IMDb रेटिंग
7.4/10
2.8 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA young hoodlum decides to work for a criminal organization that is tearing itself apart.A young hoodlum decides to work for a criminal organization that is tearing itself apart.A young hoodlum decides to work for a criminal organization that is tearing itself apart.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 जीत
Akira Yamanouchi
- Sakiyama
- (as Akira Yamauchi)
फ़ीचर्ड समीक्षाएं
Typical high school relationship turmoil pales in comparison to this. A young couple are looking for a more prosperous life in early 60s Japan, however, the young man thinks that running with a gang will help him clear some financial debts quick along with selling swine on the black market in the grittier parts of Japan. His girlfriend wants him out of that stupid gang while her parents are far from model parents as they try to steer her into prostitution. The story follows Kinta as he wrestles with becoming a man and trying to find a way out of the gang world as his girlfriend would be happy if he had a traditional factory job; something he bristles at. Will they be able to detach themselves from bad influences or will they collapse under the pressures? This film had really nice shot framing and a few really innovative transitions, especially for the era. The acting was solid and the drama slowly increased built upon well-crafted characters. One key scene has similarities to Scarface but swap cocaine with pigs. Ha Ha.
There are some interesting faces in this flick. The head of gang Tetsuro Tanba, who thinks he is dying hits it big some years later
as the Japanese male lead opposite Sean Connery in "You Only Live Twice" (1967). An old guy who defends the honor of the female lead
ends up playing Admiral Nagumo in "Tora, Tora, Tora" (1970).
Beyond those interesting connections, this flick is fairly complex and has a bit of a fatalistic theme. Some the main characters have to break out of their environment to change their destiny. Only one is able to do that. There are a few comedic moments. It is worth the time to see the plot. :-)
Beyond those interesting connections, this flick is fairly complex and has a bit of a fatalistic theme. Some the main characters have to break out of their environment to change their destiny. Only one is able to do that. There are a few comedic moments. It is worth the time to see the plot. :-)
It's really interesting to see one of the early works of Imamura. This film includes epitomes of the overall style of the great director: depiction of the lower, outlaw parts of Japanese society; criticizing both the authority and the society for their conformism with prevailing conditions; use of animals(namely pigs for this film) as an allegory for individuals (here it should be underlined that this object of allegory beats up its master!); and characterizing women as determined individuals who have power within the society, and who are more conscious than men. In order to trace the sources of the stylized director who made brilliant films like Kuroi Ame, Narayama bushiko, and Unagi, this film is a must see.
Teen hoodlum Kinta is excited to be given the plum job of supervising the pig pen at the local US base, for which he'll be responsible diverting the food scraps to the black market, and scoring a good income for his yakuza gang. His girlfriend Hiroku earnestly hopes he'll leave the yakuza and get an honest job, but neither is she a paragon of virtue - she is drawn into prostitution and petty thievery. The story mostly follows their troubled relationship, against a backdrop steeped in corruption, which results from the clash of US Forces occupation against the poverty and aspirations of the people of post-war Japan.
A scathing, even cynical critique. There is no tenderness at all here. Even the young lovers embracing is shown more as a desperate clinging than emotional attachment. And corruption is everywhere - there are no good guys. Confronting stuff, well-photographed, memorable as a vivid nightmare.
A scathing, even cynical critique. There is no tenderness at all here. Even the young lovers embracing is shown more as a desperate clinging than emotional attachment. And corruption is everywhere - there are no good guys. Confronting stuff, well-photographed, memorable as a vivid nightmare.
Shôhei Imamura's "Pigs and Battleships" is a very well crafted film. Despite this, it's a very unpleasant film and probably won't appeal to most viewers.
This film is set amid the social chaos that followed World War II in Japan. Now an occupied nation, poverty and crime are rampant. The film specifically focuses on the very lowest elements of society-- grifters, pimps, prostitutes and gangs. They are a uniformly disreputable group of people in the film--and because of that, it's very difficult to care in the least about these folks. And, because you don't really care about them, this makes the film do hard to enjoy. But this isn't necessarily a criticism--Imamura wanted to shock audiences and make social commentary about this as well as the country's ambivalence about having American troops in their land. On one hand, some folks admire the soldiers and think they are the greatest in the world, whereas others see them much like how hyenas view lions--they are just waiting to pick up their scraps. It's all very depressing and awful. The only bright spot is at the end. Following a crazy scene involving death, escaped pigs and total chaos are signs that perhaps ONE damaged soul might just make her escape. Bleak...but powerful.
This film is set amid the social chaos that followed World War II in Japan. Now an occupied nation, poverty and crime are rampant. The film specifically focuses on the very lowest elements of society-- grifters, pimps, prostitutes and gangs. They are a uniformly disreputable group of people in the film--and because of that, it's very difficult to care in the least about these folks. And, because you don't really care about them, this makes the film do hard to enjoy. But this isn't necessarily a criticism--Imamura wanted to shock audiences and make social commentary about this as well as the country's ambivalence about having American troops in their land. On one hand, some folks admire the soldiers and think they are the greatest in the world, whereas others see them much like how hyenas view lions--they are just waiting to pick up their scraps. It's all very depressing and awful. The only bright spot is at the end. Following a crazy scene involving death, escaped pigs and total chaos are signs that perhaps ONE damaged soul might just make her escape. Bleak...but powerful.
क्या आपको पता है
- ट्रिवियाThis film is part of the Criterion Collection, spine #472.
- कनेक्शनFeatured in Cinéma, de notre temps: Shohei Imamura, le libre penseur (1995)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Pigs and Battleships?Alexa द्वारा संचालित
विवरण
- चलने की अवधि
- 1 घं 48 मि(108 min)
- रंग
- पक्ष अनुपात
- 2.35 : 1
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