The Young Ones

I saw this film aged 11 when it came out and loved it. It seemed fresh and exciting - and importantly it was in colour! It was full of possibility and aspiration to this post war lad.

Film and TV at this time seemed set upon diluting rock n roll by transforming its stars into 'all round entertainers'. Once Elvis had been neutered by his period in the army, films involving popular music involved clean cut clones like Fabian or Ricky Nelson - or a squeaky clean Elvis himself. Cliff was a UK version of this phenomenon - himself an Elvis clone initially smouldering for Jack Good on TV's 'Oh Boy!', but polished up for this film, his sexual threat now removed.

Someday someone will produce a proper study of the period 1958 to 1962, where nothing dangerous seemed to happen and rock lay fallow. Actually rock was just regrouping for the Mersey sound and more.

The film however is a UK version of a typical Hollywood musical, and by UK standards some money has been spent. Looking at it now though, you can see it was a throwback even then.

On a personal note I have a soft spot for the old long gone Finsbury Park Empire - near where used to live - which is the supposed location where 'the young ones' put on a show.

In fact this film may be the origin of the cliche 'Hey - why don't we put the show on right here?!'

Also as a small footnote - reckon the production designer of 'Absolute Beginners' in 1986, owes The Young Ones a debt

This movie was made when this was what people were watching. Full of fun young people doing fun things. I love looking at the fashion and t he dancing. Cliff Richard was so cute back in the early days. The ketches on the stage are cute and there is enough of a plot to make it more than just another movie to star a famous band. Yes the shadows are awesome but they only add to it not steal they show. As for predictable...so what! Most movies today are predicable in some way. So don't let anyone sway you from not experiencing this movie, make you own opinion. Enjoy the movie for what it is and don't over examine it. The Young Ones was one of my faves when I was a teenager and still is today.

I watched this film not long after it was released and even then it felt cheesy and dated! The thing that screams out after recently watching it again, was that sadly Cliff was no actor and was a limited dancer. The flimsy storyline and the wooden acting makes it very much a 'B' film. The dialogue is all a bit too 'sugary' and 'golly gosh' let's put on a show and damn the consequences.' I remember seeing a similar but much older film, 'Strike up the Band,' with Mickey Rooney and Judy Garland, Its in the same type of genre but 'The Young Ones,' lack the sparkle and energy of a Garland and Rooney! 'The Young Ones' tries too hard to to project the younger characters as innocents, who are out to to prove that the adults, like Robert Morley are 'fuddy duddies' - but all they simply achieve is to show how clueless and naive they really are. It would have been far better to have dispensed with Melvyn Hayes and Cliff's other unfunny sidekicks, and allowed the 'Shadows' to have had real speaking parts where Cliff could have played off the characters like Jet Harris and Hank Marvin, musicians he knew so well. As it was, Cliff gives a feeble, limp and lack lustre performance, and with corny gags and the contrived storyline, it all makes for a tedious experience.

I should come out with a confession before I start to review this movie, and that is that until recently, I was pretty ignorant of Cliff Richard. All I knew until about a month ago was one or two of his songs, and I hadn't seen any of his movies. My explanation for that is that I live in North America, where Richard had nowhere the impact he had in England. But recently I rented "Summer Holiday", and now this movie.

In this movie, Richard does come across as a kind of likable fellow, one you wouldn't mind meeting in real life (unlike a lot of music stars). However, he is lacking the edge that other musicians who went into movies had (like Elvis and the Beatles). He's pleasant but kind of forgettable. It doesn't help that the songs he sings here are as forgettable as his character here. The script is also very forgettable - it's the old "Let's put on a show!" story, and it unfolds VERY slowly. Had they made fun of this plot or added some memorable elements, things would have been livened up considerably. There's also the question as to why a millionaire's son doesn't have the money himself to pay off the relatively small sum the youth club needs... but I won't get into that.

Far from the worst movie ever made, and not really a bad movie. But if you are interested in the cinematic doings of Richard, I suggest you rent "Summer Holiday" instead, which is somewhat more memorable.

Cliff Richard stars in The Young Ones, or Wonderful to be Young, from 1961, also starring Robert Morley, Carole Gray, and The Shadows.

This is a typical teenage movie with the "Hey, kids, let's put on a show" theme. The kids in this case are British, and their club is being closed due to the sale of the building for a high-rise. What no one knows is the developer, Hamilton Black (Robert Morley) is none other than the father of Nicky (Cliff Richard). Nicky, of course, works on behalf of his cronies but his back always goes out when they have to meet with the old man.

There's a renewal clause in the master lease, but Black is a good chess player - they can renew, but it's going to cost them 1500 pounds, a princely sum, up front. The kids decide to raise the money by putting on a show.

Like "Summer Holiday," "The Young Ones" is an exuberant, tuneful teen movie, with lots of singing and dancing. Richard doesn't force his acting - he says his lines in a natural manner, and his looks and charm do the rest. His early inspiration was Elvis, and some of his singing is definitely Elvis-like. But it's a different voice and persona -- he's a very smooth singer and his boyish handsomeness, unlike Elvis', is very nonthreatening. I can't imagine anyone breaking his records or coming out against him in a pulpit.

This is a very fun film. One can't help being impressed by Richard's longevity - 55 years later, he still looks great, he's still singing, and he's a Sir. He's almost Elvis-lite, a pop icon without the demons that caused us to lose Elvis all too soon.