अपनी भाषा में प्लॉट जोड़ेंA young man travels to Mexico in search of his brother, who has become involved with a dangerous gang.A young man travels to Mexico in search of his brother, who has become involved with a dangerous gang.A young man travels to Mexico in search of his brother, who has become involved with a dangerous gang.
- निर्देशक
- लेखक
- स्टार
José Torvay
- Enrique Ortiz
- (as Jose Torvay)
Don 'Red' Barry
- Hank - Ranger
- (बिना क्रेडिट के)
Guillermo Calles
- Indio
- (बिना क्रेडिट के)
Enrique Cancino
- Enrique the Barber
- (बिना क्रेडिट के)
Felipe de Flores
- Jose
- (बिना क्रेडिट के)
Margarito Luna
- Lorenzo
- (बिना क्रेडिट के)
Chel López
- Pancho
- (बिना क्रेडिट के)
Elliott Nugent
- Ranger Captain
- (बिना क्रेडिट के)
Jose Velasquez
- Pablo
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
A south-of-the border oater most appropriate for those who remember the days when Mickey Rooney was one of the absolute biggest box office draws, for those who love Robert Preston and want to see him in an earlier film role, and for anyone who only came to love Robert Stack in The Untouchables and so then became motivated to see his earlier but less familiar film work, this is a fun matinée flick! A serious Preston, Stack not as the Elliot Ness type of good guy, but as a seriously evil and duplicitous villain, and Rooney providing the necessary comedic relief when needed. One surprise element you can see coming, one you cannot -- good fisticuffs, some stupid moves by the good guys, and some nice shoot-outs, all in black and white, what more do you need to go get the popcorn ready?
This ‘B’ Western is the working definition of an “oater”: designed as a vehicle for the diminutive but energetic Mickey Rooney, his character is somewhat overbearing – that of a New Yorker who goes to Mexico in search of his elder brother, nicknamed “The Pride Of Tenth Avenue” (played by Robert Stack), only to find him to be not as upstanding and hard-working as he had been led to believe. In fact, Stack’s the right-hand man of a notorious bandit – dubbed “El Tigre”; when confronted by Rooney, Stack confesses to being indebted to the Mexican…but when ultimately revealed, the latter’s true identity greatly dismays Rooney (a clue: Stack and the bandit never appear together in the same scene!). Anyway, the film is unassuming and pretty forgettable but, at the same time, watchable enough; on the plus side is an appropriately foreign look (the production company took the trouble of shooting on location, albeit in a studio – the hacienda setting, incidentally, would soon become a staple of Mexican horror efforts!), as well as the imposing and reliable presence of Robert Preston as the Ranger out to capture “El Tigre”. The feminine angle is represented by petite Wanda Hendrix, coveted by Stack but who finally ends up with Rooney – content, for once, to be able to get a girl his own size instead of the usual “6-foot whales” from back home!
Rather lame western. Director Nugent fails to play up whatever suspense may lurk in what amounts to a meandering screenplay. On the whole, the story bounces around without building. Thus we're left with a turgid storyline spread across three or four main characters. Rooney arrives in Mexico accompanied by Preston in order to learn more about his brother Stack who's living below the border. Trouble is the area's beset by outlaws led by mysterious El Tigre, and soon the new arrivals are caught up in outlaw shenanigans. Fortunately, locals Hendrix and Torvay are on hand to help out.
At this point, Rooney was still a headline name but with a diminishing career. I expect that's one reason he shares so much screen time with Preston and Stack who are on their way up the ladder. Then too, the diminutive Hendrix is an apt leading lady since she and Rooney make a good visual pairing. Still, the former Andy Hardy appears unsure how to play his part in a western while Nugent appears no help. In fact, some of Rooney's behavior border on the distractingly comical. Also, that fine personality actor Robert Preston is wasted in a role a hundred lesser actors could have filled. Only Stack manages to register in a more strongly written role. Maybe the movie's best part are the settings which look authentically south of the border. And catch the blacksmith's infernally scary workshop. Too bad the rest of the movie doesn't measure up to those few impactful moments. Fortunately, Rooney would soon move on to more appropriate roles.
At this point, Rooney was still a headline name but with a diminishing career. I expect that's one reason he shares so much screen time with Preston and Stack who are on their way up the ladder. Then too, the diminutive Hendrix is an apt leading lady since she and Rooney make a good visual pairing. Still, the former Andy Hardy appears unsure how to play his part in a western while Nugent appears no help. In fact, some of Rooney's behavior border on the distractingly comical. Also, that fine personality actor Robert Preston is wasted in a role a hundred lesser actors could have filled. Only Stack manages to register in a more strongly written role. Maybe the movie's best part are the settings which look authentically south of the border. And catch the blacksmith's infernally scary workshop. Too bad the rest of the movie doesn't measure up to those few impactful moments. Fortunately, Rooney would soon move on to more appropriate roles.
This was a pleasant surprise for me. I bought a set of DVD's at K-mart and this was one of the movies on the twin disc set. The picture quality was acceptable considering the age. The acting was quite good. Mickey managed to offer a few laughs as the clumsy easterner trying to fit in with the wild west. Robert Stack was a very convincing bad guy and Robert Preston was the straight shooting Texas Ranger. It had a good plot and moved along quite well for a movie from the 1950's. But it is the type of movie I grew up with so it seems normal to me. Younger people used to the full throttle action of today's movies might find it a bit slow, but they seldom even consider a movie like this. In all it was great fun for me.
One oddity was when Robert Preston as ranger Walters was at the map of Texas, he indicated the town of San Clemente about 50 miles south of present day San Vincente, Mx. I was unable to find a San Clemente, Mexico on any maps so it was just a part of the story line not a real location. There is a San Clemente, California but that is much farther away than 50 miles. Don't let that ruin the movie for you, it was a good one and it had a bit of a surprise at the end.
Pop some corn, pour a soda, and sit back to enjoy an old fashioned western from the 50's before there were special effects, back when actors had to act to earn a living.
One oddity was when Robert Preston as ranger Walters was at the map of Texas, he indicated the town of San Clemente about 50 miles south of present day San Vincente, Mx. I was unable to find a San Clemente, Mexico on any maps so it was just a part of the story line not a real location. There is a San Clemente, California but that is much farther away than 50 miles. Don't let that ruin the movie for you, it was a good one and it had a bit of a surprise at the end.
Pop some corn, pour a soda, and sit back to enjoy an old fashioned western from the 50's before there were special effects, back when actors had to act to earn a living.
First, Elliott Nugent was not specialized in westerns at all, nor in film noirs or sci-fi...Only? or may I say? mostly comedies and light hearted films. So this one can be seen as a performance from him, and a pretty efficient one. And what a surprise to see Bob Stack in a villain role, "gentle and sympathetic" villain, and also a Mickey Rooney in a unexpected role too; though not as terrific as the one he'll have in THE LAST MILE; Only Preston Foster is here as a classical character for him, the forever, lead character's friend or sidekick. good little film, from Eagle Lion's productions.
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