The Frightened City

"The Frightened City" paints an interesting picture of the London underworld circa 1960. Sean Connery gives a great performance as Paddy Damian a heavy who does some of the dirty work for a couple of shady crime bosses played by Alfred Marks & Herbert Lom. Lom, in particular, gives a superb performance as Waldo Zhernikov a very intelligent, suave, hard-headed businessman. John Gregson plays Detective Inspector Sayers trying his best to curb their dodgy dealings. For us lads, it has the ravishing-looking Yvonne Romain playing a dancer & singer in a nightclub owned by our crime bosses. I have read that it was his performance in this movie that led directly to Sean Connery being offered the role of James Bond the following year in the first Bond movie Dr No. A very good watch!.

The film is above average, well made, but lacking the style or brio that makes a good US or Italian crime film really fun. Sean Connery is great to look at in his leaner, pre-Bond form, and Herbert Lom is excellent. Connery plays a low-level mobster, and Lom is the criminal mastermind behind the mobs. It's interesting to contrast the portrayal of violence in this early 60s British film with American or other later portrayals. The approach here is so banal, and the mobsters are obviously pulling their punches in the fight scenes. The director seems completely uninterested in making the violence realistic or exciting. The final fight, however, has some choreography to it and a few interesting touches. In summation, a paint by numbers job, competent British B film, uninspired film making, but good nostalgic fun.

One of a clutch of vintage British thrillers released by Anchor Bay Entertainment (back when it was still going by that name and enjoying its deserved status as one of the major specialist DVD labels) that also included two superior Stanley Baker efforts – Val Guest's HELL IS A CITY (1959) and Joseph Losey's THE CRIMINAL (1960). That THE FRIGHTENING CITY comes up short when compared to these two movies is perhaps unsurprising in view of the fact that director John Lemont – best-known today (if at all) for the campy monster flick KONGA (1961) – is clearly not the equal of either Guest or Losey at the top of their game. In fact, there is little evidence here of anything as individualistic as Guest's combination of wit and grit or Losey's extraordinary expressionist pyrotechnics and, ultimately, the film rises or falls on the strength of its actors. A pre-Bond Sean Connery may be third billed but he commendably carries the film on his shoulders for much of its running time; smooth-talking shady lawyer Herbert Lom is also quite good but his screen time is much less than his top billing might suggest; lock-jawed copper John Gregson adequately stands up to both men, pitting them one against the other when Connery's friend (a reluctant 'director' in Lom's crime syndicate) is shot in cold blood by Lom's sleazy partner (a scene-stealing turn from Alfred Marks). Of course, a gangster is only as good as his moll and Lom's is ambitious French singer Yvonne Romain (actually, she's half-Maltese!) who soon gets under Connery's skin (or should I say bed sheets) but does not think twice of betraying his whereabouts to the police when they threaten her with deportation! Also featured in the cast are Kenneth Griffith (as Connery's crippled ex-partner from his cat burglar days) and Italian restaurateur George Pastell (who soon finds out that 'accidents will happen' when one does not pay his dues in protection money).

The Frightened City is one of several films where Sean Connery is getting more and more noticed, leading to the stardom he would obtain the following year as James Bond. Though he's third billed in The Frightened City, it's his performance you'll remember.

Herbert Lom, a seemingly respectable businessman, is asked to launder some money by Alfred Marks one of London's top crime bosses. It occurs to Lom he's in unique position to make some really good money off all the crime bosses of London if they can be organized. Using Marks as a front, Lom does just that and the two of them hire Connery to be their chief enforcer in their protection racket.

It all works out really well when the hoods are muscling small businessmen for protection, but when they start going after bigger targets David Davies becomes squeamish and Lom and Marks decide he's to be eliminated. They use Connery to set him up and when Connery realizes he's unwittingly helped do in a friend he becomes a man with a mission. It's never good to have Sean Connery with a mission after you.

I think you can figure out the rest of the film. The Frightened City is a plot done many times over in American noir films which cycle had ended about five years earlier in America. This one gives you a nice glimpse of the seamier side of London. It was interesting by the way to hear the objections to going after big targets who might have influence with members of Parliament and the Home Office. Crooks are the same all over the world, pick on those you think can't fight back.

John Gregson is the Scotland Yard inspector who heads what we would call the organized crime unit there. He represents the good guys, but it's the bad ones that make The Frightened City an interesting film.

Surprisingly there is only one review for this film from the UK.I can say that I knew Soho well at the time this film was made when the protection rackets were controlled by the Krays and they really made the characters in this film seem like choirboys.Unlike Connery in the climax,witnesses were either to terrified to talk or were nobbled.I happened to be at the Old Bailey and was in court when the judge found the Krays not guilty.It was only their desire to match each other for killings that finally got them put behind bars.It is interesting to note that this film only got an "A" certificate so obviously the censor did not believe that it was that tough a film.Connery was third billed but clearly the star of the film.Alfred Marks ,one of my favourites,plays against type as a slimy crime boss who has his ambitions spiked in a painful way.A scene I have always remembered.This film was indicative of the direction in which the film industry was headed.