Lycanthropus

This isn't Jack Nicholson or Benicio Del Toro's wolf-man. it isn't even close to Paul Naschy's beast. This one doesn't even have a werewolf face, and only scratches the victims. Maybe that is why they changed the title from Werewolf to Ghoul.

But, to see one of the early classics is still worth the time.

It is more of a mystery, as Mary (Mary McNeeran) is blackmailing a professor (Maurice Marsac) with some old letters. She is the first victim. Is the professor the killer, or the new teacher (Carl Schell) in school?

Priscilla (Barbara Lass) comes into possession of the letters and tries to find out who killed her friend. (NOTE: Lass was briefly married to Roman Polanski, and, believe it or not, this is one of her best roles in a long career.)

Several murder and several suspects. Who is the ghoul in the girl's dormitory?

This is, as you might expect, a movie about a werewolf in a girl's dormitory (although technically the werewolf mostly hangs around in a forest outside the girl's dormitory). The "girls" actually look to be about twenty-five on average and resemble European fashion models of the era much more than the "delinquents" they're supposed to be. And this was made in 1962 so you're not going to get any nighties or plaid mini-skirts, let alone any nude shower scenes. Still this is an entertaining little movie that serves to show the potential "beast" that lurks within the heart of all respectable men when they get around nubile young women. The first murder especially, while tame by today's standards, was no doubt quite a taboo-breaker at the time. The werewolf attacks his victim "missionary style" and the screams and cries that she makes as he ravages her off-screen could easily be taken for something else entirely. The other murders and attacks are less lurid, but generally pretty effective.

The movie also provides a plethora of great suspects and red herrings including a new professor who left his old job after a mysterious scandal, a benefactor of the school who is paying various girls for sexual favors (and finds himself being blackmailed), the creepy and very bestial-looking groundskeeper, and the very refined headmaster who nevertheless bears a striking resemblance to the werewolf. The movie really keeps you guessing to the end.

It's in black-and-white, of course, and it's dubbed (although the European cast does seem to be speaking English most of the time). Not a great movie perhaps, but not a bad way to waste 80 minutes either.

Just last week, I finished reading Guy Endore's classic 1933 novel "The Werewolf of Paris," a highly intelligent, insightful look at this legendary creature of modern-day folklore. Last night I watched the 1961 Italian/Austrian coproduction "Werewolf in a Girls' Dormitory," a film that is hardly classic, overly intelligent or insightful, but that did come as a nice treat for me anyway. To my great surprise, this is not the teenage lycanthrope panty raid that I had been expecting, or the camp fest that the title would lead one to anticipate. The film deals with a series of brutal murders in a young women's reformatory school in what is supposed to be the U.S. but feels distinctly European. To its credit, the movie boasts some pretty creepy atmosphere, effective music, very passable B&W photography, and very decent acting (although it's hard to tell for sure about that last with the terrible dubbing). It feels like a cross between a monster flick and an early Italian "giallo," with a dash of mystery thrown in. Who IS the werewolf? Is it the new, hunky blond professor with a secret in his past? The lecherous old teacher who's being blackmailed by one of the students? Or howzabout the Igor-like, handicapped handyman? Most viewers will never guess; I know I didn't! The Maltin book inexplicably gives this film its lowest "BOMB" rating, but I think the editors there are being way too harsh. Although "Werewolf in a Girls' Dormitory" is nothing great, it still deserves some respect for the effective and well-put-together thriller that it is.

Everything is almost perfect in this underrated horror movie, except the stupid theme song, which was probably added for American distribution only. The scenes in the woods are atmospheric and thrilling due to competent cinematography. The main plot (who is the werewolf stalking a girls reformatory?)might be simple, but it is supplemented with an intriguing subplot of prostitution and blackmail centered around the reformatory. No surprise that the script is by Ernesto Gastaldi who wrote some of the masterpieces of Italian horror cinema in 1960s.

There is something bleak and disjointed about this film. First of all, I appreciate the fact that it has an interesting story and a few obstacles thrown in the viewers path. The movie is as much psychological as it is horrific. I don't like slasher movies and am bored with them, especially the ones out of the era where this movie appeared. It turned out to be kind of an atmospheric werewolf movie. It's deliberately misleading at times. Characters are there for no other reason than to confuse us. But it plays by the rules. The main female figure is quite pretty. The rest of the girls seem rather the same and there's a stuffy restraint all around. Nevertheless, there are some attacks, pretty good special effects, and an interesting conclusion.