Angel Baby

Evangelist faith-healer Paul Strand (George Hamilton) travels the American south with his wife Sarah (Mercedes McCambridge), Mollie Hays (Joan Blondell), and Ben Hays (Henry Jones) to preach to the masses in a tent. Angel Baby (Salome Jens) has been mute since childhood. She is drawn to the meeting where Paul somehow heals her. The group takes her under their wings and turns her into an orator. Her boyfriend Hoke Adams (Burt Reynolds) gets jealous.

It is interesting that the film starts with text saying this may not be suitable for impressable children. I can imagine some blowback from the religious community. Many characters are drawn too broadly. Burt Reynolds is in his first movie and he is probably one of those broad characters. I would like less of the romantic melodrama. There are some interesting elements, but the film does struggle in the mix.

Angel Baby was originally bought by Columbia in 1960 and shelved for a year to insure the success of that studio's similar "Elmer Gantry." On its own merit it is an outstanding film with Oscar worthy performances by the leads, Salome Jens as Angel Baby, and George Hamilton as the evangelist who heals her. Mercedes McCambridge slightly overacts as his jealous wife and Burt Reynolds is a stinker as Angel's ex-boyfriend. He even requested his part in the picture be larger, adding a scene where he almost rapes her, one of the films demerits. The outstanding photography by Haskell Wexler who shot the film with a mini-camera while he roller skated on the set is by far his best effort. Henry Jones and Joan Blondell do fine in their supporting roles as Angel Baby's true believers.

I was surprised at this story in how it was told; as well as the acting by several cast members. Thanks to TCM this 1961 version of Angel Baby was well scripted. I am a believer, but this film certainly would be for both believers and those who are not yet. This film shows the flaws in human nature as well as actors portraying those in real life that have a gift of healing. Even if you view the story for just the fine acting of Ms. Salome Jens, Joan Blondell, Henry Jones and surprisingly the acting of George Hamilton. I have not seen any of the remakes; that is something I doubt I will. So if you have the opportunity to view this film I don't think your time will be wasted.

About 1970 friends and I were on our way back to Sydney following a 2-weel driving vacation to Queensland. We stopped overnight in the small 'bush' town of Bourke (New South Wales). It was there we set up camp for the night and then decided to seek out a movie theater. We found such a theater in a beautiful outdoor garden setting . . .I can't recall its name.

Anyway, the movie showing that night was 'Angel Baby' which we hadn't heard about before. I remember the title not appealing to me at all but the theater setting was gorgeous as well as the night itself. The three of us (me, a friend and 11 year-old Peter) positioned ourselves on blankets on the lawn. Then, for the first time, we saw 'Angel Baby'. It impacted greatly on the 3 of us and we thought about it and talked about it for weeks after. We couldn't get out of our minds the miraculous healing of the cripple boy at the movie's conclusion.

Years later I became a Christian and had the opportunity to see that movie again on TV just a couple of years ago. I'd love to be able to thank the movie cast and particularly Salome Jens for having inspired me (us) back in 1970 and even today. Thanks!

This may have been actress Salome Jens first movie roll, and although when it was released in 1961 she did not receive star billing over more recognized names such as George Hamilton (Reverend Paul Strand), Mercedes McCambridge (the cold fish wife Sarah Strand), and the two hucksters Joan Blondell (Mollie Hays) and her husband Henry Jones (Ben Hays), Salome Jens was not only more deserving of star billing, her role as Angel Baby, the mute beautiful young women who once again finds her voice, and through this miracle she finds God the healer.

I sometimes wonder why some films receive praise (mainly because of a singular performance by a great actor/actress) and other great films with a unique story line and stellar performances by the entire cast such as in the 1961 film Angel Baby are totally ignored. Maybe because stories regarding Evangelist and/or religion are perceived as "subliminal messaging".

The message I received from this film was simply it was a superb film with an interesting story line, and with the leading actress Salome Jens stealing every scene she appeared in.

I rate this classic film an excellent 8 out of 10 IMDb rating.