The Defenders

before this show came out, Television was meant to be pure escapism meaning that like movies,people who watched TV often times watched it to escape from all the turbulent and sometimes horrendous things that happened in that 60's. So because of that, Most network & daytime TV shows often avoided current social issues of the day, making them seem very unrealistic. And then the Defenders came along.

Now, back in the 60's if you decided to make a show that focused on contemporary controversial social issues, you would risk getting your show cancelled because most big corporations would be uncomfortable sponsoring a show that did that, and that's exactly what the Defenders did. They were the first show that was brave enough to focus on such controversial social issues of the 60's such as civil rights,abortion neo-natzis and they almost got cancelled because of it. there was one episode where the father-son lawyer team of Lawrence and Kenneth Preston (E.G. Marshall and Robert Reed) had to a defend an abortionist, and almost every regular sponsor of the show, decided not to sponsor the episode and all of the sudden, the series was hanging by a thread, until one sponsor came in at the eleventh hour to sponsor the episode, and they saved the show from cancellation singled handed.

the bottom line is that this show was incredibly groundbreaking because if was one of the first TV shows to deal with contemporary controversial social issues, something no other show before or on on at the same time did, making it one of the most realistic shows of it's time. it also paved the way for socially conscious shows that came after it. Now what I really don't understand is that the show's not on DVD and it hasn't been seen in reruns in 20 years. But regardless, the show needs to be on DVD or in syndication, and it definitely can't be forgotten by the next generation of TV watchers.

Can this series really have been as inspiring as I thought it was at the time? If so, it must have had enormous effect on American society.

Certainly it dealt more courageously than any other show of the period with issues such as civil rights, religious and political oppression, faults in existing laws on divorce, narcotics and legal sanity, and the ethical problems of priests, doctors and lawyers.

And, as I remember, although E.G.Marshall (as Lawrence Preston) demanded our sympathy for his stand on these issues, there was always argument and challenge from Robert Reed (as his son, Kenneth), and humor prevented solemnity or sentimentality.

Actors such as Sylvia Sidney, Sam Wanamaker, Ruth Roman, Akim Tamiroff, Teresa Wright, and Jack Klugman played leading roles, but minor characters also came across as people of dignity and importance.

What impressed me most perhaps was Lawrence Preston's respect for THE LAW.

Won't some kind person allow us to see it again?

I have not seen an episode since the mid-60s (YIKES, how long is that?), but I remember many of them. In one, these father/son are assigned the defense of a young Nazi. The man was defacing a synagogue when he was interrupted by the rabbi, who accidentally fell and hit his head and died. The man was caught and charged with murder, since it was assumed that he had killed the rabbi. There turned out to be a witness who could clear the man. When the Defenders finally tracked him down, he told them the most horrific story of his arrest and transfer to a concentration camp - and for that reason he would not testify for "one of THEM." Their response was, "Do you want us to be like them, ignoring the truth?" And that was how the episode ended - would the witness testify or not? How childish modern TV "drama" seems in comparison...

My elder brother (who is now a Metropolitan Trial Court judge) and I used to watch this every week back in the early '60s. I don't remember much of the episodes except I know I enjoyed most of them. It has a very inspiring trumpet led theme music as the camera took a long bird's eye view panning shot of a majestic courthouse with Greco-Roman architecture.

I do remember Atty. Preston, the elder, (E.G. Marshall) often arguing on the basis of principles over strict or often shystery interpretation of the law used by his court opponents.

One episode I distinctly remember is the one that involves a leader of an American neo-Nazi organization who organized a counter-demonstration to a Jewish rally or parade. Dressed in what looked like approximations of Sturmabteilung ("shock troops" or SA)uniforms, they peacefully stood on the sidewalks and shouted "Hitler had the right idea" repeatedly. They got arrested and charged with something in court. The Preston father and son lawyer team had the rather unpleasant but legally correct task of defending the neo-Nazi leader on the grounds of freedom of speech.

This landmark TV series (1961-65) was years ahead of its time. It correlated many contemporary stories from the headlines and did so with uncompromising depth. The protagonist attorneys (The late E.G. Marshall, Robert Reed) lost nearly as many cases as they won, because the series focused on controversial social issues where there were no easy answers or solutions. This was reflected in the outcome of some episodes. The issues included abortion; euthanasia; capital punishment; censorship; blacklisting; criminal insanity; Nazis; cannibalism; and a variation of what is currently called "road rage." The first listed, "The Benefactor," was a compelling episode about abortion, years before it was legal. The last, "Death On Wheels," involved an enraged motorist who accidentally killed a pedestrian after a heated argument with his wife. A shocking case was the one about cannibalism. Two men were accused of murdering and literally devouring another man when they were all cast adrift in a lifeboat in the ocean. An unusual episode, "Mind Over Murder" involved a clairvoyant accused of murder based on ESP. The defendant's background was loosely parallel to the late psychic, Peter Hurkos.

The Defenders theme song coupled with an aerial view of the courthouses in Foley Square, New York City, were presented with the onset of each episode. Immediately before the theme, the viewer saw the actual crime being committed when possible, which was graphically realistic and sometimes unnerving. The lawyers then often interviewed their clients in a simulated version of "The Tombs," an archaic NYC jail. The late E.G. Marshall portrayed the lead attorney, Lawrence Preston, with flawless acting that was in a class by itself. Indeed, he was so convincing that it was difficult for me to think of him thereafter as anyone else. The style and integrity he displayed in The Defenders inspired my interest in the law and was one of the initial reasons I became a lawyer.