The Notorious Landlady

For a '62 film, it's a great parady of detective films,as well as the great wheelchair scene at the end.Great mystery,Kim Novak and Jack Lemmon had paired before and did well.

Jack Lemmon, an American, has newly arrived in England for business, and he rents a room in Kim Novak's house. When she's first introduced, she has a Cockney accent and tells him she's the maid of the house. Turns out, she's also American, and she owns the house-what else is she hiding? Jack's boss, Fred Astaire, and Lionel Jeffries at Scotland Yard believe Kim's hiding an awful lot, and they enlist Jack to help in their investigation. But when you're dating your landlady, do you really want to help put her in jail?

In their third onscreen pairing, Kim Novak and Jack Lemmon are dynamite in The Notorious Landlady! Jack is hilarious and charming in this classic 60s comedy, and while she isn't given much to do, Kim is as beautiful and alluring as her character requires. Fred, in a non-musical role, is very funny as well. If you're a fan of any of these three, this movie's a must-see! I'd praise the timing and chemistry as the elements that shine the brightest in this film, but the story is really interesting, too. This is a great flick to watch with your friends or your sweetie pie, or by yourself when you've had a stressful week and want some easy laughs. It's very funny, from the first scene to the last. Naturally, my favorite scenes are with Fred. Everything out of his mouth is hilarious!

Kim Novak was a Columbia star and went from a supporting role in Jack Lemmon's great Phfft to co star in Bell Book and Candle to lead and top billed over Jack Lemmon in this wickedly funny comedy mystery directed by Richard Quine.

This was the last movie Kim Novak made at Columbia and ended a legendary relationship between studio and star where Kim made Picnic, Pal Joey, Bell Book and Candle, Strangers When We Meet among others and her declared favorite film Middle Of The Night. Looking at times like the fabled Jean Harlow Ms. Novak reaches the top of the stardom ladder in this film.

To me Kim Novak was what a movie star looked like!

I just bought this video from a reputable company. I was quite surprised to see that it was available - it has been out of circulation for years. One person told me long ago that it had never been put on video. That person was obviously misinformed.

The video itself is not in the best condition. The film is in black and white and there are several moments of white glare, followed by excessive darkness. There are some breaks and pops, just like my old LP's.

These visual defects, strangely enough, added to my enjoyment, for they gave the movie a vintage quality. Indeed, one has the feeling that this movie could have been made in the 1930's or 1940's.

This film is a direct descendant of earlier screwball comedies and screwball mysteries such as the Thin Man. Kim Novak looks at times like Jean Harlow and the scenes of London are a wistful reminder of how very British the city once was.

The clever plot revolves around the question of Mrs. Hardwicke played by Kim Novak. Is she or is she not guilty of murder? Briefly Bill Gridley wrestles with himself over this issue, but his attraction to her gets the upper hand. Hey, what's one dead husband when you're in love?

An unexpected event leads to a zany trial and last but not least to a madcap chase straight out of a Buster Keaton comedy. Lovely Kim really has trouble keeping her hat on as she tears through the fields in pursuit of poor Estelle Winwood.

I found Jack Lemmon in top form, contrary to one commentary posted here. He is completely natural, without the slightest hint of effort. But he usually is this way.

Casting Fred Astaire was a stroke of genius - his presence adds even more vintage, and I mean vintage in the most complimentary sense. He is a real asset and I wish he had just danced a little.

All in all, great fun.

I saw this film for the first time on Turner Classic Movies tonight

A comedy set in England with this quartet of leads - Jack Lemmon, Kim Novak, Fred Astaire, Lionel Jeffries - a London cab full of great character actors, crisp and fully-toned black and white photography and a script from Larry Gelbert and Blake Edwards could not have been more pleasant. Gershwin's "A Foggy Day in London Town," washed it in additional wonderfulness. The sequences near the end of the film at a seaside resort in Penzance is wickedly choreographed with actors, camera moves and scoring for big laughs to a live band shell performance of a Gilbert and Sullivan ditty. Everything is spot on, silly to smart.