To Kill a Mockingbird

TO KILL A MOCKINGBIRD is presented like a play in three acts. It is also from the children's perspective. Through the kids, we find that racism is a learned attitude or feeling. We also see a delightful coming of age drama as the young kids realize that there is no Boogeyman down the street and their father is capable of doing a lot more than they think. The great Gregory Peck plays Atticus Finch, a pillar of nobility, social conscience, and, rare for 1930's Americana, a single parent. Peck is such a strong presence, you believe everything about him. It is something you can compare to America's trust in TV anchorman Walter Cronkite. We always took his word for it.

Act one puts Atticus in the background and allows the kids to flourish. Director Robert Mulligan was able to get such realistic performances from non-professional kids. They are amusing and fun to watch. The big mystery lies in the house down the street in this small Georgia town. Who is the monstrous, "6 and a half feet big" legend living in the end house? Some light suspense ensues, while the buildup to a stirring act two is happening. Atticus must defend an African-American man for the alleged rape of a white woman.

After threats galore, an unshaken Peck takes to the courtroom jungle in, without a doubt, one of the top 5 court scenes in motion picture history. Brock Peters lends the film its best moments as the accused "negro" on trial. This man has a face chiseled with suffering and deep, deep sorrow. We know Atticus is a good man, a decent human being with a soul. He sees this in his client as well, and in a closing argument that must have roused the civil rights movement, implores the jury to vote justice. An all-male, all-white jury in the 1930's were tough listeners. Peters' breakdown on the stand is one of the most realistic, emotionally saddening moments you'll ever see, especially in Hollywood films of the 1960's. The scene when Peck leaves the courtroom is now legendary as well.

Act three produces a tragic death, an unlikely hero, and the bringing together of a family. The filmmakers have such a passion for the material, they seem to handle it with gentleness. Racism is a hard-boiled subject and it is depicted and dealt with through grace and patience. TO KILL A MOCKINGBIRD poses the injustice of race relations in the 1930's as a front for the events happening in the 1960's. The film came out during turbulent times and was also an adaption of a literary classic. I am one to judge a film solely by film only. The book is a separate art form and should not be compared to the film, an art form itself. It is important, it is enlightening, and it has not aged. Watch it.

RATING: 9 of 10

After studying the outstanding book of To Kill A Mockingbird at school, I viewed this film, and was on the whole very impressed. Scout and Jem are portrayed brilliantly, considering the ages of the children who played them, and they, as with everything else in the production, are true to the book's spirit. Gregory Peck is perfect as the unflappable Atticus Finch, and deserved his Oscar. The music is worthy of praise, especially for the climatic scene, and the raw emotion and feeling of the book is amply conveyed. All of the cast are well cast, and it's interesting to ponder how much this film, at the time, would've shocked. That the book explores racism and outsiders in a southern town, through the eyes of a child is genius and works very nicely here. The only problems are minor- much of the book's counter-balancing humour was left out, certain characters are omitted (Dolphus Raymond and Aunt Alexandra), and some of the book's early characterisation is missed. Aside from these gripes, this is a magical film and a "must-see," as a companion piece to the classic novel. 9/10

Generally, I prefer to review movies I dislike, because I am better able to quantify negative opinions than positive ones, but "To Kill a Mockingbird" deserves a review as few other movies I have ever seen. I probably cannot make any statement about this film that has not already been made many times, but it really is one of the most beautiful and moving films I have ever seen.

I first read Harper Lee's lovely novel when I was a young teen, and it was one of those books that gave me an experience that changed the way I perceived the world and my own family. The movie stays true to the wonderful, innocent prose.

Every time I watch, I see my father in Atticus Finch. He, too, is a southerner who respects people and defends his beliefs. He also has always respected his children and treated us the way Atticus treats Scout and Jem. I also see other family and friends in various characters in the film, because we have such strong southern roots. Even the negative aspects of racial antipathy and loss of childish innocence bring certain memories to mind.

Those who did not grow up in the south or with southern families might not see parallels the way I do, but the movie would be a gem to anyone. Gregory Peck put in the performance of his career, and the children acted in the least forced manner I have ever seen. The cinematography is also beautiful, and the script is perfectly balanced-not too sparse, but also not dialogue heavy.

The best thing about "To Kill a Mockingbird" is that it preserves the spirit of the novel that resounds with so many people. This film stands as one of the best ever arguments for tolerance, loving families, and the beauty of life through a child's eyes. Everyone who watches movies ought to see it.

I'm surprised that there aren't more comments on Peck's amazing depiction of Atticus Finch, the father. In this era of absent fathers, preoccupied fathers, abusive fathers, immature fathers, etc, etc, Peck's Finch gives us all a soothing view of the best of fatherhood. Where else do we get to watch a man sit up with his ill child, stand firm in his convictions, show patience and gentleness with his children, demonstrate an appropriate level of humility, communicate righteous values to his children, and give his children a picture of integrity to emulate. Every time I view this film I wonder how Peck was able to pull this off. Every time I view this film, it gives me hope for the future of fatherhood.

This is why I watch movies. Every once in a while I stumble upon such a masterpiece which moves me to tears, because it reminds me that, all bad things aside, there is good in all of us - we just have to help each other search for it and bring it to light.

This is definitely one of the best films I've ever seen. Mary Badham is absolutely wonderful as 'Scout', and I think she deserves just as much credit as Gregory Peck for this picture.

The rest of the cast are great as well, and a special mention goes to Elmer Bernstein for his delicate and so appropriate score.

I love this movie and recommend it to anyone. 10/10