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Strangers When We Meet

  • 1960
  • Approved
  • 1 घं 57 मि
IMDb रेटिंग
7.1/10
2.8 हज़ार
आपकी रेटिंग
Kirk Douglas, Kim Novak, Ernie Kovacs, and Barbara Rush in Strangers When We Meet (1960)
Official Trailer
trailer प्ले करें2:39
1 वीडियो
36 फ़ोटो
ड्रामारोमांस

अपनी भाषा में प्लॉट जोड़ेंA suburban architect loves his wife but is bored with his marriage and with his work, so he takes up with the neglected, married beauty who lives down the street.A suburban architect loves his wife but is bored with his marriage and with his work, so he takes up with the neglected, married beauty who lives down the street.A suburban architect loves his wife but is bored with his marriage and with his work, so he takes up with the neglected, married beauty who lives down the street.

  • निर्देशक
    • Richard Quine
  • लेखक
    • Evan Hunter
  • स्टार
    • Kirk Douglas
    • Kim Novak
    • Ernie Kovacs
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.1/10
    2.8 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Richard Quine
    • लेखक
      • Evan Hunter
    • स्टार
      • Kirk Douglas
      • Kim Novak
      • Ernie Kovacs
    • 55यूज़र समीक्षाएं
    • 22आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • वीडियो1

    Strangers When We Meet
    Trailer 2:39
    Strangers When We Meet

    फ़ोटो36

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 31
    पोस्टर देखें

    टॉप कलाकार48

    बदलाव करें
    Kirk Douglas
    Kirk Douglas
    • Larry Coe
    Kim Novak
    Kim Novak
    • Margaret 'Maggie' Gault
    Ernie Kovacs
    Ernie Kovacs
    • Roger Altar
    Barbara Rush
    Barbara Rush
    • Eve Coe
    Walter Matthau
    Walter Matthau
    • Felix Anders
    Virginia Bruce
    Virginia Bruce
    • Mrs. Wagner
    Kent Smith
    Kent Smith
    • Stanley Baxter
    Helen Gallagher
    • Betty Anders
    John Bryant
    John Bryant
    • Ken Gault
    Roberta Shore
    Roberta Shore
    • Linda Harder
    Nancy Kovack
    Nancy Kovack
    • Marcia
    Carol Douglas
    • Honey Blonde
    Paul Picerni
    Paul Picerni
    • Arthur Gerandi
    Ernest Sarracino
    Ernest Sarracino
    • Frank Di Labbia
    Harry Jackson
    • Bud Ramsey
    Tom Anthony
    • Minor Role
    • (बिना क्रेडिट के)
    Ruth Batchelor
    • Waitress
    • (बिना क्रेडिट के)
    Mark Beckstrom
    • Minor Role
    • (बिना क्रेडिट के)
    • निर्देशक
      • Richard Quine
    • लेखक
      • Evan Hunter
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं55

    7.12.8K
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    फ़ीचर्ड समीक्षाएं

    8sevisan

    I changed my mind about this film.

    In an earlier commentary I said that the only good things in this film were Barbara Rush and the final scene. Besides, Leonard Martin gives it only **1/2. Well, Leonard Maltin and I were wrong. I have just seen it once more and now I think it is a honest and real look at the dissatisfaction and crisis of the conjugal life in the middle class. The characters and scenes between Maggie and her husband are underwritten, Kirk Douglas overacts as usual, but:

    Very intelligent the relation between Altar and Larry, being the first a counterpoint of the second. At last, Altar "did it" but he is alone and envies the conjugal life of his friend ("Don't throw everything away").

    Very real and moving the crisis between Eve and Larry. What a good and wasted actress was Barbara Rush!, her character almost steals the show.

    Other good moments: Larry stress and lack of control in the party at his home, his wife smiling and saying: "I want you sober", the fight between Larry and Felix under the rain, the cross cutting between Maggie in the kitchen as a housewife and herself putting her earrings in the motel "after the sin", etc., etc.

    A great idea is the parallel between the building of the house and the love story, the beautiful visit at the house with the tape measure and the moving farewell in the already finished house.

    Last but not the least, the visuals: The elegant use of the widescreen and the long takes, the smooth camera movements and tracking shots (for instance, the first scene in the Larry's kitchen or in the "tape measure" scene or at the very beginning of the film). The beautiful cinematography and color, always a pink or red spot in the frame (the Larry's jacket, a cushion in the Altar's apartment, the Maggie's dress, a fruit dish in the kitchen), etc.

    Well, as you can see one can't trust his first impressions. I like this film
    markspangler1

    Eye Opener & Good Show!

    I was totally shocked when I saw this film as a kid, home sick from school. Here was one of my movie heroes, Kirk Douglas and the lovely Kim Novak at her sexiest, and they were NOT doing good things in their neighborhood. Ahhhhhhhhh... so THIS is what was happening while I was at school.

    This "adult" themed soaper showed that Hollywood was beginning to change its tune when it came to dealing with issues like infidelity. Douglas plays a successful architect who starts an affair with Novak because he's, well, bored. Douglas' macho performance is tempered a bit and we really feel that he is in love with Novak. This isn't a tawdry affair, we're supposed to believe, because Douglas' performance is so strong. It isn't until late in the film do we realize that these types of affairs are incredibly damaging to all involved and that there are no heroes here.

    For establishing a subtle ground-breaking subject matter, for a strong Douglas performance, for the neat cars and a really cool barbecue on the patio (hello 60s... you can just see the neighborhood gang out there, firing up the steaks, sipping on gin and tonics and watching a space shot on one of those metal portable TVs) and most of all for the gorgeous Kim Novak, this soaper has a little more depth than you'd expect.

    Watch it.
    bethster2000

    One of the sexiest movies ever made!

    Kim Novak and Kirk Douglas positively steam up the screen in this well-done film depicting a torrid suburban affair in Eisenhower's sexually repressed America. It is a great story and is singlehandedly responsible for my being a huge Kim Novak fan. Not only was (is) she undeniably beautiful, she is a remarkable actress. Look for Walter Matthau in a villainous turn, and the great Ernie Kovacs in one of his final performances.
    7JLRMovieReviews

    A Story about Real People

    Kirk Douglas and Kim Novak star in this tale of love found outside of an unhappy or rather a dull, or shall we say, a trapped marriage in suburban America. Kirk is an architect who likes to build to suit his tastes rather than conform to the mundane, everyday buildings and houses that the masses use on a day to day basis. Barbara Rush is his wife, who tries to help him get jobs, but maybe she "doesn't understand him," and what he's trying to do in his career and with his life. So Kirk feels trapped by her expectations of him. Kirk meets Kim, by way of the school bus stop; they both have sons that go to school together. Kirk hears talk about Kim and her husband, who are new to the block. She is really neglected by her husband, who is not affectionate at all, and very cold to her basic needs. Kim hears talk about him, the architect and his wife. They start an alliance, when, after talking to her at the grocery store, he later invites her to see a client's vacant lot, on which a new house will be built, one he will design, obviously. She is hesitant at first, for many reasons, some of which we can guess and some we can't. One clearly is that, there is a time and place for social interaction that is acceptable. As an adult and spouse and parent, you know what your boundaries are. But when you're unhappy or find the opposite sex attractive, sometimes it feels like...maybe. She tells him to turn back as this doesn't feel right, but then she loosens up a little. Long story short, this is a movie, right? This deals with infidelity head on and doesn't hold back in its realistic portrayal of who gets hurt. Real emotion and raw feelings are brought to the surface, and we are able to see real, complicated people and the after effects of Kirk's actions. All this drama is heightened by expert actors in the leads, but Barbara Rush is particularly good as the wronged wife. And Walter Matthau gives a very understated performance as a neighbor who turns out to be an opportunist too. Having said all that, me being single and unable to really relate to this situation, I don't know that I would re-watch this. It may be more enjoyed by those who have had brief affairs. But its unsentimental treatment of the subject matter doesn't mince words with its viewers. We know what's what. But what becomes of a couple who may have gone past the point of no return? Is there a marriage that is salvageable after infidelity? "Strangers When We Meet" is about people looking for love and acceptance in all the wrong places and learning from it. Hopefully, we, as viewers, can too.
    8bdplaid

    A fine post-50's suburban potboiler

    If viewed from the morality of the period, this is actually quite a good movie. It attempted to tell a story about and comment on American family life, particularly on repressed desires and wedded relationships in the suburbs just before the "swinging 60's" exploded. Hearing Walter Matthau sum up his marital role as merely being considered "furniture in his own home" speaks volumes about what this film is about. Kim Novak is the sexy wife and mother to one family. Living down the manicured street is Kirk Douglas, the virile husband and dad in another - both living their lives against the backdrop of 1950's-60's morality. You do the math...

    Is it worthy of awards? No. Is the conflict entertaining? You bet! Definitely worth a look to those who like films from this era.

    इस तरह के और

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    6.9
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    6.2
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    6.9
    Phone Call from a Stranger
    My Sister Eileen
    6.8
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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Kim Novak reportedly enjoyed a lot of latitude on the set because she was involved with director Richard Quine and used that latitude to make unsolicited suggestions to various crew members. However, when Novak tried to make suggestions to Kirk Douglas on how he should be acting, he took offense and the result was a chilly relationship between them off-set.
    • गूफ़
      When Larry is going in to grocery store he takes a cart and pushes it over to Felix, but when he starts talking to Felix he has no cart and he does not retrieve it when he leaves Felix to enter store.
    • भाव

      Larry Coe: You don't think much of women, do you, Felix?

      Felix Anders: I love them. Every last one of them. But they're all the same. They want romance. There's nothing romantic about the slob they see shaving in his pajamas. You and me, Larry, we're furniture in our own homes. But if we go next door... Next door, we're heroes. A guy like you, works at home, you got plenty of opportunity for going next door.

      Larry Coe: Sure. I go next door all the time. A lovely lady of 60 lives there. Let's have some coffee, Felix.

      Felix Anders: Larry, you know what I'm talking about. Romance. The romance seekers. They're everywhere, ready to fall in love at the drop of a hat. Any place you've got a housewife, you've got a potential mistress.

      Larry Coe: How do you know? You're the guy that doesn't even like a dirty joke.

      Felix Anders: I'm a realist. Society says, "Felix, you're a one-woman man." I say, "Yes, of course I am." You want to know something, Larry? I'm a liar. So are you. So is everybody.

    • कनेक्शन
      Referenced in El crack dos (1983)
    • साउंडट्रैक
      Strangers When We Meet
      Music by George Duning

      Lyrics by Richard Quine

      Performed by chorus over main credits

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is Strangers When We Meet?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 30 जून 1960 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Kada smo se sreli bili smo stranci
    • फ़िल्माने की जगहें
      • Romanoff's - 240 S. Rodeo Drive, बेवर्ली हिल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनियां
      • Bryna Productions
      • Richard Quine Productions
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    बॉक्स ऑफ़िस

    बदलाव करें
    • दुनिया भर में सकल
      • $5,307
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 57 मिनट
    • पक्ष अनुपात
      • 2.35 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Kirk Douglas, Kim Novak, Ernie Kovacs, and Barbara Rush in Strangers When We Meet (1960)
    टॉप गैप
    By what name was Strangers When We Meet (1960) officially released in India in English?
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