On the Beat

Norman Wisdom's trademark comedy skill is showcased well in this 1962 film and reminds us how simple and effective comedy can be.

Although the film is not the strongest that Wisdom produced during his long career there are still lots of moments to enjoy including lots of the physical comedy that Wisdom so enjoyed.

No Mr Grimsdale or Jerry Desmonde cameo on this occasion but still lots of laughs as Pitkin stumbles and bumbles through numerous comedy mishaps.

Wisdom's films are timeless and effortlessly funny so are well worth watching regardless of whether you are a fan or just someone discovering Wisdom's work after his death.

Although Norman is often disparaged in the land of his birth there can be no doubt that this is a very funny and original film. If you have not seen this film I would like to advise you that it contains one of the funniest scenes on celluloid: Norman has always been turned down for the Police because of his height; he is much too short. Following an epiphanic moment in the street he goes along to his next medical - in stilts! Gags abound in the doctor's room ending with a quite hilarious punchline from the doctor. These old b&w films can be picked up fairly cheaply on video now. If you see this one get it - that scene alone is worth the money.

I have started to become very fond of Norman Wisdom and his work. He has a very endearing wide-eyed innocence about him and his films are funny and quirky. On the Beat I do like a lot. I do think though it runs a little too long, and the story is on the simplistic side of things. However, I loved the luscious black and white photography and well-constructed sets and scenery. The score is suitably quirky, and the script I think is sublime with a nice balance of humour and poignancy. The comedy is quite standard and not always original, but it succeeded in being funny, I especially liked the parts with the stilts and nosey neighbours. Norman Wisdom himself is great as he always is too. All in all, very entertaining film if not quite a favourite. 8/10 Bethany Cox

Norman Pitkin has dreams of being a police officer like his dear old dad. However he is too short to make the force and instead works as the parking attendant for the fleet. Despite repeating attempts hs can't make the force until it's noticed that he's the spitting image of a suspected criminal, Giulio Napolitani. Pitkin is recruited to infiltrate the gang and take evidence.

I'm a big Wisdom fan – but not the extent that I can't see when he has a weak spell. This film is a rerun of a similar theme a few years before when Pitkin tried to join the army. However this is not as funny as that as it is mostly very basic clowning with only a couple of funny, clever routines. The plot relies on the old-lookalike chestnut but doesn't use it until the last 20 minutes or so. It's still funny but lacks energy and the wit of some of his better routines.

Wisdom is as good as always and does his best whether the material is limited or not. He is impressive as two characters despite the fact that they aren't very funny. The problem is that he doesn't have a good support cast. Sure there's a few faces that you'll recognise from other more famous films but where's the regulars? Jerry Desmonde and Mr Grimsdale are both great actors/characters and they make a Wisdom film better. Here the support cast can't lift the film at all.

Overall it's still enjoyable even if it is very basic clowning that will mainly please kids, but this is not one of Wisdom's best.

This is one of Norman's best films, it is very well made, well directed, paced well, good music and the best in physical comedy.

It has a host of British film regulars of the day, Raymond Huntley, Terence Alexander, David Lodge, Eric barker and Esma Cannon to name but a few, and a lovely Dilys laye. Sadly all concerned have passed away since and will not grace the screen again, Norman outlived them all.

The police chase is the highlight of the film, brilliantly done, and the funniest scene was the car washing bit with the water hose, I dare anyone not to laugh during that, it was amazingly funny, They don't do comedy like this anymore, the most recent to came anywhere near as Lee Evans, but he does no t do much now and I am sure he modelled himself on Norman Wisdom. And why not, He was one of the Best, up there with the likes of Chaplin, Laurel & Hardy.