Master of the World

Based on two Jules Verne novels. This is an exciting action adventure with an emphasis on world domination and flying machines. The evil Robur (Vincent Price) is the navigator of an airplane ship hell-bent on destructing all of the worlds war machines and armies for the purpose of peace on earth (what a mad case). He must be stopped by Strock (Charles Bronson) a government man whose tough but level headed.

The effects are brilliant for an early 60's film and the screenplay and music is spot on. This is a lot of fun.

Matheson's script took two Verne novels ("Robur the Conqueror" and "Master of the World"), and added touches of irony in the characters. (The "gentleman" Mr. Evans, when he sees his girl turning towards government agent Strock, tries to kill Strock at every chance.) William Witney, a famed second unit director, used every trick he ever learned in Republic serials to make the movie look slick on a low budget. (I've never seen such continuous use of a rear projection screen in any other movie.) But the real delight is Vincent Price's Robur, a man of good will but with some severe personality problems. I think he'd be a suitable children's introduction to the antihero and the character with a tragic flaw. For me, the romantic theme music by Les Baxter, especially over the end credits, makes the movie. (Fortunately, they didn't use the maudlin lyrics version in the film!) The recent video release of the film restores the theatrical prologue of "wacky" flying machines from silent movies.

Being a huge Vincent Price fan, I must said that "Master of the World" is not on my top 5 movies of his American International period. The film lacks real excitement, the low budget is clear, and the combination of two different stories by Jules Verne didn't work properly (the comedy touches are completely out of place, and are NOT part of the original novels) But once again, the man is in complete control of his character and delivers a solid performance. Is also good to see Henry Hull (the first werewolf of Hollywood) and a young but convincing Charles Bronson. No matter what, the film deserves a DVD rendition, as many other Vincent Price films like "Shock", "Diary of a Madman" and "The Mad Magician", to name a few.

I saw Master of the World mainly because of Vincent Price who is one of my favourite actors. It is far from perfect, but is fun and deserves better credit. The effects are not great where you can tell that they are low-budget, while the stock footage of other costume epics looks rather clumsy, the Globe theatre suddenly appearing in Victorian London also happens to be anachronistic. And Vito Scotti overacts to the verge of embarrassment. However, the costume and set designs are nice to look at and Master of the World is at least well photographed. The music score manages to be both rousing and bombastic, the script while talky is intelligent and humorous and the story is fun. Charles Bronson has been better but he is at least appealing, while Henry Hull is amusing. Stealing the film though is none other than Vincent Price, who commands every frame with his ever effortless suavity and panache, and he is also deliciously sinister when needed. All in all, an enjoyable film with a great Price but at the same time it could have been more. 7/10 Bethany Cox

Set in the Victorian era, a mad genius named Robur (Vincent Price) has devised a futuristic flying ship for a devious, slightly contradictory, though possibly admirable purpose. He travels halfway around the world with an imprisoned quartet and a crew of "air sailors".

Although there are some problems with this film primarily due to its budget, and some viewers might be put off by the obvious similarities to Disney's version of 20,000 Leagues Under The Sea (1954), I enjoyed this somewhat wacky sci-fi/fantasy/adventure film quite a bit, and gave it a 9 out of 10.

The film actually opens with a brief but clever, tongue-in-cheek black & white documentary about the history of flying machines. Abruptly, at the narrative line "Master of the World", the documentary ends. Then we change to color as we're taken to a sumptuously fantastic Pennsylvania town, complete with towering mountains and a seeming volcano.

I have to admit that director William Whitney already had me in the palm of his hand at that moment. I'm all for weird transitions, surrealism and beautifully saturated color cinematography. To make things even better, just as a character tells us how boring the town is, a booming voice (obviously Price's), quoting a doom-laden passage from scripture, emanates from the vicinity of the mountain.

I was also easily sold on the film because I'm a big Vincent Price fan. Price is great, even though the context of the role is a bit unusual for him. There is a lot of comic relief throughout most of the film, and the genre wasn't his norm. However, he comes across as menacingly demented yet suave as always. The rest of the principle cast was marvelous, too, with Charles Bronson playing an early version of Harrison Ford (maybe he always did that), Mary Webster as an appealing love triangle target, and some very fun and appropriate overacting from Henry Hull doing an early obnoxious "I'm an American" shtick and David Frankham as the perpetually irascible Victorian sap.

It's a blast noting all of the future tech elements from past eras' perspectives, and the set design and special effects are actually admirable given that this was a low-budget film for its ambitions. Even the stock footage and footage from the 1944 Henry V (the shots of London that look like a medieval town), although at times obvious, are incorporated well. On the other hand, there is some similarity between the set design and that of a particular era and class of television show--say the Adam West Batman, the original Star Trek, or even the Tom Baker Doctor Who--which all have a fairly low-budget look, but I have to admit that I love those shows, too.

There isn't much of an easily discernible subtext in the film, but of course that's because Master of the World wears its messages proudly on its sleeve. I won't state them explicitly here, as in my view that would be a spoiler, but it's notable, like many other aspects of the film, for its similarity to 20,000 Leagues, including its moral ambiguity. This would actually be a good film, as would 20,000 Leagues, to show a freshman-level ethics class as an exemplification of and discussion launching pad for both utilitarianism and deontology.

Although it's not exactly the most original film to come down the pike (but primarily just because of 20,000 Leagues), and it's not a faithful adaptation of author Jules Verne's work, I don't subtract points for either of those characteristics. Master Of The World has an engaging, solid story that is both thought provoking and a lot of fun.