The Leech Woman

Speedily put into production in order to offer exhibitors a second-feature lure with bookings of The Brides of Dracula, this little movie suffers from a tedious First Act. The initial scenes were obviously designed merely to fill in time, so that latecomers would not feel at any disadvantage. We're told absolutely nothing that doesn't develop later on in the plot. A bit of judicious trimming here would do wonders. And in any event, Coleen Gray doesn't seem nearly old enough in these early scenes to make her motives credible. Fortunately, she is marvelously made-up later on—and in these sequences she also gives by far the best performance of her career.

Despite Dein's flat-footed direction and the obvious constraints and inhibitions imposed by a tight "B" budget, interest is kept at a high level in the last half of the movie not only by Gray's forceful portrayal (and the skillful way she is lit and make-up) but by some neat yet unexpected plot twists

Alas, the film cheats on special effects, the transformations being accomplished without camera trickery in a most tame and disappointing manner.

Nonetheless, although horror devotees will find the going pretty dull until the halfway mark, the movie does eventually hit its stride. In fact, I'd describe it as a key item for any keen fan's personal collection.

While traveling through the African wilderness, an aging woman discovers the secret of youth, but she will have to kill to stay young.

A clever story and an outstanding performance from Coleen Gray uplifts this old B thriller. You've gotta give Leech Woman a little more credit for being a drive-in movie from the late 50's that doesn't rely upon some 'monster' to drive it. Leech Woman is instead a more thoughtful thriller that examines a woman's desperation. It's low budget indeed, but does have some decent makeup FX, a nice music score, and a better-than-average cast to hold it together.

** 1/2 out of ****

This movie has gotten a bad rap, I think mainly because of the inane title. It conjures up a ridiculous image of a giant leech with a purse and high heels on. This movie is actually pretty good, given it's low budget.

Coleen Gray, a very pretty and capable actress in her day, gives a great performance as June Talbot, the alcoholic, middle aged woman married to Dr. Paul Talbott (portrayed as a total heel by Phillip Terry, better known as Joan Crawford's 4th husband). Dr. Talbott is a scientist who is trying to find a serum to counter aging and is willing to sacrifice his wife in order to find the answer.

The performances by Gray and Terry are solid, as is Gloria Talbott who plays Dr. Talbott's assistant and Grant Williams, Dr. Talbott's lawyer and Gloria's boyfriend who falls under the spell of "The Leech Woman". Estelle Hemsley is also good as an old African woman who looks like a human prune and offers to show the good doctor the secret to turn back the effects of aging, for a very steep price, of course.

I thought the make up of the Leech Woman was very affective, pretty scary stuff for it's day. Don't let the title of this movie keep you from watching...it's very entertaining, from start to finish.

Enjoyable low-budget horror schlock from Universal-International has Colleen Gray giving a juicy performance as the hard-drinking wife of doctor Phillip Terry, an endocrinologist who is turned on to a youth potion by an ancient African woman that utilizes orchid pollen and the secretions of the male pineal gland. Unfortunately, the male has to be killed to get the chemical from the gland--plus, the youthful effect is only temporary. First-half of the movie--wherein Gray, Terry and John van Dreelen travel through the jungles of Africa, learning the secret of the potion before being told they will be killed in the morning--looks and sounds like a reel from a Tarzan adventure. Second portion with Gray using the youth serum on herself and pretending to be her own niece is far more entertaining (it's rather like a straight-faced precursor to "Death Becomes Her"). Pulled together quickly by the studio, "The Leech Woman" is better than it has any right to be, with a good cast and fine make-up effects helping to bolster its shaky structure. ** from ****

The low rating and numerous negative reviews around here as well as on external websites warned me to approach "The Leech Woman" with caution and an absolute minimum of expectations, but I honestly didn't think it was such a bad movie. Admittedly the script is incoherent and extremely predictable, but the rudimentary story lines are original and engaging and - unlike so many other contemporary cheap Sci-Fi movies - this one at least doesn't feature any overlong boring speeches and dull padding footage. The screenplay of "The Leech Woman" is already pretty stuffed as it is, with the tone of the film shifting no less than three times, so there really isn't any room for boredom. It may perhaps offer just a few surprises and even less shocks, but at least you won't constantly be staring at the timer, wondering when it'll be over. The film opens with a wondrous sequence of a married couple viciously bickering. He's a heartless and obnoxious scientist continuously preoccupied with his work (the secret to rejuvenation) and she's a depressed and alcohol addicted wreck due to his cruelty. When Dr. Talbot meets the 152 year old Malla, he realizes her native tribe holds the secret of eternal youth and follows his patient to the heart of the African jungle. There they witness a ritual that turns the old and wrinkled Malla into a stunning beauty with just a few drops of juice coming from a dying man's pineal gland. The slick Dr. Talbot wants the formula and attempts to win his wife back in order to use her as a guinea pig, but the joke turns against him when the rejuvenating woman needs to select a man to sacrifice and, obviously, June picks her beloved husband. She returns to the States as a young and stunningly beautiful young woman, but she needs to kill random men and milk their pineal glands in order to stay desirable.

"The Leech Woman" definitely has a pretty cool and eventful script; you just need to overlook a copious number of plot holes, improbabilities and continuity errors. There's no real suspense to enjoy, but nonetheless plenty of action and a handful of impressive make-up effects (especially the make-up that makes old women look even older). However, the movie's greatest achievement is presumably an unintentional one: pure and genuine irony! Although a story that constantly revolves on beauty and popularity, the cast of characters only includes shallow, substantially ugly and insupportable individuals. At least Dr. Talbot is a bastard right from the start, but all the others gradually turn into intolerable people. The pitiable and humiliated wife becomes a relentless killer, the fragile old lady becomes a stone-cold tribe leader, the helpful guide transforms into a shallow runaway lover, the devoted attorney becomes an adulterous jerk and the cherubic fiancée changes into a jealous fury. Honestly, I've rarely seen such an unpleasant and even downright misanthropic collection of people playing together in one film … and that's sort of fascinating!