हॉली न्यू यॉक शहर की एक विचित्र प्लेगर्ल है, जो अपने पड़ोसी में रुचि दिखाती है, एक लेखक जिसे किसी अमीर आदमी द्वारा "प्रायोजित" किया गया है।हॉली न्यू यॉक शहर की एक विचित्र प्लेगर्ल है, जो अपने पड़ोसी में रुचि दिखाती है, एक लेखक जिसे किसी अमीर आदमी द्वारा "प्रायोजित" किया गया है।हॉली न्यू यॉक शहर की एक विचित्र प्लेगर्ल है, जो अपने पड़ोसी में रुचि दिखाती है, एक लेखक जिसे किसी अमीर आदमी द्वारा "प्रायोजित" किया गया है।
- 2 ऑस्कर जीते
- 12 जीत और कुल 13 नामांकन
- José da Silva Pereira
- (as Vilallonga)
- Nightclub Stripper
- (as Miss Beverly Hills)
- Bartender
- (बिना क्रेडिट के)
- Spieler at Stripjoint
- (बिना क्रेडिट के)
- Woman
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
The film is indeed lightweight stuff. Audrey Hepburn is a New York good-time girl who makes a living by clipping her wealthy escorts for fifty here and fifty there. When she meets handsome George Peppard--a writer who makes ends meet by trading favors with society matron Patricia Neal--can love be far behind? But Audrey's mysterious past and her determination to marry rich, George's status as a kept boy-toy, and their occasionally questionable associates provide plenty of complications to fill out the story.
What makes the film work is the remarkable charm of its two stars. Most of the attention goes to Audrey Hepburn and the film shows her to remarkable advantage: she is a remarkable actress, personality, and beauty, and she works wonders with the ultralight script. But when it comes to charm, George Peppard is no slouch either: the film catches him at the height of his early golden-boy good looks, and he is the perfect foil for Hepburn in both their comic and dramatic scenes. Mickey Rooney's excessive performance as Yunioshi aside, the supporting cast is also very entertaining, with Patricia Neal, Buddy Ebsen, Martin Balsam, and Dorothy Whitney all give enjoyable turns. The film looks great (make sure you get the widescreen version), the score (which includes "Moon River") is excellent, and director Blake Edwards keeps everything moving at a pleasant pace. This a great film to cozy up with on a cold night--romantic, entertaining, and as comforting as a cup of hot chocolate. Recommended.
Gary F. Taylor, aka GFT, Amazon Reviewer
A young and elegantly dressed lady walks around and looking in a shop windows in an early morning. After looking into the shop's windows, she strolls home. Outside her apartment, she fends off her date from the disastrous night before. Later, she meets, a pleasant and somewhat confused writer, the new tenant in her building. They develop a special relationship. She wants to marry a rich man. However, her new friend slowly falls in love with her. Both must give up of some important goals in their lives for the sake of love...
This is an unconvincing and provocative story with a touch of an inappropriate comedy, romance and melodrama. However, this distorted reality has a certain depth. The story of a nobody's-but everyone's girl is, given her past, a naive and painful at the same time. A quiet and insecure writer with an obvious problem of writer's block and hands of a beautiful and rich older lady around his neck enters in her life. It is a quite confusing situation in life.
Costume design is exquisite, the song "Moon River" is haunting as a reflection of fears, turmoil and friendship.
Audrey Hepburn as Holly Golightly / Lula Mae Barnes is an irresistible, irritating, bumbling and gentle woman with two names. She constantly flees away from itself. Holly is "the real fake" and "a wild thing" at the same time. Lula Mae is a person from whom Holly escapes. Ms. Hepburn is a beautiful and gentle actress, exceptional comedienne, who is an ideal choice for this role. George Peppard as Paul Varjak is often set aside as an observer. He was not the right choice for this role. George just can not follow a "twisting" step of the unreliable Holly. Mr. Edwards has tried to equalize their characters. They are unhappy, unfulfilled and they differ from some moral standards. Their relationship is based on an unconditional friendship. There is no a chemistry or love sparks. He has, in an elusive and unreliable girl, found an inspiration in his life. She has found a man who will, regardless of her excesses and lies, always be beside her and lend her a hand when she falls.
Their support are Patricia Neal (Mrs. Emily Eustace "2E" Failenson) as a cool rich woman with a beautiful smile and a magnetic gaze. Martin Balsam as O.J. Berman is very funny as a Hollywood agent. Mickey Rooney as I.Y. Yunioshi is an inappropriate and hackneyed cliché.
This is an odd collection of turbulent and false feelings, which is a comic and melodramatic at the same time, and even occasionally pleasant to watch.
Two prostitutes become friends. George Peppards' role could have been played by anyone breathing and Micky Rooney was too ridiculous to be funny. The always superb Patricia Neal did not have much to do. Only Buddy Epsen moved me.
There are a few noteworthy scenes. But, Breakfast at Tiffany's is the best example I've seen of a lovely cake with a big hole in the middle.
Even when she's hungover or just getting home from an all-nighter (as in the famous opening scene), Hepburn strikes a graceful and glamorous figure. In fact, it's when she's trying to act disoriented or disheveled that her performance is at it's weakest. It's as if she was so inherently stylish that she had to try (too) hard to present anything else! She does a very fine job with the role, even if the character's past is nothing short of preposterous. Peppard comes off as blandly attractive, but wooden. His arrogance regarding his role (fiercely protecting the traditional leading man image) not only undercut his own performance, but also slighted that of Neal's who was diminished as a result. However, sentimental filmgoers probably prefer his more heroic approach and Neal would certainly recoup her losses, earning an Oscar a short time later for "Hud". The most controversial aspect of the film is Rooney's portrayal of an Asian man who lives above Hepburn and who is awakened at all hours by her lifestyle. Whether or not one is offended by the over-the-top stereotype of the buck teeth and slant eyes, the role is not funny anyway! It's all way too forced and obvious, with his pratfalls in sight long before they occur. (A lamp exists RIGHT over his bed for the express purpose of giving him something to hit his head on continuously. Move it, already!) There are many memorable moments in the film including a sequence of Hepburn and Peppard doing things they've never done before, Hepburn sitting on the fire escape plaintively singing the Oscar-winning song "Moon River" (which is used throughout the film by master composer Henry Mancini) and wacky party scene (a prelude to Edwards' "The Party"?) in which all sorts of outre things take place including the cry "Timber!" when a tipsy guest begins to collapse. There's a surprising frankness, for the time, regarding Peppard and Neal's relationship. It seems to be one of the earliest Hollywood films in which the leading man is implied to be nude under the covers in his bed. The film is not without its flaws. Some of the dialogue is annoyingly indulgent and the storyline is fairly patchy (with a tacked on ending.) Still, with the sparkling presence of Hepburn (in some mind-blowing hats and costumes) and the slick work of Edwards, it is easy entertainment.
क्या आपको पता है
- ट्रिवियाAudrey Hepburn's salary for the film was $750,000 (roughly equivalent to $7.3 million as of 2022), making her the highest paid actress per film at the time.
- गूफ़When Holly gets out of the cab in the rain at the end, her hair is already soaking wet from previous takes.
- भाव
Paul Varjak: You know what's wrong with you, Miss Whoever-you-are? You're chicken, you've got no guts. You're afraid to stick out your chin and say, "Okay, life's a fact, people do fall in love, people do belong to each other, because that's the only chance anybody's got for real happiness." You call yourself a free spirit, a "wild thing," and you're terrified somebody's gonna stick you in a cage. Well baby, you're already in that cage. You built it yourself. And it's not bounded in the west by Tulip, Texas, or in the east by Somali-land. It's wherever you go. Because no matter where you run, you just end up running into yourself.
[takes out the ring and throws it in Holly's lap]
Paul Varjak: Here. I've been carrying this thing around for months. I don't want it anymore.
- इसके अलावा अन्य वर्जनThe 45th Anniversary DVD release of the film includes revealing footage of the nightclub stripper that was previously left out of the earlier DVD and video releases. Blake Edwards planned to include the extended striptease sequence in an alternate version of the film for European release.
- कनेक्शनEdited into Dove Chocolate: Audrey Hepburn (2013)
टॉप पसंद
- How long is Breakfast at Tiffany's?Alexa द्वारा संचालित
- Why doesn't Holly's cat have a name?
- Is "Golightly" a real name, or was it made up for the film and original book material?
- What is "Breakfast at Tiffany's" about?
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Muñequita de lujo
- फ़िल्माने की जगहें
- 169 East 71st Street, मैनहटन, न्यूयॉर्क शहर, न्यूयॉर्क, संयुक्त राज्य अमेरिका(Holly Golightly's New York apartment)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $25,00,000(अनुमानित)
- दुनिया भर में सकल
- $6,00,922
- चलने की अवधि1 घंटा 55 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1