The Rat Race

If you're thinking of Tony Curtis and Debbie Reynolds with their Hollywood glamor - you're in for quite a surprise - this is grittier stuff than they usually did - altho - not guttery or depressing - as it would be in todays milieu

try to overlook the residue of Tonys Bronx accent - and enjoy his eager Midwestern saxophonist arriving in the jazz musicians mecca - Noo Yawk City

except he's not in a typical Hollywood success story - here the emphasis is on disillusionment - and its actually risqué for its time - with Tony and struggling dancer Debbie Reynolds sharing an apartment - both actors are very good - Debbie could have used more such roles

the script is too talky perhaps - too much like a stage play - the most memorable thing for me beside the stars is the music - especially the throbbing theme song played over the opening scenes of Tony's cross country bus ride - from the plains of the Midwest - to smog shrouded NYC

and i can still hear in my mind the driving version of THAT OLD BLACK MAGIC played with real life saxophonists Sam Butera and Jerry Mulligan - and Joe Buskin at the keys - that scene demonstrates how convincing Curtis was at faking playing a saxophone - notice his red face while playing the large baritone sax - when i was in the school band - i could barely get a sound out of one of them

Tony Curtis and Debbie Reynolds were my main reasons for seeing 'The Rat Race'. The idea of the story also intrigued me, as did seeing Jack Oakie in a late role, Don Rickles in an early one and having the great Elmer Bernstein being the composer. There was the worry though as to how Curtis would fare in the setting, and whether Reynolds would be too glamorous within a story that does have some grit.

Luckily, what 'The Rat Race' had going for it works very well in its favour, nothing is squandered. 'The Rat Race' has grit and charm, but it is also very entertaining where almost everything works and any initial worries were blown away very quickly. Quite a breath of fresh air compared to some things seen recently, of my recent viewings of Curtis' works it's among his better ones, and worthy of a little more credit than it gets.

Maybe at times 'The Rat Race' is a little too talky.

From personal opinion, as nit-picky as this sounds, Curtis and Reynolds are slightly too pretty amidst a purposefully drab setting and a story that has its grit.

Apart from those, there is very little to dislike. It is lovingly photographed and its locations are picturesque and atmospherically drab, which is more than fitting with the tone. Robert Mulligan directs with energy and is careful not to make things go over the top or too tame.

Bernstein's score is a major asset, haunting and smouldering with the main theme being a very difficult one to forget. The script on the most part has wit, sharpness and is free of fat and too much froth. The story is full of energy and charm, the romantic elements are adorable, the comedy genuinely funny, and the grittiness of some of the story is handled very well.

Curtis and Reynolds are immensely likeable and are irresistible together. Rickles has seldom been more deliciously repellent, while Jack Oakie and Norman Fell amuse.

Overall, very entertaining and recommended. 8/10 Bethany Cox

Midwestern saxophonist Tony Curtis (as Pete Hammond Jr.) arrives in New York City, seeking fame and fortune. Instead, he finds himself lost in "The Rat Race". Mr. Curtis quickly meets disillusioned Debbie Reynolds (as Peggy Brown). Ms. Reynolds works as a paid dancing partner, for sailors and other lonely men. The two decide to pool their resources by sharing an apartment, agreeing to a platonic living arrangement. The roommates frequent the local watering hole, and hear older, wiser owner Jackie Oakie (as Mac) and landlady Kay Medford (as Soda) dispense words of wisdom. Curtis loses his musical instruments. Then, Reynolds loses her job.

Will Curtis and Reynolds gain romance?

Robert Mulligan's version of Garson Kanin's play, which starred Barry Nelson and Betty Field, never really takes off. Curtis and Reynolds (and the film, generally) look way too sharp to be Mr. Kanin's desolation row denizens, clawing their way to the top. Don Rickles is a highlight, as Reynolds' brutal, sadistic boss. Norman Fell is amusing, as the telephone man. Reynolds is unexpectedly glamorous, almost more suited for the lead in "Butterfield 8"; and, she looks especially sexy undressing for the lecherous Mr. Rickles.

***** The Rat Race (7/10/60) Robert Mulligan ~ Tony Curtis, Debbie Reynolds, Don Rickles

I was 9 years old when I first saw this movie, which was probably too young. I think it was the "B" movie accompanying "Bells Are Ringing" with Judy Holliday. To me (at that age), the movie was very grim, but mesmerizing. Main characters were extremely likable. You could not help but feel badly for Pete Hammond and Peggy Brown who were good folks but had to deal with such adversity. Watching the movie, one could not help but feel so badly for them (Tony Curtis' character for being trusting and having his musical instruments stolen, and Debbie Reynold's "hard" character (with a heart) for sacrificing to help Tony's character out and being abused by Don Rickles' character and his henchman.

Norman Fell and Don Rickles were very effective as the "heavies". To this day, I think of Don Rickles as "Nellie" in this film. I'm a Rickles fan, but can't make myself like him (smile).

Also love the NYC scenes, and film is almost nostalgic (NYC, the way it was in 1960).

Definitely a "must see". Great actors in their environment and in a past era. I have a VHS tape, but will order a DVD as soon as I log off :-) Tim

In watching The Rat Race today, I was struck by the fact that this film did not lead to any more parts like the one she played here for Debbie Reynolds. She was quite a revelation as the girl who's been around the block a few times and just struggling to stay alive in that meat grinder called New York.

By the time The Rat Race came out, Tony Curtis was already being taken quite seriously as an actor with The Sweet Smell Of Success and The Defiant Ones behind him. But Reynolds was America's sweetheart, still basking in the sympathy of the American public when Elizabeth Taylor stole husband Eddie Fisher. She played good girl roles almost exclusively, but here she takes on a part that you would have more readily cast Elizabeth Taylor.

Curtis is from the Midwest and an aspiring jazz musician who comes to New York, but gets quickly victimized by a cruel city. Reynolds is a woman who is an aspiring model who does what she has to in order to survive. But that's coming to an end as landlady Kay Medford wants her money and thug Don Rickles who she's into wants something else and quick.

The two of them decide to move in together without benefit of clergy, something that was still quite daring with the Code firmly in place. It's strictly economic at first, but you know these two people living one step from the gutter would fall for each other.

The film was based on a play that Garson Kanin wrote and ran 84 performances in the 1949-50 season on Broadway. It starred Betty Field and Barry Nelson on stage and repeating his role from the original cast as a musician con man is jazz great Joe Bushkin.

Besides Reynolds the performance to really watch out for is Don Rickles as murderous hood Nellie. For those of you who think of Rickles as insult comedian to the stars, his performance will knock your socks off. He far more than Debbie was the real surprise here. Jack Oakie has one of his last roles as a philosophical bartender, serving drinks in the downstairs of Kay Medford's boarding house.

I have a sneaking suspicion that Debbie Reynolds might have taken this part to prove she had every bit the acting chops Elizabeth Taylor did. She certainly proved it to me and The Rat Race ranks as one of the best performances by either of the two stars.