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Pressure Point

  • 1962
  • A
  • 1 घं 31 मि
IMDb रेटिंग
7.1/10
2.3 हज़ार
आपकी रेटिंग
Sidney Poitier and Bobby Darin in Pressure Point (1962)
Surreal trailer for this black and white film
trailer प्ले करें2:29
1 वीडियो
47 फ़ोटो
ड्रामा

अपनी भाषा में प्लॉट जोड़ेंA Black prison psychiatrist is assigned the distasteful task of helping a paranoid American Nazi charged with sedition.A Black prison psychiatrist is assigned the distasteful task of helping a paranoid American Nazi charged with sedition.A Black prison psychiatrist is assigned the distasteful task of helping a paranoid American Nazi charged with sedition.

  • निर्देशक
    • Hubert Cornfield
  • लेखक
    • Hubert Cornfield
    • S. Lee Pogostin
    • Robert M. Lindner
  • स्टार
    • Sidney Poitier
    • Bobby Darin
    • Peter Falk
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.1/10
    2.3 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Hubert Cornfield
    • लेखक
      • Hubert Cornfield
      • S. Lee Pogostin
      • Robert M. Lindner
    • स्टार
      • Sidney Poitier
      • Bobby Darin
      • Peter Falk
    • 54यूज़र समीक्षाएं
    • 17आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 नामांकन

    वीडियो1

    Pressure Point
    Trailer 2:29
    Pressure Point

    फ़ोटो47

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 42
    पोस्टर देखें

    टॉप कलाकार36

    बदलाव करें
    Sidney Poitier
    Sidney Poitier
    • Doctor
    Bobby Darin
    Bobby Darin
    • Patient
    Peter Falk
    Peter Falk
    • Young Psychiatrist
    Carl Benton Reid
    Carl Benton Reid
    • Chief Medical Officer
    Mary Munday
    • Bar Hostess
    Howard Caine
    Howard Caine
    • Tavern Owner
    Gilbert Green
    Gilbert Green
    • Jewish Father
    Barry Gordon
    Barry Gordon
    • Boy Patient
    Richard Bakalyan
    Richard Bakalyan
    • Jimmy
    Lynn Loring
    Lynn Loring
    • Jewish Girl
    Anne Barton
    Anne Barton
    • Mother
    James Anderson
    James Anderson
    • Father
    • (बिना क्रेडिट के)
    Benjie Bancroft
    • Bund Meeting Spectator
    • (बिना क्रेडिट के)
    Bud Cokes
    • Inmate
    • (बिना क्रेडिट के)
    Duke Fishman
    Duke Fishman
    • Inmate
    • (बिना क्रेडिट के)
    Leonard Geiger
      Lars Hensen
      • Bund Meeting Spectator
      • (बिना क्रेडिट के)
      Jimmie Horan
      Jimmie Horan
      • Patient
      • (बिना क्रेडिट के)
      • निर्देशक
        • Hubert Cornfield
      • लेखक
        • Hubert Cornfield
        • S. Lee Pogostin
        • Robert M. Lindner
      • सभी कास्ट और क्रू
      • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

      उपयोगकर्ता समीक्षाएं54

      7.12.3K
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      फ़ीचर्ड समीक्षाएं

      9dougbrode

      a psychiatrist (sidney Poitier) analyzes a neo-Nazi (bobby Darin)

      One of the pioneering films of the early sixties, allowing for more freedom of the screen in terms of both subject matter and style, still waits to be rediscovered. It's Pressure Point, which almost - but not quite - made a fullblown movie star out of Bobby Darin. He had always hoped to be the next Sinatra not only in terms of singing but also acting, and he had the chops for each - though timing was against him as the Beatle invasion dimmed interest in American pop stars. Still, he did appear in about a dozen films, none more remarkable than this study of a psychiatrist (Sidney Poitier) analyzing a Neo-Nazi patient (Darin). Originally, producer Stanley Kramer (who wisely chose not to direct, something he wasn't all that good at) had planned to use a nordic-Anglo type for the patient, someone like the young Robert Redford perhaps, until Darin read for the role and blew everyone away. Though Darin was definitely mostly Italian, and probably part Jewish, and therefore very ethnic looking himself, he left the producer stunned with the intensity of his performance. When the film failed at the box-office, that helped to spell an end to his hoped for movie star career; also, Darin was so convincingly unpleasant that it was hard to take him as a light leading man in comedies with Sandra Dee after seeing him so hard-edged - unforgettably so - here. Poitier is quietly effective, and there's a nice cameo by Peter Falk as a boyish (?!) young psychiatrist who, years later, confers with the elderly Poitier and is told this strange story. Though much of the film is grimly realistic in the black and white style so popular at the time, Darin's dream sequences while under analysis are all surrealistically rendered and highly effective. And while there had been civil rights films made throughout the 1950s, none had ever been quite so daring as this. Here's a lost classic worth rediscovering.
      8Hey_Sweden

      Believable and chilling.

      Watch this film and not only will you realize how good singer Bobby Darin could be in a dramatic role, but you may come to regard its co-writer / director Hubert Cornfield ("The Night of the Following Day") as an under-rated talent. It's mostly a two character piece in which an eminent psychiatrist (Sidney Poitier) attempts to help one of his employees (Peter Falk) by telling a story of the major case of his life, when he was a prison doctor during WWII. Poitier was assigned a young man (Darin), jailed for sedition, who's very upfront about his bigotry and hatred. Not surprisingly, the patient had a traumatic childhood and now suffers from nightmares and blackouts. Poitier tries to maintain his professionalism, but the young man sets off something inside of him.

      Poitier as always has a very authoritative presence and he and Darin work extremely well together. They have a lot of dialogue to deliver and completely immerse themselves in these troubled characters. Darin reveals enough depth here that people may wonder why he didn't pursue more serious roles. Cornfield creates some wonderfully stark atmosphere and stylish visuals, but never goes overboard, having the proper respect in the source material, a true case detailed in Dr. Robert M. Lindners' "The Fifty-Minute Hour". Some moments are quite memorable, such as the scenes with the patients' unloving father (James Anderson), a butcher. There's also an incredible scene of an epic session of tic-tac-toe that could have come off as silly but which has a powerful creepiness about it.

      Overall, this is an effectively done little drama that isn't as well known as it ought to be. It's well worth seeing for the interplay between Poitier and Darin alone.

      Eight out of 10.
      7claudio_carvalho

      Intolerance and Stress

      When a young psychiatrist (Peter Falk) comes to his Afro-American chief (Sidney Poitier) to tell that he can not bear a thirteen year-old patient, the doctor discloses a similar experience he had with a patient when he was a rookie and worked as prison psychiatrist.

      In 1942, the doctor is assigned to give psychiatric treatment and evaluate a dangerous American Nazi patient (Bobby Darin) accused of sedition. The racist patient has nightmares and insomnia and the doctor analyzes him along eighteen months, finding the reason of his disturbance. The patient convinces the board of direction that he deserves to be on probation but the doctor is reluctant and diagnoses that the patient has only resolved his sleeping problem but is still a despicable bigoted person.

      "Pressure Point" is a theatrical film of intolerance and stress, dated in 2012, but nevertheless a great movie. I do not know how accurate is the psychiatric treatment, but the duel between Bobby Darin and Sidney Poitier is outstanding, both performing victims with strong characters – the patient, son of an abusive father that made him a bigot sadist and the doctor, a winner in a racist society. My vote is seven.

      Title (Brazil): "Tormentos da Alma" ("Torments of the Soul")
      8bkoganbing

      Pushes His Buttons

      Reflecting back on another case during the days of World War II, psychiatrist Sidney Poitier is telling colleague Peter Falk not to give up on a case he has with racial differences between him and the patient in Pressure Point. Science and the doctor's obligation to render assistance cancel all things out.

      Twenty years back from the Civil Rights era, at its height when Pressure Point was made, back to World War II Poitier is a prison psychiatrist who gets one bad patient. It's Bobby Darin who had never been seen like this on film, as a racist punk who belongs to the German American Bund. Although Darin and his band of thugs have done some really violent crimes, some of which we see in flashback, it's for sedition that he's been arrested.

      Still a recurring nightmare brings him to the couch in Poitier's office and the two of them develop a curious relationship. Darin pushes all of Poitier's buttons, in fact he's a pretty loathsome type. Curing his nightmares will not necessarily make him one that will socially adjust back in society.

      Film Historians have called Poitier things like Saint Sidney for the heroic good roles he played back in the day as the first black leading man in mainstream films. He might just have qualified for it here, even more than in his film debut No Way Out dealing with another racist criminal Richard Widmark, that time as a medical doctor.

      It was Darin who showed the acting chops here that were never displayed before. He was nominated for his performance as a Best Supporting Actor in Captain Newman, MD., personally I think this is his best screen work.

      Pressure Point is a two person work, the rest of the cast merely serves as background figures. I'm wondering though why someone like Peter Falk consented to a role that's confined to two scenes at the beginning and the end with no real opportunity for him to display his talents. Still for fans of Poitier or Darin or both this is a chance to see them both at their best.
      9bwaynef

      Excellent social drama that doesn't opt for easy answers

      Splendidly acted social drama produced by Stanley Kramer. As is usually the case with Kramer productions (except perhaps "It's A Mad, Mad, Mad, Mad World"), "Pressure Point" looks at society and the human condition, finding much to admire, but also much to deplore. Sidney Poitier is on the side of righteousness, playing a black prison psychiatrist whose ideals are challenged by his patient, a bigoted Nazi played by singer Bobby Darin.

      The film is most impressive for its refusal to pander to an audience whose enjoyment might be enhanced if all the conflicts between the protagonists were resolved at the conclusion, but "Pressure Point" does not compromise its own integrity by pretending to provide easy answers to the questions it raises. Doctor and patient do not reach an understanding-- they do not embrace each other at the end, nor does the film suggest that society has benefitted from the encounter between two such disparate souls. Life simply goes on, and so do its troubles. "Pressure Point" makes its point subtly without a lot of sanctimonious preaching, and is more effective as a result.

      The two stars are well matched with Poitier bringing his usual humanity and quiet pride to a role that does not place as much emphasis on his skin color as one would expect in a 1962 production. Darin is simply superb as Poitier's patient, and one can't help but admire the popular crooner for having had the courage to inhabit such an unappealing character at a time when he was still one of pop music's most prominent "teen idols" (and husband of America's sweetheart, Sandra Dee). The cinematography, music, and direction (by Hubert Cornfield) match the performances perfectly.

      इस तरह के और

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      6.6
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      7.3
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      7.4
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      7.2
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      7.0
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      6.6
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      6.0
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      7.8
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      7.6
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      Good-bye, My Lady
      7.2
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      Scorpio
      6.4
      Scorpio

      कहानी

      बदलाव करें

      क्या आपको पता है

      बदलाव करें
      • ट्रिविया
        Producer Stanley Kramer directed the framing story, which refers to the present-day story that Sidney Poitier tells to Peter Falk.
      • गूफ़
        The calendar visible on the wall of the Doctor's office in 1942 is not correct for that year. (It would be correct for 1962.)
      • भाव

        Doctor: [angrily to the Patient] This is my country! This is where I've done what I've done, and if there were a million cruds like you, all sick like you are sick, all shouting, 'Down, destroy, degrade,' and if there were 20 million more sick enough to listen to them, you are still gonna lose! You're gonna lose, Mister, because there is something in this country, something so big, so strong that you don't even know... something big enough to take it from people like you and come back and nail you into the ground. You're walking out of here? You are going nowhere! Now get out!

      • साउंडट्रैक
        Here Comes the Bride
        ("The Bridal Chorus") (uncredited)

        Composed by Richard Wagner (1850)

        Sung at bund meeting

      टॉप पसंद

      रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
      साइन इन करें

      अक्सर पूछे जाने वाला सवाल17

      • How long is Pressure Point?Alexa द्वारा संचालित

      विवरण

      बदलाव करें
      • रिलीज़ की तारीख़
        • 11 जुलाई 1963 (मैक्सिको)
      • कंट्री ऑफ़ ओरिजिन
        • यूनाइटेड स्टेट्स
      • भाषा
        • अंग्रेज़ी
      • इस रूप में भी जाना जाता है
        • Point Blank
      • फ़िल्माने की जगहें
        • Glenwood Springs, कालोराडो, संयुक्त राज्य अमेरिका
      • उत्पादन कंपनी
        • Stanley Kramer Productions
      • IMDbPro पर और कंपनी क्रेडिट देखें

      बॉक्स ऑफ़िस

      बदलाव करें
      • बजट
        • $10,00,000(अनुमानित)
      IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

      तकनीकी विशेषताएं

      बदलाव करें
      • चलने की अवधि
        • 1 घं 31 मि(91 min)
      • रंग
        • Black and White
      • ध्वनि मिश्रण
        • Mono
      • पक्ष अनुपात
        • 1.85 : 1

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