Who Was That Lady?

Delightful marital / spy comedy; Tony Curtis & Dean Martin are an inspired comic teaming (somehow, this was their only film together!), while Curtis & Janet Leigh, who were then married in real life, have a palpable, physical chemistry together. James Whitmore deadpans effectively as the real FBI man, while Barbara Nichols and Joi Lansing almost stop the show (in a positive manner) in the dinner scene. *** out of 4.

I'd always wanted to check out this well-regarded if rarely-seen comedy – for the record, some years back I missed out on its sole Italian TV screening (that I know of). For Tony Curtis, it meant something of a follow-up to the classic SOME LIKE IT HOT (1959) – where he's forced, with his co-star (in this case, Dean Martin), to pass himself off as something he isn't (an F.B.I. agent), leading to misunderstanding, various complications and imminent danger.

Similarly, a female is involved in the shenanigans (Curtis' on and off-screen wife Janet Leigh) though, here, the whole ruse starts off because of her: Chemistry Professor Curtis' fling with a female student is discovered by his jealous wife, so he turns for help to his best pal – TV writer Martin – who procures him with papers (and a gun) denoting his Bureau affiliations; Leigh is finally convinced of this and, soon after, is contacted by a real F.B.I. operative (James Whitmore) who uses her to keep track of just what Curtis and Martin are up to!

One of the highlights of the film is the extended yet splendid incident in a restaurant: Leigh accepts Curtis' excuse to go on the town with Martin, believing it to be another federal job – but, in her over-eagerness to help, effectively blows his cover…which then lands the F.B.I. itself in hot water! The biggest trouble, however, is that enemy agents take the two men to be the real deal and kidnap them (and Leigh) in order to extract vital information they believe Curtis is in possession of! The aftermath of this sequence is again hilarious as, dazed by the drug he's been given, Curtis thinks they've been taken to a Russian sub and persuades Martin to flood it…but it transpires that they're in the basement of the Empire State Building!

The script (adapted by Norman Krasna – who also produced – from his own play) balances witty dialogue with inspired zany situations, which are then delightfully put across by an excellent cast. Both male stars, in fact, were already adept at this type of thing (crooner Martin also sings the title tune), but Leigh surprisingly proves a fine comedienne in her own right: it's a pity that her marriage to Curtis was crumbling by this time which is doubly ironic given the film's plot, but they were professional enough not to let the real cracks show in their performances.

This is a fairly well made comedy; engaging and fairly lightweight, it would be quite forgettable were it not for Janet Leigh's somewhat animated performance. It is not that the other leads did anything bad, they just didn't do anything exceptional here. Janet Leigh was at the time married to Tony Curtis and this would be the last of five films they made together. In a case of art imitating life (or vice versa) her marriage was almost certainly in trouble by this stage; she was divorced from Tony Curtis about two years later.

I'm just watching this film again on UK TV, broadcast on 'Sony Movies Classic'. The transfer from celluloid to video is mostly OK, but my enjoyment is marred by the sound quality; they appear to have used some kind of auto-sound level control in the transfer somewhere, which has the effect of amplifying every tiny sound even when it is meant to be quiet. Another good film wrecked for posterity then...? Not quite, but almost.

The movie defines the word "farce."

Tony Curtis and Dean Martin are good performers, but the characters they play are pathetic. The FBI "thing" gets tiresome. Janet Leigh looks great, as usual. There are few really funny lines throughout the movie, but the viewer can easily get distracted during "dead zones" of absurd planning and plotting.

The highlight of this movie occurs when the Coogle sisters (Barbara Nichols and Joi Lansing) enter the restaurant. The movie is worth watching if only for this one memorable and provocative scene.

I have rated this movie a 6, but I almost gave it a 5.

Although the premise first hearing about it and reading it didn't exactly grab me and didn't sound plausible for a minute, the star power did attract me enough to see 'Who Was That Lady' anyway. Also had heard the title song beforehand, sung by none other by Dean Martin, and was quite impressed. Tony Curtis, Dean Martin and Janet Leigh's careers were all hit and miss but they were always likeable enough and always did their best regardless of what was thrown at them.

Which is the case here with 'Who Was That Lady'. Can definitely see why the reviews here are mixed, with some really liking it and others being indifferent. Everybody is not at their finest and did have better material, but it doesn't waste them either. As for me myself, my opinion is somewhere in between, finding enough to enjoy but not really loving it and wishing that it could have been more. With it not starting off all that promisingly but it got better.

The story is very thin at times and is often very implausible and a little more complicated than it needed to be (even for a concocted story between characters intended to be that way). It could have gotten going quicker.

In terms of the writing, 'Who Was That Lady' did in my view at times try too hard for laughs, meaning some of the material is strained. While everything with the Russians is quite fun to watch and suspenseful, the film feels like a different film towards the end. Going from frothy romantic comedy to thriller.

However, the glossy production values are skillfully done. The music has energy and charm and the title song is vintage Martin, which will be a delight if a fan of him (have personally always loved his voice). The direction becomes more at ease when the film gets going and the dialogue has plenty of wit and is very amusing in many parts. The restaurant scene is a joy and very memorable.

Curtis is likeable and has strong comic timing, while over-eager at times. Leigh is charm personified and brings a lot of vitality to a role that's fairly thankless and plot device-like. Martin works very well with Curtis and amuses. The chemistry between Curtis and real-life wife at the time Leigh are sweet without being too sugary, one would not have guessed that they were apparently having marital problems at that point. James Whitmore is enjoyably subtle and Larry Storch steals his scenes even if his character seemed as if it was lifted from another film.

Summing up, quite enjoyable though am a little mixed on what my thoughts are. 6/10