Town Without Pity

When this film was released in 1961, I remember the ads saying this film was for "Adults Only". (The MPAA rating system didn't exist then.) A film about four soldiers stationed in Germany who gang rape a 16 year old girl and the trial that followed was pretty heavy stuff for audiences back then. I recently saw the film on Turner Classic Movies, and it still holds up very well. It is still startling and powerful, even without nudity and foul language, which should show Hollywood it can be done. You can be "adult" without being unnecessarily vulgar or obscene. As it stands, I would still give this film an "R" rating today.

And, of course, there is the memorable title song, sung by Gene Pitney, which accounted for the film's only (surprisingly) Oscar nomination. Even that lost out to the syrupy "Moon River" from "Breakfast at Tiffany's".

My one complaint about Turner's presentation was with the film's aspect ratio. Instead of showing a widescreen version, they showed a full-frame version with the framing "squeezed" so that faces were somewhat elongated and cars appeared "stubby" and compacted. This became very annoying. Even a pan & scan version would be better than this.

Nonetheless, for sheer power, as well as excellent acting by Kirk Douglas, E.G. Marshall, Christine Kaufmann, and a very young Robert Blake, I highly recommend "Town Without Pity".

Town Without Pity, an American-German co-production, involves the crime, trial, and aftermath of four American GIs in occupied Germany raping a teenage girl.

Christine Kaufman who shortly after this film became the second Mrs. Tony Curtis, is attacked and raped by four American soldiers. The four, Frank Sutton, Richard Jaeckel, Robert Blake, and Mal Sondock, are in danger of capital punishment as prescribed by the American Code of Military Justice.

As another reviewer pointed out this was taking place while Germany was still an occupied country. Allied occupation of Germany didn't officially end until 1955 when our High Commissioner to Germany, James B. Conant, became our first ambassador to the German Federal Republic. After that these four would have taken their chances in a German criminal court.

The fact though that they were soldiers also meant that there was no chance for acquittal. What had to be determined was how guilty they were, even to the extent of the ultimate punishment.

Kirk Douglas for the defense and E.G. Marshall for the prosecution make a good pair of adversaries. Marshall would very shortly see how the other half lived as after this film was done, he would star in the long running TV series, The Defenders.

Kirk Douglas is a tiger in the courtroom as he ruthlessly puts Kaufman's own character on trial. It's his job, it's done down to the present day with victims of rape. But he's also a person with conscience, he knows exactly the character of the four men he's charged with the defense of, the character of each of them individually.

Anyway there isn't a player alive who doesn't relish a good courtroom scene and Douglas made the most of his opportunity here. I don't believe Kirk got back in a courtroom until a made for TV remake of Inherit the Wind.

Of the German cast and I note that several including Kaufman have had substantial careers in the German cinema, Barbara Rueting as the German reporter who narrates the film and Gerhard Lippert as Kaufman's boyfriend also stand out.

Of course no discussion of Town Without Pity is complete without the title song which I remember so well blaring from the jukeboxes of 1961. This jazz/rock and roll song was very typical of what was happening in German and other foreign culture, an overwhelming Americanization of same. Gene Pitney sold a lot of records of Town Without Pity back in the day. If you've never seen the film you'll remember the song after seeing it once.

And you'll also remember in terms of attitudes they really are the same. Those little minds will indeed tear you in two.

It's what a Town Without Pity does.

Town Without Pity (1961)

**** (out of 4)

Incredibly hard hitting, depressing and brutal courtroom drama, which has sadly been forgotten over the decades. I read an interview with Kirk Douglas once and he talked about all the controversy including him getting death threats from some of his fans. United Artists put a warning on the film and asked theater owners not to let anyone under 17 into the film. Several theater owners wouldn't even show the film due to its subject matter. I think all of this controversy hurt the film when it was released but I think it's about time film buffs and film historians go back and take a look at this film and include it with the greatest courtroom films out there. This film still manages to shock and be outrageous nearly forty-five years after being released.

Four American soldiers (one played by Robert Blake) are stationed in a small German town where they rape a 16-year-old girl. It's obvious they are guilty and the town wants the death penalty, which the American government agrees to. A lawyer (Kirk Douglas) is called in and right from the start he hates his clients and agrees they are monsters yet he must do his job and defend them. To do this, he must at least get the death penalty dropped and the only way to do this is by putting the innocent girl on the stand and breaking her apart.

I'm a huge fan of Kirk Douglas and in my opinion this very well could be the greatest performance I've seen from him. He goes through all sorts of emotions from pain to anger to humiliation and there's not one false step along the way. You could break everyone of his scenes down and it's clear there isn't a false move and this is the perfect example of an actor doing everything right. Robert Blake is very haunting in his role and E.G. Marshall is wonderful as the prosecuting attorney. Christine Kaufmann brilliantly plays the young girl. This movie sends the viewer through all sorts of emotions and doesn't hold back on any level. This is the type of film that kicks you in the gut but instead of letting you catch your breath it keeps on kicking you. The interesting thing is that the viewer agrees with Douglas and the director makes sure you hate the soldiers from start to finish. At the same time, we understand Douglas has a job to do and in some ways, we understand him attacking the young girl who did nothing wrong.

The only problem with the film is some unwanted narration but after a while this didn't bother me too much. The music score by Dimitri Tiomkin perfectly captures the mood of the film and the title song by Gene Pitney is very haunting. If you look through review books this film gets rather low ratings so on that level I'd have to call this one of the greatest films I've ever seen that doesn't even get good reviews.

Four U.S soldiers at an army base in Germany are charged with a gang rape and the prosecutor is asking for the death penalty as demanded by public outrage and the girl's father, a leading citizen of the town. Although sure of their guilt, the defending lawyer is also sure that they do not deserve the death penalty. He wants to plea bargain, but he'll dig up dirt and tear the girl apart on the witness stand if that's what it takes to save the men. No person or event in the story is as innocent as it seems at first - not the girl, the town, the judicial process, or even the simple brutality of the four men.

The movie's weaknesses, unfortunately, are in the actual realization of this excellent story. The screenplay is very uneven, over-developing some of the complexities while short-changing others. The use of a voice-over is a clever way to avoid having to subtitle the German speaking scenes, but as implemented it is a clumsy shortcut to giving us information which should have been written into the action. Most unfortunate is the poor choice of music. It blatantly attempts to force its particular mood on the viewer in total discordance with the more subtle manner in which the story is presented. On the bright side, the acting is good and the main point of the story - the brutal treatment of the girl on the witness stand and by the town - is not diluted by any of these problems, making this a movie well worth watching.

Not too many films had talked about rape before this one came out in 1961. But, while in some ways the film talks around the attack (seldom ever using the word 'rape'), it still is very obvious what the film is about and it was surprisingly adult and frank.

The film begins with four American servicemen in Germany raping a local lady. Major Garrett (Kirk Douglas) is called in to represent the men at their court martial and the men, if convicted, could receive the death penalty. Considering how angry the locals are and the overall mood, the military is hoping for a quick trial and execution of the men. However, as Garrett investigates the case, he's decided that while the men are guilty, they don't necessarily merit the death penalty...or at least one of them.

The film will no doubt anger many as the victim herself becomes the object of much of the cross-examination in court. She herself is on trial in a manner of speaking...which, sadly, does occur in many rape cases. Because of this, Garrett is neither a hero or really a villain...just a dedicated man doing his job in the face of a lot of opposition. Well worth seeing but NOT a film for everyone...especially kids and folks who themselves have been victimized.