Divorzio all'italiana

DIVORCE Italian STYLE is a comedy drama about love pains and problems with laws.

An impoverished Sicilian nobleman is married with an unattractive but devoted wife. However, he is in love with his, a much younger and attractive, cousin. He lives, besides his wife, with his elderly parents, his spinster sister and her boyfriend. The divorce was illegal in Italy at that time. He has, unsuccessfully, tried to move away from his wife. Perhaps he will try to kill his wife?! A young cousin is so beautiful. He has a very little time to come up with something. A local story of a woman who killed her husband in a rage of jealousy has gave him a great idea...

This satirical farce, which includes an affair in a marriage, love for a minor girl and a murder of honor is, in spite of moral transgressions, a very interesting film. Mr. Germi has made a series of wonderful plots, in which he has, in a satirical manner, criticized laws in the Italian society. He has, very imaginatively, combined fantasies with reality. Therefore, the malicious actions of the main protagonist seem quite charming. A happy ending is the culmination of irony.

Scenery and music completely correspond with love pains in this film. Characterization is very good.

Marcello Mastroianni as Ferdinando Cefalù is a sympathetic and cunning man at the same time. He, perhaps, goes through a midlife crisis. However, his ambitions and plans, which he has prepared with a large dose of elegance and serenity, are quite childish. His character is filled with pathos, despair and longing. Mr. Mastroianni has offered an excellent performance, which is the foundation of a top class entertainment in this film.

His support are Daniela Rocca (Rosalia Cefalù) as his boring wife, Stefania Sandrelli (Angela) as his passion, lust and love and Leopoldo Trieste as Carmelo Patanè as his "salvation".

This is a very entertaining movie about love torments and...still "natural laws".

There's a moment in Pietro Germi's Divorzio all'italiana (aka: Divorce Italian Style) that pretty much defines everything, that sort of defines what a black comedy is all about: a certain woman murders her husband because he had run away with another woman, that certain woman murdered him while he was out with his new love. And that certain woman had something similar with our main character, Marcello Mastroianni's Baron Ferdinando Cefalù, and actually after the murder she crossed path with Ferdinando. The moment that sort of defines everything is when these two, the certain woman and our main character, are together since is Mastroianni delivering a really great laugh, is Ferninando being like "" ...certainly and certainly is the way that Mastroianni delivers the scene that makes it so fantastic and hilarious.

This is definitely one of the best Italian comedies ever made, a movie you can watch over and over again, Well paced, beautifully scored, perfectly set and cast but most of all flat out funny "Divorzio all'italiana" clicks on all cylinders from start to finish.

This is definitely one of the best Italian comedies ever made, a movie you can watch over and over again... Mastroianni gives an excellent performance as an impoverished Sicilian aristocrat determined to get a divorce from his wife. There is only one complication - divorce is illegal in Italy at the time. However, there is also a law that justifies the killing of a wife if she is caught during an act of adultery. As with most others Germi's films, this one is a unique mix of situational comedy and social drama. Highly recommended.

When I first saw Pietro Germi's movies (a long time ago), I thought he was a misogynist who portrayed women as grotesque monsters that make men's lives miserable. Thirty years later, after the women's movement, I have come around 180 degrees, and see him as a feminist before his time--showing how the patriarchal family destroys women (and men)and exposing the absurdity of "family honor"--and doing it with humor. It doesn't just apply to Sicily. The Sicilian setting and ambiance is a big part of this movie, however--watch for all the little details of gestures and interactions, and the great shots of the sunbaked town, baroque churches, and interiors of the decaying houses of the aristocrats. Mastroianni is terrific, and so is the supporting cast.