Payroll

One one level, PAYROLL (1961) is another in the long line of heist films so perfectly initiated by John Huston's THE ASPHALT JUNGLE (1950). At that level, the film holds its own: a British version of the familiar plot concerning a planned robbery, interpersonal conflicts, betrayals, and tragedy. But PAYROLL deserves special mention among the likes of ARMORED CAR ROBBERY (1950), RIFIFI (1955), THE KILLING (1956), ROBBERY (1967) and numerous others. This film has a fast pace and a dynamic directing style all its own. A fantastically exciting film with top-drawer performances by a cast that includes a few names that would achieve greater fame later on. A top-drawer Noir-tinged thriller with a strong sense of fatality, aided by Reg Owen's jazz-inflected music and by stark black & white photography, displaying Newcastle locations to great effect.

I agree that this story is not so unusual. Robbery, revenge...But the acting, directing and everything in this crime drama are outstanding. You are glued to this film, and the armored truck robbery is one of the most impressive, brutal, among all those I have ever seen; let me tell you that I am a heist movie specialist, and not only the greatest ones, even the most underrated from all over the world are in my huge collection. This attack sequence is very brutal, especially for this period. This crime flick is typical from those late fifties and early sixties movies from UK. See for instance the grade B features made by Danzingers or Butchers Productions; with nearly always those likes of William Lukas in most of them, the equivalent, for those years, of today Ray Winstone or Bill Murray - not the American one. The Butchers or Danzingers Brothers studios gave us such items, but with a length time much shorter. One of the best gangsters movies from UK ever made, for this time, and even of all time. But unfortunately not the best known, and that makes no difference for me.

This is a very decent British crime film with some excellent moments. Tom bell carries off the part of the main baddie pretty well but I do not feel he is consistently good throughout, although this may well be shortcomings in the script, which certainly needed tightening up. I thought Billie Whitelaw rather unconvincing as mother of two and amateur sleuth, but she just about gets away with it. No, for me it is Francoise Prevost who brings this film to life. She dominates every frame she is in and the whole film seems to step up a gear. We are uncertain as to her motives and I am sure this is intended if unusual in a film such as this. Most refreshing that we should take to a character and then not really be sure whether we should be cheering or not. Shades of 'The Wire'?!! There is some fine location action and indeed it is some of the car or hideout interiors that slow the film down. Overall though, well worth a watch and something out of the ordinary.

Payroll is a British crime flick based on a novel by Derek Bickerton, and it is the story of a heist and its effects on all the people involved. What surprised me most is the fact that the film is so obscure! How come so few people have seen this? It's suave, sophisticated and entertaining; and it also has a great director in Sidney Hayers. It's certainly a film in need of urgent rediscovery! The film differs from many other films in its class because it focuses on the planning of the crime, the crime itself and then the effects it has on many people involved with it. The main character is Johnny Mellors; a streetwise criminal who is planning to rob the payroll of a factory. However, his plans are thrown into disarray when the firm hires a new company to guard the payroll; complete with an armoured van. The crooks decide to proceed with the crime anyway, and put a meticulous plan together to snatch the loot. However, things don't go exactly according to plan which has repercussions for everyone involved.

The plotting of this film is very good and director Sidney Hayers keeps it flowing well at all times by providing a constant stream of action. The characters presented are all interesting in their own right and the interactions between the various members of the gang are good. Things are kicked up a notch by the involvement of other parties too; as well as the central criminals, we also focus on their inside man, the police and the widow of a man killed during the robbery who is out for her own revenge. The style of the film is very sixties and feels very cool throughout, which is a big bonus to the film and gives it a real slick edge. Things remain entertaining throughout and things are left open enough to ensure that we never really know where it's going to go; by the time the ending comes, there's still several possible ways for it all to end and the ending itself is made up of many twists and turns. Again I have to reiterate my surprise at the obscurity of this film - it's certainly good enough to have a bigger following and I would certainly recommend it to anyone that considers themselves a fan of crime thrillers!

An underrated British film about naive working class criminals. I agree with previous comments regarding the miscasting of Michael Craig, but he was a prominent British leading man so it is understandable that he was chosen for box-office appeal. (Today,one would perhaps cast Albert Finney.) I actually worked on the movie as an extra and met most of the actors. I was particularly impressed with Tom Bell having followed his work in TV plays. He was a young actor who represented the up and coming crop of actors such as Finney, Bates, Lynch and Courteny. Although the film is an excellent record of 60's Newcastle, several scenes were shot in Rugby, where I lived. It was interesting to see how the Rugby scenes were edited into the Newcastle settings. I have a copy on tape.