Master of the World

Matheson's script took two Verne novels ("Robur the Conqueror" and "Master of the World"), and added touches of irony in the characters. (The "gentleman" Mr. Evans, when he sees his girl turning towards government agent Strock, tries to kill Strock at every chance.) William Witney, a famed second unit director, used every trick he ever learned in Republic serials to make the movie look slick on a low budget. (I've never seen such continuous use of a rear projection screen in any other movie.) But the real delight is Vincent Price's Robur, a man of good will but with some severe personality problems. I think he'd be a suitable children's introduction to the antihero and the character with a tragic flaw. For me, the romantic theme music by Les Baxter, especially over the end credits, makes the movie. (Fortunately, they didn't use the maudlin lyrics version in the film!) The recent video release of the film restores the theatrical prologue of "wacky" flying machines from silent movies.

This is a fun movie to watch, full of charm and thinking characters in entertaining action, debate and introspection. With Vincent Price in the lead as Robur(who has declared war on warfare with his flying machine the Albatross) and Charles Bronson as his unlikely heroic nemesis Strock(almost an early era anti-hero), how can one not be intrigued? But also there's grand adventure, costumes and an 18th Century setting to boot. Also the main theme of the need to end warfare remains a very strong one and the film never loses sight of this. Just great stuff to watch.

Exciting and thrilling sci-fi adventure movie dealing with a flying machine captained by Robur masterfully played by Vincent Price . Magnificent rendition based on Jules Verne's fantasy-adventure novel with interesting screenplay by Richard Matheson , including good cast and extraordinary scenarios . This first take on for cinema based on the two famous stories by Jules Verne , filmed in Cinemascope widescreen with agreeable casting and an awesome Vincent Price as self-proclaimed god to save the world . The film talks about the known story from Verne novel and previously never rendered in cinema and it's brought excitingly to screen . In the late 19th century , World is no longer safe . A scientist , arms manufacturer ( Henry Hull) and his team ( his daughter Mary Webster, David Frankham and Charles Bronson who is miscasting) are held as guests of Robur on his airship, a cross between a ship , helicopter and Zeppelin as he wants to use to ensure peace on earth. Robur tries to stop war from his ingenious machine even if he has to bomb military targets all over the world . When the group aboard a gas Balloom are suddenly gunned down and thrown into a volcano .They are captured and get thoroughly involved with power-hungry captain Robur and take extraordinary adventures on ceiling in an advanced aircraft. Prisoners at first, they are now treated as guests to view the world and to hunt under the skies. Meanwhile Robur who deplores the modern methods and technical weapons attempts to end wars by means of the giant airship armed to the teeth.

This fantastic movie displays sensational adventures, drama, intrigue, marvelous scenarios by Daniel Haller , lots of fun and is pretty enjoyable. Fascinating aerial movie blends action, , disaster spectacle, hokey fun ,suspense and emotional happenings . Our heroes incarnated by a throughly believable casting of the first-rate character players get stuck in the flying machine before it explodes , undergoing numerous adventures and suffering innumerable perils . Surprise-filled entertainment and plenty of action on grand scale with passable special effects and some ships and machine by maquette or scale model or matte-painting . The aerial scenes , explosions , pyrotechnics , flamboyant FX , all of them are spectacular and the film is another exceptional Hollywood product but of B-series. Memorable and great cast as Vincent Price plays a serious revenger Robur ; Henry Hull plays perfectly as intelligent scientific and Charles Bronson as John Strock , a Ned Land role-alike, as an obstinate , stubborn adventurer who spends most of their time devising intelligent ways for escape . Atmospheric and vivid score by Lex Baxter . Colorful cinematography by Warrenton in Cinemascope and Technicolor reflecting wonderfully aerial scenes . This acceptable picture was produced in average budget by American International Pictures with its usual producers , James H Nicholson and Samuel Z Arkoff.

This classic as well as traditional movie was marvelously directed by William Witney , containing some vigorous scenes . Witney was a good craftsman who directed 140 titles from the 30s . Oklahoma-born William began his long screen career as a studio messenger in silent days joining Republic Pictures shortly after . By 1936 , he was already script supervisor on serials and his own directorial career started the following year . Witney graduated to director at 21, he was Hollywood's youngest , and he teamed with director John English on many of the period's best serials . He realized many of the era's best serials , most of them highlighted by kinetic fight and chase scenes that helped change the face of action movie-making and from 1956 , he transferred these stirring energies to TV Westerns with prolific and enjoyable results . The favorite shooting was the 1939 serial ¨Zorro's fighting legion¨ . As his pictures were mainly serials , after WWII service with US Marines , he moved on to Roy Rogers Westerns , inserting into them a new tough backbone that offended some Rogers purists . In 1954 he made one of the best films ¨The outcast¨ with John Derek , besides his television work which includes some quite exciting episodes of such series as ¨High Chaparral¨, ¨Bonanza¨, ¨Laramie¨, ¨Zorro¨, ¨The Virginian¨ and ¨Wagon train¨ and he followed to work for cinema and was capable of making large-scale movies as ¨Santa Fe Passage¨ involving a wagon train against Indians , ¨The Bonnie Parker story¨about the famous gun-moll , and specially ¨Master of the world¨ . The motion picture will appeal to fantasy-adventure buffs ; it's an agreeable popcorn story plenty of spectacular scenes , thrills , colorful exteriors and many other things . It's a wonderful popcorn story for kids , teens and old people . Rating : Better than average , the mightiest motion picture of them all , it's a real winner.

Being a huge Vincent Price fan, I must said that "Master of the World" is not on my top 5 movies of his American International period. The film lacks real excitement, the low budget is clear, and the combination of two different stories by Jules Verne didn't work properly (the comedy touches are completely out of place, and are NOT part of the original novels) But once again, the man is in complete control of his character and delivers a solid performance. Is also good to see Henry Hull (the first werewolf of Hollywood) and a young but convincing Charles Bronson. No matter what, the film deserves a DVD rendition, as many other Vincent Price films like "Shock", "Diary of a Madman" and "The Mad Magician", to name a few.

Set in the Victorian era, a mad genius named Robur (Vincent Price) has devised a futuristic flying ship for a devious, slightly contradictory, though possibly admirable purpose. He travels halfway around the world with an imprisoned quartet and a crew of "air sailors".

Although there are some problems with this film primarily due to its budget, and some viewers might be put off by the obvious similarities to Disney's version of 20,000 Leagues Under The Sea (1954), I enjoyed this somewhat wacky sci-fi/fantasy/adventure film quite a bit, and gave it a 9 out of 10.

The film actually opens with a brief but clever, tongue-in-cheek black & white documentary about the history of flying machines. Abruptly, at the narrative line "Master of the World", the documentary ends. Then we change to color as we're taken to a sumptuously fantastic Pennsylvania town, complete with towering mountains and a seeming volcano.

I have to admit that director William Whitney already had me in the palm of his hand at that moment. I'm all for weird transitions, surrealism and beautifully saturated color cinematography. To make things even better, just as a character tells us how boring the town is, a booming voice (obviously Price's), quoting a doom-laden passage from scripture, emanates from the vicinity of the mountain.

I was also easily sold on the film because I'm a big Vincent Price fan. Price is great, even though the context of the role is a bit unusual for him. There is a lot of comic relief throughout most of the film, and the genre wasn't his norm. However, he comes across as menacingly demented yet suave as always. The rest of the principle cast was marvelous, too, with Charles Bronson playing an early version of Harrison Ford (maybe he always did that), Mary Webster as an appealing love triangle target, and some very fun and appropriate overacting from Henry Hull doing an early obnoxious "I'm an American" shtick and David Frankham as the perpetually irascible Victorian sap.

It's a blast noting all of the future tech elements from past eras' perspectives, and the set design and special effects are actually admirable given that this was a low-budget film for its ambitions. Even the stock footage and footage from the 1944 Henry V (the shots of London that look like a medieval town), although at times obvious, are incorporated well. On the other hand, there is some similarity between the set design and that of a particular era and class of television show--say the Adam West Batman, the original Star Trek, or even the Tom Baker Doctor Who--which all have a fairly low-budget look, but I have to admit that I love those shows, too.

There isn't much of an easily discernible subtext in the film, but of course that's because Master of the World wears its messages proudly on its sleeve. I won't state them explicitly here, as in my view that would be a spoiler, but it's notable, like many other aspects of the film, for its similarity to 20,000 Leagues, including its moral ambiguity. This would actually be a good film, as would 20,000 Leagues, to show a freshman-level ethics class as an exemplification of and discussion launching pad for both utilitarianism and deontology.

Although it's not exactly the most original film to come down the pike (but primarily just because of 20,000 Leagues), and it's not a faithful adaptation of author Jules Verne's work, I don't subtract points for either of those characteristics. Master Of The World has an engaging, solid story that is both thought provoking and a lot of fun.