The Last Sunset

An unpretentious Western told in an honest, straightforward manner.

Robert Aldrich does a very controlled job directing a story straddling the Texas Mexico border, a story told at a steady pace but rarely reaching memorable highs. The film has many elements of the classic Western including a chase, cattle drive and gunfight but it also tries to add some melodramatic, pure story based elements - though one major plot point was so well signposted, it might as well have been included in the opening credits.

Kirk Douglas, as Brendan O'Malley, provides the barely controlled dynamism at the centre of the film. Unfortunately, not all parts of the film are to this standard. Rock Hudson has difficulties with the role of the upstanding sheriff. A strong supporting cast, from Joseph Cotton to Jack Elam, provides a wide, interesting range of characters.

Overall, a solid if unspectacular film, recommended for Western and Kirk Douglas fans. 6.75.

Terrific western-drama from director Robert Aldrich has sheriff Rock Hudson tracking lawless Kirk Douglas to a rancher's homestead; they soon find themselves agreeing to take part in a grueling cattle-drive, and to work out their differences along the way. Breathtakingly photographed adventure has three-dimensional characters, good writing by Dalton Trumbo and solid acting (particularly by Douglas and fresh-faced Carol Lynley, well-cast as a youngster with a crush on Kirk). The melodrama gets a little thick at times, though odd flickers of humor quickly intercede whenever things start to get too mawkish. *** from ****

A weird Western by the maestro Robert Aldrich , it deals with Brendan O'Malley,(Kirk Douglas) a previous gunslinger, arrives in Mexico to meet her old lover Belle Breckenridge ( Dorothy Malone) ,married to alcoholic rancher, John Breckenridge (Joseph Cotten), as he is hired and prepares to lead a flock to Texas. In the footsteps of O'Malley goes Dana Stribling,(Rod Hudson), a vindictive sheriff who seeks revenge because O'Malley killed his brother-in-law. Both of them are joined on a cattle drive to Breckenridge , his wife Belle and daughter Missy. The tension will enhance when Stribling starts to woo Belle and O'Malley his daughter Missy (Carol Linley).

This is a typical but amazing Western with romantic touches, it's well written by the blacklisted Dalton Trumbo and led by Aldrich with an impressive agility , harmony and strength . This interesting film keeps afloat by the skills of their all star cast , but driven along by powerful direction which compels and sustains interest by careful concentration of the interpretations themselves. The relationship between Kirk Douglas and the adolescent girl marvelously played by Carol Linley is wonderful , with some moments that result to be deeply sensible and the chemical between Hudson and Douglas is also evident, and Kirk Douglas comes out in its action. Douglas makes the best interpretation of the film , laughing, dancing and singing Mexican songs , but his role is really impulsive and tragic. Rock Hudson as Stribling also makes a nice character , he plays an exciting cat-and mouse game with O'Malley. Both females , Dorothy Malone and his daughter Carol Lynley show an amazing beauty, they play pretty well their characters. And of course, phenomenal Joseph Cotten who steals the show as a veteran confederate drunk. Filmed in colorful cinematography by Ernest Laszlo , perfectly remasterized, it is shot on locations in Aguascalients and Mexico City Distrito Federal. It contains an atmospheric and appropriate musical score by Ernest Gold .The motion picture is well directed by Robert Aldrich , an expert on violent Western such as he proved in ¨ Veracruz ¨, ¨Apache¨and ¨Ulzana's raid ¨, but also on humorous Western as ¨Four for Texas¨ and ¨the Frisko kid¨ . The talent for vigorous Western/tragedy that Aldrich shows was never as evident again. Rating : very good, better than average and wholesome watching.

The one and only teaming of Kirk Douglas and Rock Hudson in The Last Sunset was a fortunate one. Kirk's production company Bryna put this film together and the wise Kirk knew what he was doing when he took the flashier and meatier part of the villain.

In that regard The Last Sunset is similar to Gunfight at the OK Corral where the straight arrow hero of Wyatt Earp played by Burt Lancaster took a definite second place to Douglas's Doc Holiday. As Brendan O'Malley, Douglas is one devilishly charming one with the ladies and fast on the draw as all get out.

In fact Douglas's libido seems to get him in a whole lot of trouble. It's the reason that sheriff Dana Stribling played by Rock Hudson is down and out of his jurisdiction in Mexico chasing O'Malley. It's more than a job with Stribling as you'll see in the film.

While in Mexico Douglas meets an old flame of his, Dorothy Malone there with her husband Joseph Cotten and daughter Carol Lynley. Both he and Hudson strike an unusual bargain with the family. They'll aid them in their cattle drive to the American side of the Rio Grande, but then Douglas and Hudson will have it out.

Sounds crazy, but all will be revealed to the viewer before the film is over, although I'm sure some will guess.

Hudson got the far less glamorous part of a straight law and order sheriff. He has his moments, but the film really turns on the personality and charm and considerable talent of Kirk Douglas. This is definitely one of his top ten performances on film. Sad it isn't shown more often.

Dorothy Malone was doing very well around this time as a portrayer of western women. Her career really took off after that Oscar in Written on the Wind. She's the epitome of a strong willed pioneer woman who had to bend a few conventions to survive.

The Last Sunset is a great western, the usual amount of traditional western activity with some very adult themes in this which I just can't reveal lest it ruin one's viewing.

The Last Sunset is directed by Robert Aldrich and adapted by Dalton Trumbo from Howard Rigsby's novel Sundown at Crazy Horse. It stars Rock Hudson, Kirk Douglas, Dorothy Malone, Joseph Cotton and Carol Lynley. In support are Jack Elam, Neville Brand & James Westmoreland. The music score is by Ernest Gold, with contributions from Dimitri Tiomkin & Tomás Méndez, and Ernest Laszlo is the cinematographer. It's shot in Eastman Color by Pathe, with the locations for the shoot being Aguascalientes & Distrito Federal in Mexico.

Brendan O'Malley (Douglas) is on the run and drifts into Mexico where he arrives at the home of old flame Belle Breckenridge (Malone). She resides with her drunkard husband John (Cotton) and her daughter Melissa, they are in preparation for a cattle drive to Texas. Hot on O'Malley's heels is lawman Dana Stribling (Hudson) who has a very personal reason for getting him back for justice to be served. Making an uneasy agreement, both men join the Breckenridge's on the drive. As they near Texas the tensions start to mount, not least because Stribling is starting to court Belle and O'Malley is increasingly drawn by her daughter Missy.

Lyrical, contemplative and evocative, three words you wouldn't readily associate with the director of Ulzana's Raid, The Longest Yard and The Dirty Dozen. Yet all three words are very fitting for this underseen Robert Aldrich movie. Although containing many of the basic elements that made up the American Western film's of the 50s, The Last Sunset has a very intriguing screenplay by Trumbo from which to flourish. The story is crammed full of sexual neurosis, yearnings, regret, hate, revenge and forbidden love. If that all sounds very "Greek Tragedy" then that's probably about right, as is the film being likened to a Western done by Douglas Sirk. It is melodramatic, but it does have moments of levity and up tempo action sequences, too. It's a very rounded picture, with very well formed characters, characters very well brought to life by the mostly on form cast. All played out amongst some gorgeous scenic panorama's that Aldrich and Laszlo have managed to make seem as poetic observers to the unfolding drama.

Some of it's odd, and the film is far from flawless (Cotten is poor, Elam & Brand underused), but the little irks are easily forgiven when judging the film as a whole. Lyrical, contemplative and evocative: indeed. 8/10