Where the Boys Are

WHERE THE BOYS ARE is very much worth seeing, although extremely dated and a movie that would probably make today's 18 year-old laugh out loud at the innocent boy-meets-girl shenanigans of kids in an era before string bikinis and drunken riots in Fort Lauderdale.

Delores Hart is the crown jewel in this, the very first, "beach movie" that launched a whole summertime surf-romance culture of sand and two- piece swimsuits that, just a few years later, spawned Annette Funicello and Frankie Avalon in their BEACH BLANKET money-makers.

Hart is the embodiment of the girl next door with a face that could melt granite as she, Connie Francis, Yvette Mimeaux, and Paula Prentiss drive down to Fort Lauderdale during spring break in search of boys. They hook up with Frank Gorshin, Jim Hutton, and rich boy George Hamilton. The antics that ensue are so saccharine you could pour them over ice cream as a substitute for chocolate syrup.

It is the Hart-Hamilton romance that is the focal point as Hamilton tries unsuccessfully to seduce Hart on his father's yacht. Near the end, Hart thinks he has dumped her when he fails to show. A disconsolate Hart is left alone on the beach and wonders if she'll ever meet Mr. Right. The final scene between Hart and Hamilton offers a touching romantic twist and caps the whole thing nicely. Of course, the movie's theme song, WHERE THE BOYS ARE, would become Connie Francis'signature piece in years to come.

WHERE THE BOYS ARE is certainly dated, but its depiction of a benign teen culture shows us the world of summertime youth before mores,language, and music took a radical turn toward sex, drugs, and rock and roll.

TRIVIA: Anyone who doubts the existence of real, religious vocation should study the life of Delores Hart. She had made about 8-10 movies including two with Elvis--KING CREOLE and LOVING YOU. Then making the whopping sum of about $50,000 a picture, she was being groomed as the next Grace Kelley when she announced, in 1964, she was entering a convent to become a Catholic nun! Studio producers were beside themselves and most of Hollywood reacted with skepticism thinking it was a publicity stunt. She was, in fact, engaged at that time and her fiancée was heartbroken. But she entered a convent in Bethlehem, Conn. and remains there to this day as Mother Delores!...About 2-3 yrs. ago Hart was interviewed on 20--20 and disclosed she had a rare and painful nervous disorder that limits her movements. But her spirits were high and she spoke easily of the old Hollywood days, hiding nothing, even describing Presley as sensitive and a great guy...Yvette Mimeaux would marry MGM dance choreography Stanley Donan in the 1970's...Paula Prentiss would marry actor Richard Benjamin (GOODBYE COLUMBUS)...And Connie Francis? This is a life story waiting to be produced on the screen. For anyone interested in the real life tragedy of Connie Francis, read WHO'S SORRY NOW.....

Dennis Caracciolo

To be honest, the movie began as a typical- and not so great, teenage comedy flick, in which a couple of youngsters are going on a spring break holiday. "Where the Boys Are" however handles delicate themes delicately and the movie is way more than just another teenage comedy.

Actually quite amazing considering that this movie got made in 1960. The movie and its theme seems far ahead of its time. It makes the movie all the more relevant for the time period it got released in and all the more interesting now days to watch. This movie is basically a good observation of how teenagers handled sexual themes in 1960, without ever getting raunchy or not honest. It's a straightforward flick with its theme but its style ensures that this movie at all times mostly remains an entertaining and light one to watch. The movie also really doesn't feel like it was made in 1960.

It's an all the more interesting movie since it tells the story from the viewpoint of the female characters, which works refreshing for a change.

The movie knows to create a perfect balance between its more serious moments and its entertainment value. With movies like this the drama would often feel forced and out of place since the entire movie is done in a comical style of film-making. The creators of this movie however managed to find the right balance, without ever crossing any lines.

Above all things it's still a very entertaining movie to watch. It's still mostly a comedy that provides some good entertainment and has some likable characters in it.

The characters are also really a reason why the movie works out. Lot of the characters are very stereotypical but luckily the actors don't go over-the-top with their roles, which ensures that we can also really start to like- and feel for some of the characters.

The acting was way better than expected. Paula Prentiss really impressed me, also with her beauty and the movie further more features George Hamilton and Frank Gorshin in some early roles. Gorshin is still perhaps best known for his portrayal of the Riddler in the early "Batman" series.

A surprising and fresh movie that deserves to be seen by more.

7/10

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In 2003 Turner Classic Films had a poll where fans could vote (out of a list)for films they would like to see on DVD. The top five vote getters would be the films getting the DVD treatment. Surprisingly, this is one of the five films that voters preferred along with Days of Wine and Roses, Dr. Jekyll and Mr. Hyde, The Postman Always Rings Twice, and The Wind and the Lion. It's a testament to how well this film has held up for the past forty-three years, not an easy task considering it's subject matter.

The basic premise is this: Four college girls escape the freezing north during spring break and head to Ft. Lauderdale because as the title says, that's where the boys are. Not much to make a film about I suppose, but stories have hit the big screen with a lot less plot than that going for them. What Where The Boys Are does have going for it is a witty ahead of it's time script by screenwriter George Wells (based on a novel by Glendon Swarthout), a cast of attractive relatively new stars assembled by producer Joe Pasternak and some nice Florida Scenery.

The cast is headed by Dolores Hart as Merritt Andrews. Although having a high I.Q., Merritt is having trouble in college because she has a tendency to say what's on her mind, and sometimes what's on her mind must have sent a shiver down the spine of many parents in the early sixties. In one class, she dares to suggest that premarital sex (playing house is how she puts it I think) might not only be OK but quite necessary. Daring stuff in those days. It also immediately gives us a more complex character in Merritt which helps lift this film a cut above others in this genre. Dolores Hart is exceptional as Merritt, and because of this she is the center of our attention from the beginning of the film to the end. Ms. Hart is one of those actresses whom was never given a chance to show us her real potential in the short time she was an actress before answering her calling to enter the convent. Pay close attention to her performance as Merritt as I did and you'll understand what we may have missed.

Paula Prentiss makes her big screen debut as Tuggle and immediately shows a fine screen persona with a flair for comedy. She's the one who has vowed to be a "good girl". In other words, no wedding ring, no hanky panky. The parents of the sixties probably loved her.

Yvette Mimeaux plays naive freshman Melanie. She ends up taking Merritt's ideas in class about sex and putting them into action. In 1960's morals, we know she's headed for trouble and was probably the poster girl for parents to point out the evils that would befall you for indulging in a little bit of bedroom parlor games. Mimeaux is OK in the role, it's just a role that isn't written very well and probably the weakest part of the film.

Connie Francis is a revelation as girl hockey player, Angie. We are never given her views on sex so you can paint her in a neutral corner. For some reason (I guess because she's a hockey player)she has trouble getting a guy. I seriously doubt someone who looks like her would have that kind of a problem, but Francis plays the role in a ditsy kind of way. She's adorable, and we love her. Add to this the fact that the girl can sing up a storm and you'll replay the opening titles several times just to hear that heart throbbing voice.

Then there's the fellows. Jim Hutton plays TV Thompson, a hitchhiker who has a thing about hats, that the girls pick up on their way to Fort Lauderdale. He hooks up with Tuggle, and their wit blends together so perfectly, that Hutton and Prentiss went on to make several more films together. Their moments together on screen are priceless. George Hamilton plays Merritt's love interest Ryder. Ryder is a millionaire who goes to Princeton, rides around in his grandfather's yacht and has eyes for Merritt. Hamilton is playing the usual George Hamilton type of role, but for this film it's perfect as Ryder Smith would probably be just like George or vice versa. His scenes with Merritt are very cleverly written. He attempts to find a way to seduce her, but knows she is way too intelligent to fall for the standard come ons. They have good chemistry together. Frank Gorshin plays a nearly blind jazz musician named Basil, whom Angie seems to end up with by default. It works because they both seem to have a whacked out comedy sense. Unfortunately, all poor Melanie can end up with is a couple of wicked evil guys who want her for only one thing and I'm sure you know what that is. John Brennan as Dill and Rory Harrity as Franklin manage to be sleazy enough to do what they have to do, than you can forget them both which apparently most people did as evidenced by their lack of screen credits after this film. Also on hand are a delightful Barbra Nichols as the sea nymph and Chill Wills in a couple of brief but funny scenes as a police captain.

Where this film excels is in the performances and chemistry of it's young cast. Together they make for many enjoyable screen moments. Where it greatly falters is in some of it's very out dated premises about relationships between men and women. Despite the fact that they are all college women, Where The Boys Are would still have us believe that the only thing these women are interested in is finding the right guy who will wrap a ring around their finger. Even Merritt, who is outspoken early in the film, ends up wanting nothing more than to get Ryder and his millions down the aisle. The fact that this film also falls back on the premise that if you hop in the hay with a guy, you'll suffer severe penalties for it. This is hammered home by the presence of Melanie. Because she makes the "mistake" of doing what nice girls shouldn't, she automatically is punished for it. Enough of the film is taken up with this aspect, that it continually brings a cloud cover over the proceedings and bogs down an otherwise enjoyable film.

My advice is to overlook the drama. Enjoy the witty dialog, the on screen chemistry of the stars, the Florida scenery, and listen to Connie Francis belt out Where The Boys Are a few times. Heck, that alone is enough for me to give this film a B.

There is a Movie reviewer who has what he calls "guilty pleasure" movies or, movies that a serious movie buff might not own up to watching but which he enjoys watching never the less. This is one of those movies. It is fun inspite of all the "trashines". The acting is excellent throughout the cast. It is enjoyable to see the locations used that are easily recognizable for any one who has been to Ft. Lauderdale. The movie has too many funny parts to list, and in the other reviews on this site many have been cited. I would like to add one. In the beginning when Chill Wills and Chief of Police talks to the assembled troopers about how to handle the invasion of the students. A real classic scene. I can't wait for this film to become available on DVD, having worn out my VHS copy. A really fun nostalgia movie

This film succeeds in the sense that it isn't a stereotypical beach flick. As a current college student, I can attest that it is rather believable, and, oddly enough, some of it applies to college gals today...nearly 40 years later. Actually, WHERE THE BOYS ARE offers the public a fairly realistic, in-depth portrayal of everyday kids in the 60s, as opposed to other beach movies of the period. Simply put: Frankie and Annette had nothing on these gals!

Contrary to what the title may lead one to believe, the focal point is not terribly superficial. Yeah, sure, the girls head to Lauderdale to nab a Yaley or two, but that becomes somewhat secondary to what actually transpires. Whether it was meant to be or not, this film is one of decisions, learning, and friendships that are strengthened due to the experiences four college girls share during Spring Break in Ft. Lauderdale.

The actors themselves are very believable; none of the main players outdo the others. Hart, Mimeux, Francis, and Prentiss do a wonderful job of conveying many different sides to the characters they portray. The supporting cast is equally skilled and effective in varying roles.

Though this isn't Academy Award winning material, it is definitely worth watching!