Ursus nella valle dei leoni

The second film in Ed Fury's "Ursus" trilogy, (though there's little in the way of story-line to connect the three movies), begins with an obligatory setting-the-scene prologue which establishes the infant Ursus as the true heir of a kingdom overrun and conquered by a villainous barbarian. Though faithful subjects manage to smuggle the infant Ursus out of the besieged city in a basket, the basket tumbles into the lair of a pride of lions and the lost heir soon becomes nothing more than the subject of wistful rumor and legend. Mercifully the movie quickly jumps forward to the adult Ursus, now grown into a strapping though naive young man who learned his language skills from men in passing caravans. Up to this point the second "Ursus" movie has shown little promise, primarily because the lions which raised our hero look and act like lethargic, second-rate sideshow attractions rather than wildly magnificent Kings of the Beasts. Then we have a routine sequence in which Ursus acquires a slave girl from a passing trader. However, once the evil usurper learns that the rightful occupant of his throne is alive in the land, various elements of the movie finally come together to create a lively and entertaining entry in the sword-and-sandal cycle. One element worth noting here are the two "beefcake-bondage" sequences which are among the best such sequences to be found in the whole gamut of this genre. In the first, a peplum-wearing Ursus -- played, of course, by Ed Fury -- stands as a captive in the usurper's court. A length of wood, (perhaps too thin for this purpose), has been bound to the backs of his outstretched arms. Chains around his wrists and ankles are held by nervous-looking soldiers. Other soldiers guard him with spears pointed menacingly toward him. The usurper taunts him but Ursus remains defiant. Later, having been taken to a torch-lit dungeon, the sweaty Ursus stands with outstretched arms chained to the stone walls. That wooden pole has been removed from his shoulders but a metal ring now encircles his neck and a chain attached to this ring leads up to the ceiling. Two long pieces of wood are fitted around his ankles, preventing him from kicking or changing position. Fury, about 32 or 33 years old at this time, is only ever-so-slightly past his prime -- his waist looks a bit thick -- but he's still a compelling hunk of manhood and his bondage poses are of iconic quality. What's more, his nipples are dark and sharply-defined against his skin. Unfortunately, there's no actual torture here, unlike the other two Ursus movies in which a series of whiplashes play a symphony of pain on Ed Fury's bare back as he's forced to turn grindstones. (As other reviewers have pointed out, the print under discussion here has lamentably faded into muddy-looking sepia tones.)

First thing to mention is this one is in black and white. It's not the colorful peplum that we are used to from the 1960s. B&W films are great, some of my all time favorite films are in B&W.

Secondly, the film feels like is was a television episode of something. The way it is filmed and acted out looks like a Studio One production.

The story of Ursus is similar to Tarzan. Tarzan was raised by apes while Ursus was raised by lions. How their stories plays out is a bit different but there are a few parallels. Let's not forget the story of the boy who was raised by wolves. - You get the idea.

Overall, I am unimpressed by the entire film... and displeased with the circus animals in the film being used the way there were.

1/10

I can't help it. I can't.

In spite of all of its many flaws and inadequacies, I quite enjoyed Ursus In The Valley Of The Lions (UITVOL). Of course, muscle-man Ed Fury, as Ursus, was this film's main attraction. Without Fury UITVOL (with its inferior "everything") wouldn't have amounted to very much as worthwhile entertainment.

UITVOL's story has a lot more in common with that of Tarzan rather than it does with Hercules.

Though he doesn't know it (until much later), Ursus is of noble blood. As a wee baby both his parents (the King and Queen of Atlea) were savagely murdered when evil King Simud ordered his ruthless army to conquer their tiny kingdom.

Shortly after this tragedy occurs Ursus is taken under the care of a pride of lions, who, instead of eating him up for a snack, raise him to adulthood as though he were one of their own.

Years later, now fully-grown, the brutally handsome and powerfully strong, (prince) Ursus soon ventures out to discover the great, big world beyond his home of the lion pride.

At this point evil King Simud plots to eliminate our hero Ursus, thus preventing him from reclaiming his royal birthright.

Released in 1961 - UITVOL, featuring a mighty impressive Ed Fury, is a fairly entertaining "Sword And Sandal" Epic-Adventure. But, with that all said, I sure am curious to know which one of those absolutely darling lions it was who cut Ursus' hair, regularly shaved him, taught him to speak perfect English and picked out his footwear for him.

Exciting Peplum odyssey , regularly-plotted , with a likable acting from Ed Fury as Ursus ("Ursus" is Latin for "bear") . Sword and Sandals film centers upon Ursus (Ed Fury or Edmund Holovchik) , of noble blood , he is the typical bouncing hunk man who fights against evil people . Ursus' parents were overthrown , then he was raised among lions . The good guys are the blond and beefy Ed Fury (Ursus) , Maria Luisa Merlo (the beautiful girl) , Mariangela Giordano and the bad guys are Alberto Lupo , usual nasty Gerard Herter (Spaghetti's customary) and Moira Orfei (sister of Liana Orfei also ordinary in Peplum) who's usually in these flicks as a Femme-fatale slave . Ursus will defeat them at an thrilling finale with elephants , battles and a firing scaffold .

This moving Peplum contains emotion , noisy action sequences incorporating circus elephants , spectacular battles with lots of sword-wielding warriors , court intrigue , stirring ending with a burning gallows and many other things . This mythological movie is plenty of adventures , thrills , atmospheric settings , evocative soundtrack by Riz Ortalani and colorful scenarios well photographed by Tino Santoni . This is a regular spaghetti, myth-opera with action , love , battles and luxurious landscapes , but there are a few editing goofs . In addition to the muscular lead but always appealing sword and sandal elements are here ; however , this movie has not mythological accuracy neither expecting historical . The corpulent Ed Fury was a hunk man who made lots of roman epic films also called ¨Musclemen movies¨ . He was one of a number of bodybuilder and physique model types who followed muscleman Steve Reeves out to Italy in the early 60s and won campy notice playing Herculean characters in those campy Italian sand-and-spear epics . Ursus, Maciste, Goliath, Samson , Hércules , Atlas..., those Italian muscle man producers must have had a hard time figuring out what to call the musclebound actors who played all these legendary muscleman heroes . Other stars by the time on this type of movies are Mark Forest , Gordon Mitchell , Alan Steel , Dan Vadis , Reg Park , Brad Harris , Samson Burke , Richard Harrison , Rock Stevens , Kirk Morris and 'Gordon Scott' and , of course , the great Steve Reeves , as nobody , nevertheless, topped Steve in popularity . Fury started off his beefcake run off as a body double . Ed was the subject of legendary photographer Robert Mizer and appeared on the cover of Mizer's infamous magazine "Physique Pictorial" ostensibly promoting Fury's role in Ursus (1961), billed as "The Mighty Ursus". Ed was posing front-and-center as Herk himself and entering in the star-system based on pumped-up heroes playing ¨Sansone¨ or ¨Samson¨ or ¨Ursus¨ . On numerous occasions Ed was asked to play the legendary Greek hero , as well as the equally well-built demigods Samson and Ursus , even though the film titles often fused (or confused) them in their titles . Some other familiar faces show up here , such as Alberto Lupo , Gerard Herter , Andrea Scotti and uncredited Salvatore Borghese as warrior at Ursus' saving . And including gorgeous women : the Spanish Maria Merlo , Moira Orfei and Mariangela Giordano , they are insanely beautiful, and their flowing dresses and magic hair styles supplement this . The Ursus's love interest is very sympathetically and believably played by pretty Maria Luisa Merlo , or Mary Marlon , best in the cast .

This film belongs to a quartet about this hunk character , ¨Ursus¨ , such as : "The Vengeance of Ursus" (1961) by Luigi Capuano with Samson Burke , Wandisa Guida , Livio Lorenzon , ¨Ursus¨ (1961) by Carlo Campollani with similar actors as Ed Fury , Maria Luisa Merlo and Moira Orfei and "The Son of Hercules in the Land of Fire" (1963) by Giorgio Simonelli with Ed Fury , Luciana Gilli and Claudia Mori . ¨Ursus¨ movie is derived from Buddy Baer's character who is named "Ursus" , a secondary role in the famous colossal ¨Quo Vadis¨ (1951) directed by Mervyn LeRoy and starred by Robert Taylor and Deborah Kerr . Evocative as well as atmospheric musical score by the prestigious as well as prolific Riz Ortalani . Colorful cinematography , being filmed on location in Lazio , Rome and Studios : Incir De Paolis Studios, Rome, Lazio ; Studio Olimpia, Rome , Lazio, Italy . The film was regularly directed by Carlo Ludovico Bragaglia who made many fables of this kind ("Semiramis , The Queen of Babylon" , ¨The Sword and the Cross¨ , "Mighty Crusaders" , "Amazons of Rome" , ¨Anibal¨ and "Hercules vs. the Hydra" or "The Loves of Hercules") . Carlo along with Vittorio Cottafavi , Carlo Campollani and Giorgio Ferroni continued to realize films in the historical-spectacular style , at which he developed an acceptable skill and mastery . The movie obtained success and originated sequels . Rating 4,5/10 , passable though mediocre .

This was Ed Fury's second film in the Ursus character, and in this one we learn that Ursus, of noble blood, was raised among lions. When he enters the "human" world, he is wide-eyed and naive, but gradually adapts to the ways of the world, saves a beautiful woman who loves him, and overthrows an evil dictator. Fury plays the various phases of the character's evolution (from naivete to a kind of disgusted smirking to a regal heroic bearing) well. The scenes among the lions and the wolves will be an easy mark for those who want to nit-pick, but the techniques used here will be familiar to any fan of low budget films and won't bother anyone familiar with the concept of "willing suspension of disbelief." As is common among budget-conscious Italian "spectacle" films, the art direction and production design are quite imaginative and suggest a lot for a few lira. I've got to give some credit to a film that takes a lot of chances, and this film is, like an old serial, so over-the-top in its entertainment value that anyone looking to have some fun and set aside any critical questions should have an enjoyable 90 minutes with Ed Fury and crew. I've been digging out the old Ed Fury films recently, and I must say that he brings a special charm to the peplum genre--it was nice to see him honored with a retrospective at UCLA last year. Director Carlo Ludovico Bragaglia has credits dating back to the 1930s, but his 1960s credits tend to be costume adventures and comedies. With this film, he's created a unique mix of peplum heroics, fantasy, and wit that I found quite entertaining.