Arrest and Trial

The 30 episodes (all in B&W) of the 90-minute crime drama "Arrest and Trial" originally ran on ABC during its 1963-1964 broadcast season. The new three-disc DVD set includes nine of the episodes: #3, #4, #7, #11 (guest starring Martin Sheen and Michael Parks), # 15 (guest starring Mickey Rooney), #21, #22 (guest starring Nick Adams), #23, #30; seemingly taken at random from the series.

The series was an innovative concept as it was essentially broken down by the words in its title. During the first 45 minutes of each episode LA detective Nick Anderson (Ben Gazzara) would solve the crime, arrest the perpetrator(s), and hand them over for trial. The second half concerned defense attorney John Egan's (Chuck Connors) attempts to get them acquitted.

That Egan was for the defense and not the prosecution was what made the series unique. Guilt or innocence thus became a relative term. With better writing it could been a great series (think "Hill Street Blues" where the public defender is involved in a romance with the Precinct Captain). Unfortunately rather than actually working in opposition to each other most of the episodes featured little if any interplay between Anderson and Egan. So what you got was more like a 45-minute cop show followed by a 45-minute lawyer show; with the only point in common being the same guest star(s); whose character might just as well have had different names for all it would have mattered.

The series tried to hold the cop show fans over for the second half by ingeniously breaking the show at the quarter hour when it was too late to change channels and watch something else. It must not have worked very well because the ratings were too low to support a second season.

Gazzara was excellent but Connors was horribly miscast. Most likely someone who is seeing Connors' various shows for the first time is mystified than he got so much television work in 1960's. All I can say is that a lot of people were just as mystified then.

Then again, what do I know? I'm only a child.

The short lived television series "Arrest And Trial" was the forefront of the critically acclaimed dramas of the 1960's. This part police procedure, part detective drama, and part courtroom drama was on the same level as "Perry Mason", "The Defenders", and "Dragnet" that lasted one season on ABC's prime time schedule airing on Sunday nights from 8:30-10:00pm (Eastern) that ran 90 minutes with commercials and station identification airing from September 15, 1963 until April 19, 1964. A total of 30 episodes were produced in black and white with the series being produced by Revue Studios/Universal Television and was filmed at the studios of Universal City in association with the ABC Television Network.

The series faced stiff competition on it's Sunday night schedule where it went up against NBC's "The Bill Dana Show", and "Bonanza ",and the second half of CBS' "The Ed Sullivan Show",and "The Judy Garland Show". The majority of the episodes consisted of two segments. First was "The Arrest" that follows Detective Sergeant Nick Anderson (Ben Gazzara) and his partner Detective Dan Kirby(Roger Perry) of the Los Angeles Police Department along with Lieutenant Detective Carl Bowie (Noah Keen) along with Detective Mitchell Harris (Don Galloway) and Joesph Higgins as they solve crimes and vicious murders as they hunt down and captured vicious criminals who may have been connected to other acts as well as other crimes in which they bring them to justice. The apprehended suspect is read his constitutional rights and is brought to trial in a court of law.

The second half of the program "The Trial" begins with the defended being assigned to the criminal attorney John Egan (Chuck Conners) who was often against the Deputy District Attorney Jerry Miller (John Larch) and the Assistant District Attorney(Barry Pine) where the defended is tried and convicted before a judge and a jury whether if they are found guilty or not guilty depending on the outcome of the case. The series was nominated for Four Prime Time Emmys for Outstanding Dramatic Series during it short lived run. With executive producer Frank P. Rosenburg along with producers Earl Bellamy, Arthur H. Nadel and Charles Russell this series was absolutely brilliant that had a plethora of guest stars each week with top notch direction and fantastic writing that set the tone in modern day 1960's Los Angeles. The best episodes from the series were "Onward and Upward", "Roll Of The Dice", "The Witnesses", "A Shield Is For Hiding Behind", "Inquest For A Bleeding Heart", "Tears From A Silver Dipper", and "Call It A Lifetime".

Creator and producer Dick Wolf Of "Law and Order" took a cue from this 1960's television series and adapted it in the 1990's that had the same format but it was more successful. But still "Arrest And Trial" remains a bonafide classic of brilliant television from the 1960's that was critically acclaimed but was suddenly canceled that still requires a good look.

My title, "Tortured Criminals," refers not to the torturing of criminals but to the fact that on "Arrest and Trial," many or most of the criminals were tortured souls, people out of step with society. Basically good people whose problems, upbringing or outlook on life led them to a criminal act--maybe just one--or to an acting-out crime spree. These lost souls might be addicts, alcoholics, thrill-seekers, seniors experiencing dementia, misguided youth, all of whom seemed okay when not drunk, on drugs, or otherwise affected at the moment by the idiosyncrasies that set them aside from "normal" people. The in-depth look into the character of these lost souls was the heart of the show. Sometimes it just became too much (for the viewer), too maudlin, too many excuses for the improper behavior, too much theorizing about socialization, rehabilitation, upbringing and family life.

The lead casting was a surprise: Ben Gazzara, who went on to star in "Run for Your Life" immediately after the one-year run of "Arrest and Trial," and Chuck Conners, a former baseball player for the Brooklyn Dodgers (among others) who had just finished a 1958-63 stint as the star of "The Rifleman." They didn't quite fit together, although they didn't actually work together since Gazarra was a cop and Conners a prosecuting or defense attorney. Conners, at 6 ft. 6 in. Towered over everybody and didn't seem to fit in the frame. And after a very iconic role as Lucas McCain, the Rifleman, it is hard for viewers to see him as a lawyer, though his penchant for justice and human kindness remained the same.

The supporting cast reads like a list of up-and-coming Who's Who performers, but an outstanding tour de force was accomplished by Jack Weston in the episode, "Birds of a Feather," in which he donned numerous disguises and played completely different characters; sometimes it took a moment to realize it was the same actor.

The music for "Arrest and Trial" leaned toward piano with orchestral background, and sometimes became a bit much; you either like it our you don't. Many of the episodes were shot in interesting locations, a big plus for the one-season series.

All in all, enjoyable, if you can overlook the over-sentimentalization, ongoing behavioral-theory conversations, and an actor who was constantly hitting his head on the underside of the top of your TV set.

Sometimes melodramatic, but intelligent and very well acted early 1960s U.S. TV series, that obviously served as the inspiration for "Law & Order".

Like "L & O" this is divided into 2 parts; "Arrest" where cop Ben Gazzara tracks down the person seemingly guilty of that week's crime and "Trial" where Chuck Connors defends them.

Having the 2nd half be from the defense point-of-view, not the prosecutor's makes the show different than "Law and Order", and arguably more interesting. It makes blatant how much of the legal system exists in shades of gray.

It's not surprising that Ben Gazzara is very, very good as cop Nick Anderson, making him more complex and interesting than your basic TV detective of the era. What caught me off- guard was that Connors as successful attorney John Egan, just about matches him. Unlike Gazzara, Connors was never taken that seriously as an actor,. But he shows a lot here as a top notch, somewhat cynical lawyer. Beyond the two leads, the guest casts were often very strong as well.

It's partly because these were 90 minutes episodes on TV, so each show runs about 75 minutes of screen time, as opposed to the standard TV drama that runs an hour, which means about 45-60 minutes of actual story. With the extra time, the writers fleshed out the characters, both regulars and guests, much more fully than on most non-serialized dramas.

So even if there are plot or logic holes (like charging a man with 1st degree murder, instead of a much more logical 2nd degree or manslaughter, so the trial can be about the issue of "intent" ) it feels more like you're watching a solid, well acted B-film each episode, instead of an early TV series. And the series has a nice mix of dark edginess and humanism.

Yes, the score can be painfully over-the-top, and some of the resolutions are too neat, but I'd still say this holds up favorably to a lot of the modern U.S. character cop and/or lawyer shows of today.

This was one of the "big" shows that came with the mid-'60s. ARREST AND TRIAL attempted to combine the standard "cop" show with a "lawyer" offering that blossomed in the early 1960s -- not to include of course PERRY MASON, by then an old warhorse.

Half the story was the detection/ manhunt/ apprehension, whilst the other half concerned the adjudication. Even though I liked lawyer shows as a teen-ager and afterward (foreshadowing awful things to come in middle age), for some reason ARREST AND TRIAL did not click. I probably watched it for only its first three months -- sure beat homework -- but not again. It would seem audienceland received it the same way, which the two leads, a strong male figure (Connors) and a good actor (Gazzara) could not save.