Twenty Plus Two

It's a mostly intriguing story... a young girl had gone missing years ago. now, when a woman is murdered, people start looking into the missing girl again, for various reasons. David Janssen (two years before his very successful series The Fugitive) is an investigator, and bits of his own past start coming out. some twists and surprises along the way. but also some pretty big plot holes that really should have been ironed out. pretty weak script. the acting is fine, but just some sloppy directing and creaky screenplay. some fun co-stars here.. Agnes Moorehead was so good in Dark Passage and the many projects with orson wells. Bill Demarest was in so many old films and My Three Sons... both actors getting up there by now. Demarest's character was so old, wrinkled, and ornery, I didn't recognize him when I saw him in the bar scene. Dina Merrill, who I knew from Desk Set. 20 + 2 directed by Joe Newman. never did anything too big. written by Frank Gruber; wrote lots of westerns and murder stories. and has an interesting quote that there are really only seven basic westerns. check it out on his imdb page. the film is very watchable, but has its flaws. Janssen died at 48... heart attack, according to wikipedia dot org. check it out... some huge names at his funeral. we should all be so lucky.

"Twenty Plus Two" is an unusual film in that I re-started it about 20 minutes into the story. This is because although I was watching, I was distracted by other things....and this is NOT a film to watch when there are any distractions! It's complicated...and still worth seeing.

David Janssen plays Tom Alder, a man much like his TV character Richard Diamond, the detective. But Alder is not quite as smooth and isn't quite as irresistible to the ladies...though two women in the film clearly adore him.

Alder makes his living finding lost people. One old case that has been unsolved for well over a decade involved a rich young lady who just disappeared. The film shows the steps Alder takes to eventually find this woman and solve the mystery of her disappearance.

While I'd quickly admit that Janssen's acting is sometimes a bit wooden, I like him in his various shows and movies. He's quite good here and the story is good but almost needs a map to help you keep up with all the twists and turns. My only complaint, and it's minor, is that too many things seem coincidental...but this is a small matter. Well worth seeing.

Not everyone liked this film as much as I did, and maybe some were better at second-guessing the ending than I was. I thought the plot was artfully constructed, with the realization of the ending dawning on us gradually, step by step. I didn't detect any false clues, just clues that became more and more revealing as the story went on.

David Janssen and Jeanne Crain put in fine performances, and most of the minor characters did well, too. Agnes Moorehead, who usually has enough presence to fill any role, was not convincing as a Park Avenue blueblood. Her lines didn't help, but it just seemed like she didn't have her heart in the role.

Overall, the writing was good, as was the staging. Unlike some reviewers who found that this seemed more like something written TV, I thought it was well put together.

The film starts with the murder scene of a woman who manages the fan mail for film star LeRoy Dane. Private detective Tom Alder (David Janssen) is told about the details of the case by a cop friend of his who drops by for a drink. Actually, Alder is a particular kind of private detective - He tracks down the long-lost beneficiaries of estates for a cut of the proceeds.

But the murdered woman's entire estate was less than three thousand dollars, so why the interest? Alder looks around the murder scene late at night - apparently crime scene tape was not in the budget - and finds some old clippings in the murdered woman's apartment concerning a rich couple's 16-year-old daughter who went missing 13 years before. This is what apparently piques his interest, although there is no estate involved, and nobody has hired him, and thus nobody is paying him to do any investigation. And yet he spends more on airlines and hotels than the Beatles on tour as he goes about looking for answers. Along the way he meets a host of colorful characters, none of whom seem related to any of the others, but all with an interest in his investigation. Complications ensue.

The "Big Sleep" this is not, but it has some of the same problems and features, but for its time versus the time of The Big Sleep. It's a great example of an industry in transition - one that is exiting the production code era and entering the swinging sixties. It's just not quite there yet, and it has a great jazz score. But the plot just wanders all over the place.

It scores some in the casting department - William Demarest as a washed-up homicide detective who has turned alcoholic and waxes poetic. And it busts some there too - Brad Dexter looks more like the muscle for the mob than he does some matinee idol that teens go crazy at the sight of. And I always liked Jeanne Craine in her 20th Century Fox vehicles, but she is cringeworthy here as someone from Alder's past who sees him one night in a bar after ten years apart, and then pesters the guy, apparently proud that her breaking his heart years ago caused him to become hard and cynical - at least so she believes.

"Twenty Plus Two" is a stylish, ambitious movie with a great look. It's a shame that it's filmed after the height of film noir, but it still has a few great scenes that are noir-ish, and plenty of night scenes in general. The movie starts off in Hollywood 1961 and follows Tom Alder (actor David Janssen) from coast to coast as he figures out a murder mystery and finds a missing person, all the while dealing with a LOT of different characters. I thought it was really well made.

The main problem with "Twenty Plus Two" is the casting of Dina Merrill as the female lead. Her character is about 30 years old at the time of the movie, and in flashback scenes, she's about 20. Merrill was 37 when she made this movie and she looked older. She was hardly believable as a 30-year-old woman, and definitely not as a young 20-year-old. She was badly miscast and it affected the movie.

Jeanne Crain fares better as a sort of "girl next door" but fifteen years down the line. She plays Linda, who was engaged to Tom before he was sent to Korea, but married someone else while he was away. Now, 11 years after they last saw one another, she wants him back, but he doesn't want her, and she spends half the movie chasing him. She and Janssen are kind of funny in their scenes together.

Agnes Moorehead as the missing girl's mother was superb in her scene with David Janssen. It's a long, pivotal scene. I give credit to both actors as their give-and-take was spot on. There's a lot of dialogue in this movie and these two could really deliver lines.

The most stylistic and atmospheric scene in the entire movie is a shot of Tom sitting alone in his hotel room, thinking about the past, smoking, and the camera follows the smoke as it rises to the ceiling. It is fantastic.

David Janssen is very, very good in this movie. He's cool, and the film's black and white visuals and jazzy score help to underline this. He should have become a major feature film star. As it was, he became a major TV star, and deservedly so.