The Gallant Men

I haven't seen this show since it originally aired on ABC in 1962. I was 11 years old and it seemed like everybody's dad was a WWII vet. We played "army" using original equipment, including Lugers and Nambus! I remember this show as being fairly vivid. It must have made an impression on me because I still watch war flicks, some 40 years later. My question is: where can this series be viewed or purchased? Help, anyone?

The cable company here in Indiana just had the channel added and it has now become my favorite. There are old TV shows on there that I hadn't seen in years including. Great television Classics like Kung Fu, The FBI, The Man From U.N.C.L.E, The Green Hornet, Superman, My Favorite Martian, 77 Sunset Strip, Surfside Six, Hawaiian Eye, F Troop, The High Chapparal, Lancer, The Legend of Custer, Jesse James, Daniel Boone, The Rifleman, The Lawman, Bronco, Cheyenne, Sugarfoot, Bourbon Street Beat, The Wild, Wild West, The Courtship of Eddie's Stepfather, S.W.A.T. , The Rookies, Harry O, Welcome Back Kotter, The Incredible Hulk, Chico and The Man and many others. All of these shows Call your cable company and ask for The American Life Network! If you are a classic TV nut and love the feeling of nostalgia that a favorite episode of an old TV show can give you, well, You will just love The American Life Network!

I'm a lifelong fan of war drama TV shows and no matter how many I see "The Gallant Men" remains my favorite. I wasn't alive when it first aired but I later discovered it through reruns and fell in love.

I notice most people brush it off as a knock-off of "Combat!", but it's every bit as good if not better than "Combat!" (and I'm a big fan of that show, too).

Yes, more Germans get killed than Americans, but unlike "Combat!", the numbers are very close. Many, many Americans (guest stars instead of the main characters, but who would want to watch a show where your favorite characters died one by one?) die throughout the series and the episodes have a tragic, haunting feel. 

The show is almost never light-hearted, taking a serious look at war. Battle scenes are present, but the plots focus more upon the men and the people they encounter, from mute orphans to old friends to a new found love in poignant, almost beautiful moments.

Despite the so-called over-used character's personalities, each man is distinctive and easy for the viewer to bond with. Despite the show's short run the actors managed to bring their characters to life flawlessly.

In short, "The Gallant Men" is a sadly overlooked yet superb series that more people should give a chance to before writing it off as another "Combat!". 

And if anyone in Warner Brothers is out there reading this, I'd pay any price for the complete series on DVD, with or without a single extra. It's that good.

I watched this show with my father as a small child. He was a BAR man in an infantry squad. I liked Gallant Men much more than Combat as in Combat, you know the core group would never get killed and the music was very predictable. The Gallant Men was like what my pop experienced he said. Brief intense battles followed by lulls where you tried to find something to do without getting killed. The show gave characters more depth and the battles were more realistic than Combat. The men also appeared at times to really be in fear of their life instead of just acting. I recently acquired the entire series on DVD's and it is even better than I remember it.

The pilot of "Combat" was not as well made as the pilot of "The Gallant Men".

Robert Altman directed the pilot of "The Gallant Men". He was key in casting all the regulars. Boris Sagal ("Rich Man, Poor Man") directed the pilot for "Combat", but never did another episode. The producers of "Combat" hated the look of their pilot and loved the look of the "Gallant Men" pilot. The producers convinced Altman to move over to "Combat" as a producer-writer-director. Altman did some of his best work on the first season of "Combat", and he got the series off to a superb start. Altman says on a "Combat" DVD commentary of an episode with Albert Salmi that he never got better than that as a director. Altman also said that "Combat" had a better cast than "The Gallant Men", even though he cast "The Gallant Men" and had nothing to do with casting "Combat".

"The Gallant Men" was probably suggested by "The Story of G.I. Joe" (1945) where Burgess Meredith played war correspondent Ernie Pyle and Robert Mitchum played an infantry captain. In "The Gallant Men", Robert McQueeney was top billed as war correspondent Conley Wright.

"The Gallant Men" focused on a company while "Combat" focused on a single squad. The squad level turned out to be the ideal vehicle to tell war stories and to allow the viewer to get close to the characters. "Combat" also benefited from having one of the 1960's best series performances: Vic Morrow as Sergeant Saunders. Morrow was nominated for an Emmy for the first season of "Combat", but lost to E.G. Marshall ("The Defenders"). "Combat" also hired superb guest stars that Warner Brothers would never pay up for: Jeffrey Hunter, Lee Marvin, James Coburn, Rip Torn, John Cassavetes and many others. And finally, "Combat" paid for better writers and wound up with much better scripts.

Warner Brothers was a very cheap outfit, although they often did manage to make compelling shows.

Robert Conrad gave an excellent guest star performance on "The Gallant Men" as a sergeant who was the brother of series hero Captain Benedict (well played by William Reynolds.) Robert Conrad might have been brilliant as a tough squad leader, maybe even as good as Vic Morrow. Conrad should have been brought in as the new series star. The show should have focused on Conrad's squad rather than the company. The most appealing regular on "The Gallant Men" was 23-year old Roger Davis as Private Gibson. Conrad could bring Gibson along from episode to episode until finally Gibson is given a battlefield commission and becomes Conrad's platoon leader. This could have led to a strongly written and played relationship that could have given the show a dramatic center-something it badly needed.

Robert Altman's original conception for "The Gallant Men" was to kill off the regulars from week to week. This was a fascinating idea that could have made the series very realistic and emotionally involving. If Robert Altman had stayed on board, "The Gallant Men" might have given "Combat" a run for its money.