The Sins of Rachel Cade

Soapy jungle set melodrama with a bit of a social conscience. Angie, who looks great, gives a good performance in the lead matched by Peter Finch as a military man who yearns for her. Mary Wickes has a small part that perks up the film whenever she appears which isn't nearly enough. The weak link is Roger Moore as a boorish doctor who literally crashes onto the scene, he's handsome but doesn't make much of an impact. It's not really his fault his role is poorly conceived. There's nice production values as well.

The film has a few too many plot threads that it dangles, picks up and drops throughout the picture's running time but is best when it focuses on Rachel's crisis of faith and also her gradual evolution from naive missionary to leader of a small village of people.

Not a great film but earnestly played with an interesting back story and some tortured romance at its core.

Although The Sins Of Rachel Cade does present a realistic view of Africa which Hollywood was now doing after The African Queen and King Solomon's Mines the story never gets above the level of a Harlequin novel set in Africa. This story could have just as easily played out in the good old USA.

Which is where Angie Dickinson in the title role hails from, Kansas in fact, about as far from the Belgian Congo as you can get. She's been sent to aid Dr. Douglas Spencer who no sooner than when she arrives goes and dies on her. That leaves the inexperienced Angie to run the mission until God knows when.

District Commissioner Peter Finch tries to be of help, but he's in a tenuous position. It's never really brought out, but as his country has been overrun by the Nazis, his authority as a Belgian is severely limited. Belgium it is well known did not have a sterling record, in fact it had the worst colonial record of any European power. But Nazi racial doctrines did have a limited appeal to the natives there, so Finch is safe for the moment.

He's liking Angie, but when American doctor from Boston who is volunteering for the Royal Air Force played by Roger Moore drops from the skies, she's his. And her moral authority is put to the test when she has Moore's baby in violation of the beliefs she's been preaching to the natives.

The Sins Of Rachel Cade found a wealth of opportunity for prominent black actors like Woody Strode, Juano Hernandez, Errol John, and Rafer Johnson to play various tribal figures. Dickinson's interaction with them is far more interesting than the hackneyed romance she has.

I wish the film had been more about the politics and less about the romance in another girl done wrong film no matter how exotic the location.

I spent a good deal of "The Sins of Rachel Cade" confused, wondering whether or not I had already seen it. Or was I mixing it up with "The Nun's Story" - not hard to do, since Peter Finch, a brilliant, sexy actor apparently was cast in the same part over and over. It seems to me his role in this was similar to his role in "The Nun's Story." The story is similar to "The Nun's Story" and also to "Sister Kenny."

During World War II, Rachel Cade (Angie Dickinson), a beautiful young nurse, goes to the Congo to help in the hospital and to bring Christianity to the people. She meets two men, both of whom are interested in her - Colonel DeRode (Finch) and a downed airman who turns out to be a surgeon, Paul Wilton (Roger Moore). Cade suffers inner conflict as a result, and it changes her life.

I like Angie Dickinson in this - she gives a very simple performance, that of a dedicated spiritual woman with great inner strength, and one who really understands why the people of the Congo love her and respect her. But she's miscast. To put it bluntly, Dickinson is too hot a number for this role. If she were just beautiful in the Audrey Hepburn sense, she would be believable. But Angie's always been a sex bomb and how anyone thought she could work in darkest Africa and not spend 99% of her time fighting off men was crazy. Either someone a little older, like Jean Simmons, or with less sex appeal would have been more appropriate.

Peter Finch was very good, very appealing, but I just saw him do this role in "The Nun's Story." I'm still confused.

Two favorites of mine, Woody Strode and Juano Hernandez, are on hand as well and give excellent performances.

There are certainly interesting aspects to "The Sins of Rachel Cade," and it has some appeal, but in the end it leaves one feeling a little flat.

The melancholy tale from the Charles Mercer book dealing with a young missionary working as a nurse during WWII . In 1939, while the Nazi regime subjugates European Nations Rachel Cade (enticing Angie Dickinson) travels to the Belgian Congo , her assignment in the Congo is at a European hospital under the atheist eye of a Colonel but she no sooner arrives than Dr. Bikel, who runs the installation where she is to work, dies of heart failure . She is also soon aware that the hospital has been a misfire and has yet to treat an only patient . Slowly , Rachel Cade heals ills , helps injured villagers and preaches Gospel . There the local government Col. Henry (tough but tenderheart Peter Finch) falls hard while she resists his advances and a subsequent lover upsets his schemes . The sexually repressed and frigid Rachel however has fallen madly in love with Paul (sympathetic Roger Moore) , who is a surgeon shot down . When medical doctor Paul has a plane crash , he is meticulously healed by Rachel . Both of them gradually revealing their pasts each other , but earnest Rachel is influenced by her lover to leave the hospital to go America , then Rachel comes to question her vocation . But the Nazis rise to power and invade her homeland and Africa .

Director Gordon Douglas struck a correct balance of pace and sensitivity in the absorbing tale of a young Belgian girl who becomes a religious missionary and is sent to the Belgian Congo to work at a hospital . She is struggling to reconcile her free spirit and philanthropic wishes with the religious rigors . There Rachel questions her religious vocation and her moralizing comes back to haunt her when she learns after his departure that she is pregnant . Finely starred by a luminous Angie Dickinson who chalked up another hit in this long but always interesting flick based on Charles Mercer's novel , being rightly adapted by prestigious Edward Anhalt . This agreeable flick packs an exciting screenplay , intense drama , fine interpretations and intelligent filmmaking . Casting is frankly well . Good acting by Angie Dickinson as a beautiful missionary nurse who gains the trust of the local people , not only providing medical care but preaching the Bible ; Peter Finch as middle-aged local government official Colonel Henri Derode , he doesn't quite hit it off with Rachel at first but soon starts to develop deep affections for her ; and an attractive as well as likable Roger Moore as dashing Capt. Paul Winton , an American serving in the RAF . Furthermore , a nice support cast formed by notorious African-American secondaries such as Woody Strode as Muwango , Juano Hernandez as Kalanumu , Rafer Johnson as Kosongo , Scatman Crothers as Musinga and veteran Mary Wickes ,subsequently famous for her role in ¨Sister act¨ . This film follows the wake of the highly acclaimed ¨Nun's story¨ also starred by Peter Finch that consolidated a sub-genre about nuns or religious people in far countries , going on ¨Heaven knows , Mr Allison¨ with Robert Mitchum Deborah Kerr and ¨A Nun at the Crossroads¨ with Rosanna Schiaffino and John Richardson , among others .

Appropriate as well as sensitive musical score by the classic Max Steiner . Glamorous and evocative cinematography by J. Marley , though mostly filmed on studio . The motion picture well produced by Henry Blanke was professionally directed by Gordon Douglas. This is one of various and pleasant works , some major and minor successes of his long career as a filmmaker. He was a Hollywood veteran director, directing early movies (Little rascals, Spanky), expert on Western (Chuka, Rio Conchos, Yellowstone Kelly, Only the valiant), and usually worked for Frank Sinatra in various films (Lady in Cement, Tony Rome, The detective , Robin and the 7 Hoods) . Rating : 6 , acceptable and passable , though overlong . The film will appeal to Angie Dickinson and Roger Moore fans .

Tolerable romantic/exotic/religious melodrama from producer Henry Blanke, who had earlier been responsible for the more acclaimed THE NUN'S STORY and the more popular THE MIRACLE (both 1959). As a matter of fact, this basically extends the African scenes of the former's second half to take up its entire length but, at the same time, incorporating the emotional/vocational struggle inherent in the latter – and, for good measure, the male stars of each (Peter Finch and Roger Moore respectively) were brought on board for this new venture as well! Anyway, the titular figure is played, quite convincingly, by Angie Dickinson; as for her co-stars, Finch is typically commanding but one has a hard time believing Moore as either a flyer (the setting the eve of WWII) or a doctor (and it is clear he did not take the part seriously himself)! The most prominent among the indigenous community are 'holy man' Juano Hernandez (who holds his own against Finch in the acting stakes) and 'medicine man' Woody Strode (whose contribution is, alas, rather limited). The narrative takes a thoroughly predictable but pleasing route – with earnest (and luscious) Dickinson having as hard a time convincing agnostic Governor Finch of the true faith as the superstitious natives…but the 'miracle' finally occurs when she cures a local boy, whom Hernandez and Strode had already given up for dead because his father had dared defy the gods! Similarly, when Moore's dashing but uncommitted character turns up in the second half, conflict naturally arises between him and Finch over the heroine (since both have no qualms about showing their feelings to the missionary girl)! The denouement, then, is as unlikely (with spiritual grace taking the upper hand over basic human fulfillment) as it is melodramatic, but that's Hollywood for you. While unsurprisingly meandering somewhat over the course of its generous two-hour length, the film emerges a good-looking and mildly enjoyable effort very typical of the time – also marked by a lush score courtesy of veteran Max Steiner (that is perhaps exceedingly reminiscent of his Oscar-winning theme from NOW, VOYAGER [1942]!). Incidentally, while the full title of this one smacks of exploitation which is barely present in the film proper, the print shown on TCM UK actually dropped the heroine's foibles and left us with just her name – an alternate moniker under which, however, it seems never to have been shown until now!