continue to do so.
Highlights, Caves of Androzani, Genesis of the Daleks, Pyramids of Mars, to name but a few.
Legendary 10/10.
I love how each generation of my friends had a 'Doctor,' and how passionate they felt towards theirs. I grew up with Sylvester as mine, and sadly by then the show was in a huge decline and subsequently ended up being axed.
Purple patch of the show for me Series 13, Tom and Lis on supreme form, fantastic production values, and writing to match, the whole Gothic horror format worked amazingly well. Such a shame that the quality went out of the show during the late eighties for the most part, but there are definite hidden gems in there, Remembrance of the Daleks being a prime example.
I'm sure we all know parts of the series inside out, so doing a general review is quite difficult, all I can say is that I've loved this show since I was young and continue to do so.
Highlights, Caves of Androzani, Genesis of the Daleks, Pyramids of Mars, to name but a few.
Legendary 10/10.
क्या आपको पता है
- ट्रिवियाThe original pilot episode was rediscovered in 1978 in a mislabeled film can. After an archive purge by the BBC between 1972 and 1978, the film survived by chance and was originally thought lost forever.
- गूफ़Peri Brown is American, but often pronounces words in Nicola Bryant's English accent.
- भाव
The Doctor: "Eureka" is Greek for "this bath is too hot."
- क्रेज़ी क्रेडिटThe tradition of showing The Doctor's face in the opening titles was not introduced until Patrick Troughton's tenure with the program was under way. During Jon Pertwee's era, the producers experimented with changing the opening credits and music. One of the rejected opening credits was accidentally included on some prints of the story "Carnival of Monsters" that were broadcast overseas.
- इसके अलावा अन्य वर्जनThe original videotape prints of 1960s-era episodes no longer exist. As a result, all later broadcasts of these episodes (PBS, Sci-Fi Channel, BBC) have used film and kinescope transfers. When these early episodes began to be issued on DVD in the early-2000s, computer technology was used to restore the video look to these episodes. In addition, other restorations and corrections to the original broadcasts were made. (For example, the sound mix is altered to remove background noise and accidental sounds like coughs in the studio, in one episode a boom shadow was digitially removed). These restorations are particularly apparent in the box sets Lost in Time and The Beginning which compile surviving episodes from the early years of the series.
- कनेक्शनEdited into BBC Future Generations (1998)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Classic Who
- फ़िल्माने की जगहें
- St Austell, Cornwall, इंग्लैंड, यूनाइटेड किंगडम(episode "Colony in Space")
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि25 मिनट
- रंग
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें