ब्रदर्स ग्रिम की अद्भुत दुनिया

When I was a kid I would have travelled to the moon if necessary to see anything in Cinerama and this film was no different. I have not seen it since '62 or '63 but I can still recall its magic. If I dug hard enough in old trunks I might even find its 'programme'. Amazing how blockbusters and special format pics always seemed to have accompanying booklets...or they did here in NZ at least.

If I was to view this now in some small screen format it might indeed seem corny and clumsy and dull but let me say that in three eye cinerama it was a sumptuous feast for a ten or so year old and I reckon if I was to see it again in those circumstances I would still be spellbound. How could one not be when senses are in sensory overload?

Years later I got to visit the real Neuschwanstein castle in Bavaria. I recall it being a bit of a a disappointment compared to the sequences where it featured in this film. Long live Cinerama!

An enchanting faerie tale anthology film, couched in a biographical story that is somewhat less interesting than the stories themselves, which is perhaps inevitable. There are a lot of stars in a lot of stories -- Russ Tamblyn shows off some of the fantastic aerobic dancing he displayed in "Seven Brides for Seven Brothers." If only they could have come up with a more worthy opponent for their lovely stop motion dragon than Buddy Hackett (who, on the flip side, makes for an unusual ghost).

The writing is good, and there are a lot of really fun scenes. The Cinerama process is used very effectively (wish I could have seen it on the big screen).

Ideally, one would be able to experience this movie as it was originally presented in Cinerama. I know that just about every child who shared that experience was completely enthralled by this movie. But even without the Cinerama presentation, this is still a very enjoyable and imaginative movie. This is one of the most successful live-action fairy tale films. The entire production is rich in color and atmosphere. The effective use of unusual locations and cinematography puts this film in a "one of a kind" category. The screenplays for the fantasy section are very fine and the biographical story is simple but unpretentious and easy to take. What really makes this sprawling fairy tale work is the wonderful cast and acting. This is an enormous international cast and includes humorous and touching performances from many of film's finest character actors. It would be wonderful to have a DVD release with comments from surviving cast members (Russ Tamblyn) and production artists.

While it's been encouraging to see a number of George Pal's sci-fi and fantasy classics finally come to DVD, THE WONDERFUL WORLD OF THE BROTHERS GRIMM is one of many still waiting to debut in the digital format (along with HOUDINI, ATLANTIS: THE LOST CONTINENT, a complete PUPPETOONS collection, etc..) With Terry Gilliam's new THE BROTHERS GRIMM film in theaters, it would seem like the timing would be perfect for such a release.

Although available on VHS for some time, the tape doesn't do the film justice. GRIMM was shot using the three camera/three projector Cinarama process. With cast and crew members such as Russ Tamblyn (who provided commentary for Pal's TOM THUMB DVD) and stop-motion animator Jim Danforth still around, it would be nice to see Pal's fairy tale film get the deluxe DVD treatment, with the insight of surviving participants giving us a behind the scenes look at the making of the movie.

In summer 2022 TCM is showing the recently extensively restored, full Cinerama image version of the film, which just came out on Blu-Ray. The image clarity and color are excellent, with almost no trace of 3 camera Cinerama distortions. But the movie itself is a mixed bag, with more negatives than positives. Anyone who is moderately savvy about film technique will see that the filmmakers were very limited by shortcomings with the Cinerama process. There are no close ups or medium close ups, everything is shot in long shots or medium shots. The large majority of the film is made up of static shots, where the camera does not move. The camera never moves side to side, only in and out. And there is very distracting fish eye distortion in the interior scenes (less noticeable in the outdoor scenes).

Lawrence Harvey is lively and fun in his role, but Karl Bohm is a liability. And how is it that one brother speaks with a British accent, and the other with a German accent ? The film makes good use of Russ Tamblin's tumbling ability and he shows plenty of playful energy. The women in the cast are given little to do and do it merely adequitely.

The music is a highlight, catchy and light, though to nitpick, the choral arrangements are old fashioned for 1962, sounding more like 1940's Disney (composer Lee Harline scored Pinochio and perhaps one or two other early 40's Disney features).