Voyage to the Bottom of the Sea

This film was a good science fiction film for the era it was made in. I know a lot of people talk about the fact that it has a lot of scientific inaccuracies, but I prefer to take it for what it is, a great adventure film. Also, the characters may be stock but I like them for what they are. This definitely is a good way to spend a Saturday afternoon.

Ever wonder where "Star Trek" and all the other Sci-Fi series got there starts?

I used to watch the series as a kid back when the UK only had 3 television channels, and they were offline more than online back in the 1960s when this was the State-Of-The-Art.

Now, over 40 years after it was made and most of the cast are either dead or retired, this movie is still standing the test of Time.

The plot is a little silly, with glaring holes that submarines could be driven through, and the acting is a little on the hammy-side sometimes, but for an entertaining look at how movie-makers in the 50s/60s thought the future might look, this is an excellent peek into how Hollywood was thinking at the time.

The cast seem to mesh well together around stilted dialogue ("Military Police swim like fish - it's part of their training"), and the prodigious talents of the likes of Joan Fontaine and Peter Lorre are somewhat reined-in, but overall this movie is still great to watch over four decades after they made it.

A solid piece of science fiction that's fairly dated, "Voyage to the Bottom of the Sea" was a film from the old school of exposition film making. Half docu-drama and half science-fiction, Allen's production makes an effort to mix the world of tomorrow, as it was perceived in the late 50s and early 60s, with then contemporary drama. The result is somewhat stilted, and immature in a very innocent sort of way, but worth a look if you need some vintage sci-fi on your screen.

The exposition of what Irwin Allen felt "the future" of scientific defense in the realm of the world's oceans feels like a Disney documentary. The drama almost seems as an afterthought to the technology being depicted (which I'm sure isn't too far off the mark), and doesn't really ever click in.

An egalitarian para-military that is the crew of the USOS Seaview, was no doubt an inspiration for the Star Trek franchise as it was first conceived, as were probably the scientific functions of a government vessel manned by what is ostensibly a crew serving aboard a vessel whose role is part defensive and part scientific. It is in this capacity that the story takes shape, and challenges sub and crew as the fate of mankind hangs in the balance.

Scientific loopholes abound: Ice floats (the breakup of an iceberg would not produce sinking chinks of ice), radiation doesn't catch fire (the Van Allen belt is speculated to be a result of USAF atmospheric nuclear tests in the 1950s), the most advanced attack subs today can not dive beyond 1300 feet, active sonar is rarely used, etc. etc. etc. But, if you can get by all that, and forgive some of the earlier film making stylings in this film, then it's worth a look.

It's not classic vintage sci-fi in the conventional sense, but one clearly sees how it influenced generations of sci-fi films to come afterwards, as well as spawning the eventual TV series that evolved from this film.

Give it a chance, but don't expect too much. If you're a younger viewer reading this review, then you'll probably get somewhat impatient with it. Even so, try to keep in mind the kind of film it is, and the time in which it was made.

I had ordered Voyage to The Bottom of The Sea on DVD and at 3:00 in the morning I found myself watching it. Okay, the idea of the Van Allen radiation belt catching on fire is silly, but it's just the premise for a really good sci-fi adventure film that I wish I could've seen in the theaters on a wide screen. But the rich colors on the DVD and Dolby sound is a good substitute for the real thing.

In looking at it, I can't help but compare the movie with the series that followed as there are some of the actors from the movie who ended up in the show. Seeing this Lee Crane constantly arguing and second-guessing Admiral Nelson is a little disturbing, yet the movie inspired one of the best sci-fi series of the '60s. And the movie itself, like Fantastic Voyage, shows great creativity. Irwin Allen is always being underestimated by people with 60 second attention spans, but this movie shows how much of a creative artist that Allen was.

I gladly give this movie 8/10

A fantastic submarine encounters dangers.

Voyage is a sci-fic movie, a disaster movie about a fire, an end-of-the-world movie, a movie with striking sets/miniature effects, and finally, the very first Irwin show to highlight the need of a top (and loud) musical score, thanks to composer Paul Sawtell.

This epic begins with Frankie Avalon singing - "Come with me, come with me, on a Voyage, to the Bottom, of the Sea" - and this totally under-rated song (it compares with the best of Sinatra!) should have been re-used in the Voyage/Sea TV series...as everything else in this picture was lifted into the series.

Shortly after, the film then moves into Admiral Nelson giving us a tour of the submarine Seaview, which resembles the opening minutes of the Irwin Allen directed Time Tunnel pilot (1966) when we were also given a Tunnel complex tour.

The Paul Sawtell scored footage of the icebergs pounding on the Seaview and the footage of the Seaview surfacing in a red sea would rank as some of the most striking bits of footage in Irwin's long history of film/TV making! Outstanding!

The cast of this motion picture is fine but I know this cast from other quality productions (Forbidden Planet, I Dream Of Jeannie) and am not all together comfortable seeing this cast on the Seaview. Give me Richard Basehart (and the flying sub!).

Some fans will put down this film because it features no Richard Basehart or David Hedison, but remember this, without this film there would have been no Voyage/Sea (1964-68) TV series. That is recorded fact! The budget for all of these sets, props and effects was HUGE, too huge for a TV series of the 1960s. The series happened because it could lift everything from the film.

One of my very favourite movies ever!