IMDb रेटिंग
6.4/10
2.3 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA goofy paperhanger is hired to root out a financial inefficiency on a Hollywood studio lot, wreaking havoc as he goes.A goofy paperhanger is hired to root out a financial inefficiency on a Hollywood studio lot, wreaking havoc as he goes.A goofy paperhanger is hired to root out a financial inefficiency on a Hollywood studio lot, wreaking havoc as he goes.
फ़ीचर्ड समीक्षाएं
I don't think "The Errand Boy" is a film everyone will love. The film is essentially plot less and it's made up of one silly skit after another. Additionally, some of the bits are pretty bad--with some serious overacting by Jerry Lewis. Yet, despite its faults, the film is pleasant and entertaining.
I could describe the plot but frankly it never made sense and occupied little of the film. Suffice to say that dopey Morty (Lewis) is hired as an errand boy at a film studio and ends up repeatedly screwing up pretty much everything he does. And, in the end, there is a twist--a nice one at that.
Very few people would notice that much of "The Errand Boy" was lifted from the Harold Lloyd feature "Movie Crazy". Part of the reason folks won't recognize this is that it's a rather obscure film--created in the talking picture era when he was no longer quite the star he was during the silent days. Additionally, the film has been seen, quite inaccurately, as a dud--whereas it's really a dandy film. Here, Lewis resurrects much of this old film and into it injects lots of silliness. Some of the silliness doesn't work (as was often the case, the timing was a problem--skits were something overdone and drawn out way too much--especially the ones involving mispronunciations) and some does. I really didn't enjoy the pathos in scenes involving puppets but must admit a few of the skits (such as Jerry in the pool) were quite funny. Overall, a VERY mixed bag and a film much like Lewis' other plot less film, "The Bell Boy" (which I actually prefer). Worth seeing if you are a fan.
By the way, for classic TV buffs, you'll easily recognize Howard McNear (Floyd the Barber from "The Andy Griffith Show"). But, if you look closely, you'll also see Barry Livingston (Ernie from "My Three Sons") in a skit involving jellybeans.
I could describe the plot but frankly it never made sense and occupied little of the film. Suffice to say that dopey Morty (Lewis) is hired as an errand boy at a film studio and ends up repeatedly screwing up pretty much everything he does. And, in the end, there is a twist--a nice one at that.
Very few people would notice that much of "The Errand Boy" was lifted from the Harold Lloyd feature "Movie Crazy". Part of the reason folks won't recognize this is that it's a rather obscure film--created in the talking picture era when he was no longer quite the star he was during the silent days. Additionally, the film has been seen, quite inaccurately, as a dud--whereas it's really a dandy film. Here, Lewis resurrects much of this old film and into it injects lots of silliness. Some of the silliness doesn't work (as was often the case, the timing was a problem--skits were something overdone and drawn out way too much--especially the ones involving mispronunciations) and some does. I really didn't enjoy the pathos in scenes involving puppets but must admit a few of the skits (such as Jerry in the pool) were quite funny. Overall, a VERY mixed bag and a film much like Lewis' other plot less film, "The Bell Boy" (which I actually prefer). Worth seeing if you are a fan.
By the way, for classic TV buffs, you'll easily recognize Howard McNear (Floyd the Barber from "The Andy Griffith Show"). But, if you look closely, you'll also see Barry Livingston (Ernie from "My Three Sons") in a skit involving jellybeans.
Well I didn't see the full version of this movie until a couple of years ago. I know it from a 1970s cut-down to 18 minutes Super 8mm film version I saw many times,long ago. Those were the days...
We need to work our way through a self-centered and self serving Jerry Lewis. As an earlier comment correctly stated, Jerry Lewis didn't manage to come up with the "not too bright underdog with a golden heart, trying to live the American dream, facing many obstacles but making it in the end" - story, even though this was clearly his idea of the storyline. You can call me names for my next statement: Sylvester Stallone did that thing much better (even though not through a comedy) in his first two "Rocky" movies.
Anyway, this still is a Jerry Lewis classic with many great scenes. Undoubtedly the best being him doing a perfectly-in-sync routine to "Blues in Hoss Flat", as usual impeccably performed by the great Count Basie big band.
Some other material such as the radio that won't stop playing even when smashed to bits has been done much better in 1940s Warner Brothers cartoon shorts.
The two scenes where Morty (Jerry Lewis) meets "living" puppets are rather painful and reminiscent of Charles Chaplin's later work (Limelight etc.) It's in the "crying Clown" tradition and rather out of place in this otherwise funny and inventive movie. The puppets, a little clown and in a later scene a talking female ostrich, magically coming to life (yet obviously performed by rather average puppeteers) in a comedy are the only beings who really understand our "hero"? I'm afraid this is very weak material.
Jerry Lewis also has his "serius" moment in movies like "Cinderfella", and they are totally out of place as well. But that is a classic: a comedian trying to show his (or her) serious side. I will be tolerant and understanding (=forgiving).
If you are a Jerry Lewis fan, "The Errand boy" is a must see in any case. Jerry lewis definitely was (and remains) a great inspiration to contemporary film comedians such as Steve Martin and Jim Carrey.
We need to work our way through a self-centered and self serving Jerry Lewis. As an earlier comment correctly stated, Jerry Lewis didn't manage to come up with the "not too bright underdog with a golden heart, trying to live the American dream, facing many obstacles but making it in the end" - story, even though this was clearly his idea of the storyline. You can call me names for my next statement: Sylvester Stallone did that thing much better (even though not through a comedy) in his first two "Rocky" movies.
Anyway, this still is a Jerry Lewis classic with many great scenes. Undoubtedly the best being him doing a perfectly-in-sync routine to "Blues in Hoss Flat", as usual impeccably performed by the great Count Basie big band.
Some other material such as the radio that won't stop playing even when smashed to bits has been done much better in 1940s Warner Brothers cartoon shorts.
The two scenes where Morty (Jerry Lewis) meets "living" puppets are rather painful and reminiscent of Charles Chaplin's later work (Limelight etc.) It's in the "crying Clown" tradition and rather out of place in this otherwise funny and inventive movie. The puppets, a little clown and in a later scene a talking female ostrich, magically coming to life (yet obviously performed by rather average puppeteers) in a comedy are the only beings who really understand our "hero"? I'm afraid this is very weak material.
Jerry Lewis also has his "serius" moment in movies like "Cinderfella", and they are totally out of place as well. But that is a classic: a comedian trying to show his (or her) serious side. I will be tolerant and understanding (=forgiving).
If you are a Jerry Lewis fan, "The Errand boy" is a must see in any case. Jerry lewis definitely was (and remains) a great inspiration to contemporary film comedians such as Steve Martin and Jim Carrey.
i first saw pieces of this movie on AMC and just had to rent it. the story is so sweet and that's what it's such a great film. it's hard to decide what would be considered the best scenes, but these are my favorites: when jerry gets the jelly-beans for the 3 kids and when he talks to that puppet goose. these show the childlike innocence of jerry and how morty s tashman felt about the studio, [these are near the middle of the film]. i think that not only jerry-fans will like this movie but anyone looking for a good movie to sit back and enjoy! next to the nutty professor, this is jerry's best work! definetly a wonderful story to behold!
Having seen this through much younger eyes a few decades ago, my faulty memory banks recall this as being: A) much funnier than I think it is now, and B) in glorious Technicolor, which it obviously wasn't.
All great comedians steal from each other, and many of the sight gags here owe so much to the great Ernie Kovacs, (who himself owed everyone from Buster Keaton to Harold Lloyd to old Warners cartoons and comedic shorts). That said, Jerry puts his own unique stamp on every gag, in that way which is what only the most gifted comics can pull off.
The recording studio sequence is much funnier than I remember it, and I would willingly sit through the first act just to get to it. There are a lot of dull spots, strange interludes that are compelling if somewhat jarring in the context of things, (his encounter with the 'live' puppets), and just a tad preachy, (the confrontation between T.P. Paramutual (Brian Donlevy) and his 'toadies' in the screening room.
Overall, I don't know if I would hail it as a masterpiece, (I will leave that task to Parisian critics,) but it's one helluva lot funnier than a lot of the crap coming out of Hollyweird these days.
I'd recommend it, but not over THE LADIES' MAN. Now THERE is a funny movie!
All great comedians steal from each other, and many of the sight gags here owe so much to the great Ernie Kovacs, (who himself owed everyone from Buster Keaton to Harold Lloyd to old Warners cartoons and comedic shorts). That said, Jerry puts his own unique stamp on every gag, in that way which is what only the most gifted comics can pull off.
The recording studio sequence is much funnier than I remember it, and I would willingly sit through the first act just to get to it. There are a lot of dull spots, strange interludes that are compelling if somewhat jarring in the context of things, (his encounter with the 'live' puppets), and just a tad preachy, (the confrontation between T.P. Paramutual (Brian Donlevy) and his 'toadies' in the screening room.
Overall, I don't know if I would hail it as a masterpiece, (I will leave that task to Parisian critics,) but it's one helluva lot funnier than a lot of the crap coming out of Hollyweird these days.
I'd recommend it, but not over THE LADIES' MAN. Now THERE is a funny movie!
"The Errand Boy" is mostly an excuse for a series of silly gags, but it's good for a few laughs. Jerry Lewis plays a man who gets hired to spy for a movie company. Sure enough, in the process of spying, he just makes a mess everywhere he goes. Whether it's the armor suits or the champagne bottle, this guy is a walking disaster area. A precursor to Insp. Clouseau and Gilligan, if you will.
Low humor, you say? Maybe it is, but like I said, good for a few laughs; simply a way to pass time. The movie doesn't pretend to be a masterpiece. Also starring Brian Donlevy, Howard McNear, Kathleen Freeman, Stanley Adams and Doodles Weaver.
Low humor, you say? Maybe it is, but like I said, good for a few laughs; simply a way to pass time. The movie doesn't pretend to be a masterpiece. Also starring Brian Donlevy, Howard McNear, Kathleen Freeman, Stanley Adams and Doodles Weaver.
क्या आपको पता है
- ट्रिवियाJoe Besser was struggling for work at this time, and friend Lewis gave him a small role. It paid off well for Besser, who met Joey Bishop on the set, and wound up with a co-starring role on "The Joey Bishop Show" (1961) for the next few years.
- गूफ़The diver writes a question to the title character but omits the apostrophe from "DON'T".
- भाव
Morty S. Tashman: Do you smoke ma'am?
[Bubblegum Blower in Elevator shakes her head]
Morty S. Tashman: Thank heavens.
- कनेक्शनEdited into Jerry Lewis at Work (2004)
टॉप पसंद
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- How long is The Errand Boy?Alexa द्वारा संचालित
विवरण
- चलने की अवधि1 घंटा 32 मिनट
- रंग
- पक्ष अनुपात
- 1.85 : 1
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