Seven Thieves

I am a great heist films lover, but in the old fashioned way, certainly not the OCEAN'S ELEVEN (2001) crap genre, full of comedy and light heart lines. This one is not the grittier I have ever seen, but the good point is that you have here the sixties atmosphere, music, photography and the suspense related to heist movies. Edward G Robinson has a role here not far from THE BIG SLAM, directed by Guliano Montaldo, where he also was a master thief organizing a caper in Rio De Janeiro; but I agree, it was different. This one made by Henry Hathaway is however a good heist film, typical of the sixties, three years before MELODIE EN SOUS SOL, another casino heist story, taking place in Cannes - The Palm Beach Casino - not far from Monte Carlo. The overall feeling for this one is positive, without being a great film either.

"Theo Wilkins" (Edward G. Robinson) has put together a plan to steal $4 million from a casino in Monte Carlo and he specifically asks an old accomplice named "Paul Mason" (Rob Steiger) to assist him. Also conspiring with him are five other accomplices who each have their own interests and it's for this reason that he has asked Paul to join in this caper as Theo desperately needs someone on the team he can trust. Although Paul is initially reluctant to join him he is eventually persuaded due in large part to a woman on the team named "Melanie" (Joan Collins). The problem though is that she has a possessive boyfriend on this team by the name of "Pancho" (Eli Wallach) who she feels a certain loyalty towards. In any event, the mission is quite complicated and because of that all seven members of the team have to work together in order to accomplish it. Now rather than reveal any more I will just say that this was a decent crime-drama which could have been better had it had a bit more action or suspense. Even so, it was still entertaining enough for the time spent and for that reason I have rated it accordingly. Slightly above average.

Usually films located on a place as lovely as the French Riviera, especially Monte Carlo get the full technicolor treatment like To Catch a Thief. But in Seven Thieves director Henry Hathaway opted for black and white because this is a noir and the key here is the plot of the caper and the relationships of the characters.

Expatriate American academician Edward G. Robinson calls on a young protégé Rod Steiger to come over from America to help him heist a casino in Monte Carlo. He's recruited a gang and needs someone he can trust to keep them in line.

Robinson's role is similar to that of Sam Jaffe in The Asphalt Jungle and Steiger it seems is his Sterling Hayden.

That's how it seems at the start, but there's a whole lot more going on here as the characters reveal themselves bit by bit during the planning and execution of the caper.

Coincidentally in the same year another caper film, Ocean's 11 about robbing casinos also came out. But this is definitely not as lighthearted as that Ratpack romp.

What to watch for is the relationships between Robinson and Steiger and between Steiger, Joan Collins and Eli Wallach.

Nicely done little noir classic.

THE SONS OF KATIE ELDER director Henry Hathaway made just about every kind of movie during his long career that spanned from the 1932 western WHEN THE WEST WAS YOUNG to the 1974 blaxploitation thriller SUPER DUDE. This above-average 1960 casino crime caper came out several months before the Frank Sinatra & Dean Martin epic OCEANS ELEVEN. The Hathaway takes place in France instead of Las Vegas and concerns an elderly ex-con, Professor Theo Wilkins (Edward G. Robinson of LITTLE CAESAR), who wants to make the world gasp for one last time. He has orchestrated a highly complex robbery at a Monte Carlo casino that will net some 4 million dollars in French money. He entices an old and dear friend, Paul Mason (Rod Steiger of DUCK YOU SUCKER), as the man who ramrods the operation. Paul straightens out everybody on the crew that he has the final word in everything. He also checks them out and tests them so he can be sure that they are reliable in a tight spot. One of the conspirators is a gorgeous stripper, Melanie (Joan Collins of LAND OF THE PHARAOHS), who strings along a timid, uptight casino secretary Raymond Le May (Alexander Scourby of THE BIG HEAT) to help them obtain invitations to an exclusive party the same night they plan to pull the robbery. They also enlist the aid of a safer cracker, Louis Antonizzi (Michael Dante of RAINTREE COUNTY), and Poncho (Eli Wallach of BABY DOLL) who is supposed to impersonate a wealthy baron. The night of the heist, Poncho fakes a heart attack so they can have an ambulance arrive. The ambulance is being driven by another conspirator Hugo Baumer (Berry Kroeger of Hitler) who handles the automobiles that they use for the robbery. Remember, back in 1960 when this movie was produced, the Production Code Administration still had enough clout to censor movies and they were not about to let these talented thieves get away with their crime. The way that Hathaway and scenarist Sydney Boehm work things out is not entirely satisfactory but it does make for a better ending that all of them being nabbed by French authorities.

Remember "Mission: Impossible"? The TV series, not the movie. It was always fun to watch the team pull off one of their stunts, because they balanced their Rube Goldberg concepts with NASA-quality planning. This movie is cut from the same cloth. It's about a casino robbery engineered during one of the gambling hall's biggest celebrations. The eponymous crooks must work in synchronized unison to fulfill their plan. Unlike the MI series, though, they aren't all quite equally devoted to their mission or, at least not to their particular roles within it. Still, they have a clever series of steps that get more interesting to watch, even as it seems increasingly likely that the plan will succeed.

Along the way, there are some interesting mixtures of personality types, some mysterious backgrounds waiting to be uncovered, and a degree of slipperiness that make it hard to be sure just who we should be rooting for. Indeed, part of the charm of this film is that there are _no_ "good guys," yet we want the thieves to get away with their crime.

A nifty, thoughtful piece, with little action and no sfx (in the current sense, anyway). An added plus for some of us is a pair of fairly sexy dance numbers a 27-year-old Joan Collins does "nearly naked," as her character puts it. She was at her physical prime in this film, but don't underestimate her acting ability. She carries the sole female role with every bit as much mastery as Wallach, Steiger, and the oddly endearing Edward G. Robinson carry theirs. John Beradino (the original "Dr. Hardy" of TV's "General Hospital") has a small role, and Marcel Hillaire appears as more or less the same character he would play dozens of times in TV guest spots for the next few years.

7/10, recommended if you've had your fill of explosions, CGI, or Tom Cruise.