A Place in the Sun

George Stevens' A PLACE IN THE SUN is a poetic film, filled with tender moments, sadness, and pending doom. Having not read the book, I had the pleasure of seeing the material for the first time, which is preferable if you see a film based on a "classic" novel. Montgomery Clift is his usual mysterious self as he has a scandalous relationship with the homely Shelly Winters and falls instantly in love with a spellbindingly beautiful Liz Taylor, who was only 19 when the picture was made. She glows with energy and a sense of optimism about life, a stark contrast to Clift, whom Taylor has also fallen for. Rumor has it they had an actual affair while making the movie. This is not for all tastes, for it is slow, and Clift is not all that appealing. The idea of dropping a lesser life (with Winters) and pursuing the good life with Taylor is what makes it work and the lengths to which Clift will go are staggering.

George Stevens has a gift for "painting" a movie on-screen. Just see GIANT, also with Taylor, or SHANE, the other two parts of his "American Trilogy". The scenes on the lake and the way the mood of the movie is painted is quite simply amazing. He also uses slow dissolves that leave a ghostly image on-screen between scenes. This all adds to the atmospheric touch of tragedy that will ensue. Poor Shelly Winters. She always gets a raw deal in films. There are times when you almost sympathize with Clift. Imagine living the life of a socialite with the girl of your dreams and a good job with your family. A life with Winters would be dismal according to Clift and us. What's right is right, however. An unnecessary court room saga closes the picture to ensure the viewer's sense of justice. This must've been pretty controversial stuff back in the early-50's

A PLACE IN THE SUN truly is an American tragedy, a portrait of young lives gone wrong with post-WWII optimism as a backdrop. Clift and Taylor shine together, and provide film fans with a romance never to be forgotten. The finale is emotionally draining during Taylor's expression of undying love. Unfortunately, Clift cannot have it all. A beautiful piece of classical Hollywood film-making with a mix of method acting (Clift) and a love story we wish could work.

RATING: 8 of 10

A Place in the Sun (1951)

**** (out of 4)

Oscar-winning tale of a poor boy (Montgomery Clift) who goes to work for his uncle hoping to one day be rich like him. He falls in love with a small time woman (Shelley Winters) but soon gets a taste of the society life with a beauty (Elizabeth Taylor) and this is the start of his downfall. A PLACE IN THE SUN went home with six Oscars including Best Director for George Stevens and it's easy to see why he took home the award because there's so much going on in this picture yet he holds it together perfectly. The film is part melodrama, part message film, part romance and part suspense and Stevens really brings all of it together so perfectly that you can't help but get drawn into the story and feel every bit of pain that the characters do. The most amazing thing for me, and I'm not sure if it was meant to happen this way, but I really felt a lot of sympathy for the Clift character. Again, I'm not sure if this was the filmmakers intent but no matter how much I disagreed with what he was doing at the same time I never once hated him and even to the end I was hoping things would turn his way. I think some of this credit should be given to Clift who once again turns in a remarkable performance. I thought the shyness early on, the romance with Taylor and the hatred that someone is going to take away his dreams are all things that Clift perfectly nailed. The sequence on the boat towards the end is something masterfully performed by the actor. Taylor is also extremely good in her part even though of all the main characters I think hers is the most underwritten. Winters is also very good in her role of the woman who finds herself being left behind for someone better. I thought all the scenes between her and Clift, be it romantic or fighting, were full of wonderful chemistry. Anne Revere is a standout as Clift's mother and Raymond Burr is good in his few scenes. Again, a lot of credit has to go to Stevens because every aspect of the film works. The early love story between Clift and Shelley works. The love story between Clift and Taylor works. The downright suspense on the boat at night works. Even the ending manages to work. A PLACE IN THE SUN deserves its place as an all-time classic.

This film is very different from anything of it's time that I have ever seen.A man has a one night stand with a coworker and gets her pregnant.THEN he meets the woman of his dreams,the woman with everything;charm,good looks and Daddy's money.We then have a man who is torn between choosing to have it all and doing the right thing.The result of his struggles ends up very tragically as you will see.I was very taken aback by the film's sexual overtones,though it was only hinted at,of course.With the barrage of remakes in recent years,I am surprised it has not been remade with stronger sexual content.This is a very enjoyable film with good performances all around,particularly those of Shelley Winters and Monty Clift.Liz Taylor's strong screen presence is also a delight.A definite thumbs up.

Time does extraordinary things with greatness. If nothing else it confirms it. "A Place in the Sun" is a remarkable example of that theory. I rushed to buy a DVD after watching a BBC documentary on ELizabeth Taylor to celebrate her 75th birthday! In "A Place on the Sun" an Elizabeth Taylor barely out of her teens is paired with Montgomery Clift. She had been raised at MGM and groomed for movie stardom from day one. He was a method actor, complex, introspective and their coupling produced something that I'm tempted to call, unrepeatable. The actors own personal stories, their friendship, mutual love and respect made it possible for their communion to be so transcendental. To make things even more perfect, the film seems a love letter from director George Stevens to his stars and vice versa. Look at the opening credits and tell me if you've ever seen a more startling introduction to a character/star. The story of doomed love and descend into darkness is, without question, one of the best ever made.

I can only say that George Stevens' version of Theodore Dreiser's "An American Tragedy" is not what I envisioned when I read the book. Therefore, I came away disappointed at the screen treatment with Liz Taylor (beautiful but shallow), Montgomery Clift (beautiful but shallow) and poor Shelley Winters looking like a drab little wren. An air of artificiality hangs over every scene, every slow-moving scene, and only increases by the time the story arrives at the courtroom climax where an unrestrained Raymond Burr is allowed to chew the scenery.

This is NOT the great picture everyone always says it is. It's one of those films that dates badly. Evidently, fans of Liz Taylor and Monty Clift are starry-eyed about their favorite actors and refuse to see the weaknesses in the plodding story and the thinly sketched characters. Elizabeth Taylor had much better roles in her future career (Cat On a Hot Tin Roof, Giant) and Montgomery Clift would make an unforgettable Morris Townsend in The Heiress. Their acting here is as self-conscious as the arty camerawork that frames them in huge romantic close-ups.

The novel had much more depth and meaning than this watered down version of the story. Read it and you will wonder what all the fuss was about when "A Place in the Sun" was released. Vastly overrated and noteworthy only for the sincere performance of Shelley Winters and Franz Waxman's interesting background score.