The Explosive Generation

Contrary to the lurid poster and title, The Explosive Generation is an enlightened, sensitive, and even-handed treatment of the issues involved in attempting to include a sexual education curriculum in high schools in the early 1960's. William Shatner is sensitive, realistic, gentle, and winning as the teacher trying to his best only to find his words and methods distorted by those with other agendas.

Patty McCormack (known for the Bad Seed, Kathy O, the Miniskirt Mob, and the Ropers) is quite good as the ingenue made to feel suddenly uncomfortable about her own sexuality in increasingly tense and challenging times. 50's TV fans will enjoy seeing Bud from Father Knows Best (Billy Gray) as one of the students. This is truly worth seeing both as a movie and as a history lesson.

This film stars William Shatner as a teacher who teaches class for Seniors on subjects related to graduation and adulthood. However, when he is having a discussion with them, they begin asking about sex and dating. Considering they are graduating soon and many are already 18, the request is pretty reasonable. While the talk never even remotely becomes smutty, when the parents find out about it, the older generation does what every responsible parent would do--they become hysterical and want the teacher's head on a platter! The main thrust (so to speak) of the film is healthy sexuality as well as academic freedom and non-violent resistance.

What surprised me, however, about this film is that the topic was dealt with very realistically and responsibly. In addition, the kids and especially Shatner did a good job of acting. This really was a shock, as Shatner did NOT talk in his usual staccato voice nor did he overact in the least. While I have loved watching Shatner and his histrionics in such terrible films as IMPULSE, here he has nothing to be ashamed of--his acting (pre-star days) was good.

William Shatner stars in this B&W classroom drama about the changing mores of the last 50s and early 60s. Released in 1961, this film would ring true to both adult and teenage viewers of the time. Only a few years before, Rebel Without a Cause had set the table for a new teenage paradigm. When we see a convertible full of teenagers speeding dangerously through a town (accentuated by a hand held camera in a trailing vehicle), we immediately recognize the form--a dangerous mix of freedom and rebellion.

It is in this setting that Shatner, as the young teacher, does his best to teach his students what they really need to know. One student (played by Patty McCormack only a few years after The Bad Seed!) suggests that the most relevant topic is sex, meaning the role of sex in teenage relationships. The newly claimed freedom of teenagers and their rebellion against the values of their parents made sexual behavior a volatile subject. When the parents discover the teacher is "making them" discuss sex, the town is ready to march with pitchforks (with a capital P, that rhymes with T, and that stands for Trouble!).

Except for the very obvious boom mike hanging over the classroom, I found the production values of this film excellent. The story was interesting. And Shatner doesn't even_talk with his_halting rhythms he became known for.

From the title I was expecting some fluffy 50's style juvenile delinquency. Actually, for folks wishing to bridge the gap between conformist youth 50's style and the rebellious 60's youth, this is a good flick to catch. 50's teacher Shatner is tired of processing his high school classes into dull adult conformity. So, he tries one day to get them to discuss topics that interest them apart from the settled curriculum. It just so happens that many of the kids attended an all-night stay-over at a beach house where many boy-girl things happened. Thus sex is upper-most for many, even though that's not fit subject matter outside of hygiene class. Still, teacher Shatner wants to fudge precedent and thus has them write about their concerns. However, one thing leads to another and the innovative-minded teacher's job is jeopardized once parents learn of the assignment and take their traditionalist concerns to the principal. Things reach a climax when the kids, hungering for treatment of their personal issues, react to Shatner's dismissal.

In many ways the script confronts the cultural conformity of the 50's with issues simmering beneath the outward calm. Among them-- education is more than simply preparing students for adult-level jobs; sex is as much a personal issue as a parental one; pressure to conform is reinforced by profits at the business level (Dunne's used car lot); real reform only comes about through mass action.

There may be more, but these are issues brought to the fore by what amounts to a daring script for its time (1961). It's also revealing that the movie was produced by independents and not a big studio. Anyway, the acting is skillfully unmannered and doesn't overshadow the important topics, while the staging uses location shots rather than studio sets giving the results a better sense of realism, even though I found the upshot to be a little too "Hollywood". All in all, the movie may be obscure; still, the 90-minutes reflects a significant undercurrent in the evolution of modern American culture. After all, Vietnam may have triggered the youth explosion, but the fuse was smoldering long before as the movie providentially suggests.

The Explosive Generation is a harbinger of things to come. Little did they know about student protests in 1961. The best that kids could come up with as a protest concern is the dismissal of a popular English teacher. This was way before an unpopular war, a slew of assassinations, and the spread of drugs. This was before half of the Sixties was over.

These kids are as normal a group of Eisenhower era teens as you can find. But when William Shatner asks them about topics they want to discuss in his class and Patty McCormack mentions sex and not in the hygiene manual way it all mushrooms from there.

The parents of these kids particularly Arch Johnson who is McCormack's father get hysterical when their kids want to discuss grownup topics. When Shatner is canned, the protesters led by McCormack, Lee Kinsolving, Suzi Carnell and Billy Gray get creative in their protest. They would have made the kids who sat in in Columbia later in the decade proud.

The Explosive Generation isn't exactly atomic in its impact. More like a few pounds of TNT. Still those nostalgic for the era and its music will like it.