आतंक में प्रयोग

Since my exposure to Blake Edwards beyond his comedies has only been `Days of Wine and Roses', which is one of the most depressing films I've ever seen, I wasn't sure what to expect in the way of a thriller from a director who I largely respect. `Experiment in Terror' which stars Lee Remick and the always great Glenn Ford, turned out to be an outstanding and slick film which was thoroughly enjoyable.

While the story, about a bank teller who is threatened with the kidnapping of her younger sister if she doesn't steal 100K from her employer, and the FBI agent (Ford) who tries to both protect her and find out who the extortionist is, does not rely on cheap thrills in order to create suspense. Rather, the black and white film and noir-like shadows help build the tension while not taking away from the story. The cinematography is extremely crisp, and, like many well-made noir films of the 40's-mid 60's, you can almost imagine each frame as a beautiful photograph.

While I'd never heard of this film until coming across it on one of the movie channels, it is well worth looking for.

--Shelly

Although it's two hours long and there is nothing much resembling today's blood and guts-action-a-minute thrillers, this 1960s crime story still entertains, thanks to an interesting cast.

Sure, they could have chopped off 15 minutes of this to make it a bit tighter but watching Glenn Ford, Lee Remick, Stefanie Powers and Ross Martin isn't all bad, especially Remick, a gorgeous woman with one of the sweetest, softest voices I've ever heard. Powers, 19 when she filmed this, was easy on the eyes, too. Martin is effectively creepy as the asthmatic killer and Ford is good as the no-nonsense FBI man after him. I look at Ford as one of the better and underrated actors of his generation.

The DVD also shows off some nice film noir-type photography to its best. The clothing, cars and hairstyles might be a little out-of-date but the dialog isn't, and it's refreshing to watch a crime film without today's profanity laced through it.

Overall, it''s solid film-making.

I have to agree with another review which wondered why ROSS MARTIN didn't just rob a bank himself if he wanted that $100,000 so badly, instead of terrorizing a young bank clerk (LEE REMICK) and her not too bright sister (STEPHANIE POWERS). Her sister walks right into the robber's den, completely unaware that his phone call is a hoax.

Otherwise, Blake Edwards has directed this taut yarn with skill--a yarn which would have been even tighter if the suspense hadn't been dragged out to interminable length. Many stretches of film go on too long before the key point is made, as for example with the woman who has an unusual occupation.

There are several edge of the seat moments, but this could have had even more impact if the pace were quickened rather than slowed down in spots toward the segment of the film that deals with the sister's kidnapping. At that point, it loses some of its credibility.

Good performances help sustain whatever suspense there is, especially from LEE REMICK, GLENN FORD, ROSS MARTIN and NED GLASS.

Skillfully directed but needed a tighter script.

Just saw this movie for the first time and the DVD transfer just released is fine.

From the moment this film opens, I couldn't help but wonder how many times Lynch has seen this movie. Those of you who've seen Experiment should know what I mean.

The score, the angles, the subdued dialogue all help to create one heck of a moody, brooding piece of work. I couldn't agree more with some of the other IMDB comments here...this is a great piece of film noir, if not the last great piece of film noir for a particular generation!

What I so admire about classic film-making from years past is how directors, like Blake in this instance, don't or couldn't resort to gratuitous blood and nudity to creat atmosphere. Unlike Lynch, who exploits graphic gore and nudity, Blake thrills with mere thoughts of sexual deviency and violence.

The opening scene to Experiment is one I shall not forget soon! As our villain forces himself on Remick and proceeds to dirty her ears with the filth of what he could do to her is just simply incredible film-making. It reminded me of the scene from Lynch's Wild at Heart where Dafoe's character has Dern's character in his filthy clutches. Except in Experiment, I think it works even better...why? Because there were no profane words or over-the-top characterizations, just simple text and superb acting that later matches a villain who seems quite normal as he strolls the streets of San Fran. I really believed the characters in this film...Blake puts everyone in context.

Congrats to Blake Edwards on his only serious movie...I wish you had done more! And, Mancini is as sly as ever on the score. I could go on and on. Suffice it to say, I really enjoyed this movie and am happy to have it as part of my DVD collection. Although, I'd love to see Criterion get a hold of this one...I'd love to learn more about the history of this film.

Before Ross Martin became the amiable Artemus Gordon on "The Wild, Wild West," and before Blake Edwards began making those Pink Panther movies, they joined up for this complex, thoroughly convincing story of a sadistic thief who terrorizes bank teller Lee Remick to gain her complicity in a heist. Edwards makes effective use of the San Francisco locations, of Glenn Ford's portrayal of a tough FBI agent, and of Henry Mancini's jazzy score to weave this taut, psychological suspense tale.