Douce violence

This is a totally worthless film. If you put together elements of Laclos, with a dash of De Sade and a Roman Catholic marriage, then you just about have it. I have had a copy for years and out of semi-isolation due to Covid-19 I decided to give it a try. The music is terrible, and as the film was made in black and white the Cote d'Azur does not relieve the monotony by giving it colour. Males of a certain type will like it for Elke Sommer and I admit that her Bardot imitation is worth a laugh. I saw it in French and the dialogue is pitiful. My simple request to anyone who has half a brain cell to avoid it. Needless to say the direction is terrible, giving a few cheap thrills of sexual titillation and violence. I hope France has put it in the dustbin of history where it belongs.

Before cinematic vixen Elke Sommer made her big break in "A Shot in the Dark", she starred in several European exploitation flicks, including "Douce violence" (called "Sweet Ecstasy" in the United States). The plot centers on a young man getting lured into a group of good-bad people, of which Elke Sommer's character is a member. Naturally, she proceeds to seduce him. But, it does not end on a good note.

Of course, the actual plot takes a back seat to Elke Sommer's voluptuous figure. The whole movie could just be several shots of her body, and it wouldn't be much different. If you ask me, over the years, Elke Sommer hasn't gotten the credit that she deserves. Meow, meow...

This 1962 film is a little bit "nouvelle vague," a little bit "La Dulce Vita," a little bit "Beach Blanket Bingo," and a little bit "Emmanuel." Fifty years after being made it is still lively, sexy as hell, and fun to watch. One has to remember that movies were still under censorship in 1962, so the scene where Elke Sommers takes off her top and allows Pierre Brice to squeeze her breasts really was daring and pushing the envelope at the time. Olivier (Christian Pezey)is a handsome coming of age brother of an actress. He gets involved with a gang of rich intellectual hedonists led by a political science professor named Maddy (Pierre Brice). They drink a lot, have philosophical discussions, casual sex, and play cruel games. They think of themselves as cynical and hip. Olivier is a romantic and wants to find a girl to marry and have children with. He's seduced by Elke Sommer who offers him sex, but not love. Who will win Elke's soul - Maddy, the cynic or Olivier, the Romantic? Well, you probably won't care much who wins, but Elke Sommer is radiant here and compares with Bardot, Andress, and Monroe in sex appeal. The movie is really an excuse for laughing with her and looking at her body for an hour and 20 minutes. This makes it a pleasant time to say the least.

Note that the meeting on the beach scene is quite similar to the meeting on the beach scene in "Dr. No." It is probable that Terrence Young (Dr No's Director) based it on this movie.

If this film was remade today, it would feature Paris and Nicole and other trust fund babies who spend their time in the clubs of LA.

As it is, it is European dilitantes we see with the young Elke Sommer. And, oh, does she look good with the wind blowing her golden blonde tresses in her tiny bikini. Only seven years old at the time, the bikini was made for Elke. Unfortunately, when your sure it came off, we get to see the coastline, instead of Elke.

Olivier (Christian Pezey) managed to get the top off, but chickened out with noble intentions before we got a peek.

But, the dallying changed to darkness as one member was chosen as a scape goat for a tragedy. One thought there might be something between Elke and Olivier, but neither could cross the bridge, and they ended up as expected.

One still bemoans the fact that these trust fund babies were not born in the current era when panties are left at home.

This French film must have seemed very steamy back in the early 1960s, though today it seems very tame and rather silly. In fact, while it seems like a sex film (and is, at times rather sexy), it is all tease and no please. This, combined with the silliness of the acting and characters make it, at best, an odd curio about another time and another place. I noticed that one viewer gave it a 10--mostly because the star, Elke Sommer, scorched up the screen. Well, scorching or not, this wasn't nearly enough for me to recommend you watch it. In other words, the film's deficits clearly outweigh its strengths.

The film is set in post-war Europe. A small group of selfish young hedonists live to have fun--regardless of the consequences. They drink, party, make love (though you never see anything) and party some more. One day, while quite bored, the male ringleader of this group of jerks comes up with a plan--he wants his girlfriend (Elke) to seduce an uptight rich guy and bring him over to their way of life. The results are predictable and much like a late 50s-early 60s exploitation fare. Nothing particularly enjoyable about the film unless you want to watch it with friends and laugh at it.