IMDb रेटिंग
6.3/10
1.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA private deadly feud ensues when ruthless wealthy rancher Will Isham attempts a takeover of small rancher Owen Merritt's land and marries Owen's old flame, Laurie Bidwell.A private deadly feud ensues when ruthless wealthy rancher Will Isham attempts a takeover of small rancher Owen Merritt's land and marries Owen's old flame, Laurie Bidwell.A private deadly feud ensues when ruthless wealthy rancher Will Isham attempts a takeover of small rancher Owen Merritt's land and marries Owen's old flame, Laurie Bidwell.
Guinn 'Big Boy' Williams
- Bourke Prine
- (as Guinn'Big Boy'Williams)
Ada Adams
- Townswoman
- (बिना क्रेडिट के)
Don Beddoe
- Love Bidwell
- (बिना क्रेडिट के)
Roydon Clark
- Townsman
- (बिना क्रेडिट के)
Jimmy Dime
- Mexican
- (बिना क्रेडिट के)
Frank Ellis
- Townsman
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
I really enjoyed this. Most of Scott's films are pretty similar, however in this one its nice to see him commit to the fight much earlier on than he normally does.
Plenty of good action and some well put together characters.
Its interesting to me that they made the head bad guy British, it set a different tone, "I don't belong here so I'll force my way'. This miss fitting gave the character strength and weakness.
The head henchman was a little lacking, good verbally but not given any great opportunities. The other independent lead henchman was also wasted a little and could have added more.
Great film :)
Plenty of good action and some well put together characters.
Its interesting to me that they made the head bad guy British, it set a different tone, "I don't belong here so I'll force my way'. This miss fitting gave the character strength and weakness.
The head henchman was a little lacking, good verbally but not given any great opportunities. The other independent lead henchman was also wasted a little and could have added more.
Great film :)
This film begins with a rancher by the name of "Owen Merritt" (Randolph Scott) attempting to adjust to the realization that his former girlfriend "Laurie Bidwell" (Joan Leslie) has recently agreed to marry an unscrupulous businessman named "Will Isham" (Alexander Knox) in the very near future. And although Will knows Laurie is entering their marriage strictly for financial reasons, he is also aware that she still has feelings for Owen. Because of that, he becomes even more intent to take everything else Owen has as well. What he doesn't realize, however, is that Owen isn't the type who can be bullied and he is more than capable of taking care of himself if he is pushed too far. Now, rather than reveal any more I will just say that this turned out to be an okay Western for the most part which benefited by solid performances by Randolph Scott, Joan Leslie and Ellen Drew (as "Nan Melotte"). On that note, I must admit that the relationship between Owen and Laurie seemed rather odd at times but other than that this film managed to pass the time fairly well and I have rated it accordingly. Average.
Some of the reviews here nearly dissuaded me from watching this film, which doesn't seem to have been screened much on British TV (certainly I was unaware of it), whereas the Boetticcher and other later Scott Westerns are shown regularly.
"MITS" compared very well indeed with these, and the plot was different to those of "stranger riding into town and trouble"). It's been remarked that Scott was a bit old for the two female leads, but that was the case in many of his later Westerns (and Gary Cooper's too). The colour photography also added to my enjoyment of the film. It was good to see Guinn Williams in a role that wasn't his "comic sidekick" one, and also John Russell as a jealous admirer. Joan Leslie's romantic vacillations were a bit unconvincing, as were the final scenes.
Unlike at least one previous reviewer, I didn't notice the differing appearances of Scott and his fight stand-in, and I doubt that cinema viewers in the early 1950s did either.
(I've just checked the date of release, and was a little surprised, as the film had the "look" of one made late in the decade or even the early 1960s.)
I'm glad that I watched it.
"MITS" compared very well indeed with these, and the plot was different to those of "stranger riding into town and trouble"). It's been remarked that Scott was a bit old for the two female leads, but that was the case in many of his later Westerns (and Gary Cooper's too). The colour photography also added to my enjoyment of the film. It was good to see Guinn Williams in a role that wasn't his "comic sidekick" one, and also John Russell as a jealous admirer. Joan Leslie's romantic vacillations were a bit unconvincing, as were the final scenes.
Unlike at least one previous reviewer, I didn't notice the differing appearances of Scott and his fight stand-in, and I doubt that cinema viewers in the early 1950s did either.
(I've just checked the date of release, and was a little surprised, as the film had the "look" of one made late in the decade or even the early 1960s.)
I'm glad that I watched it.
Though "Man in the Saddle" has some effective moments and a few good action scenes, it is below average for Randy Scott who usually did better. The high point of the action comes near the beginning of the movie when the cattle are stampeded with Randy trying to outrun the herd in a covered wagon that is ablaze. The shoot out at the end is much too abbreviated only lasting a few minutes. Randy doesn't even get to duke it out with the hired gunslinger Fay Dutcher (Richard Rober). What kind of name is Fay for a gunfighter? Owen Merritt (Scott) shoots Dutcher as he rolls for his gun in the street. The talented actor John Russell has a fairly nondescript role. He would have been much better cast as gunman Dutcher.
The story of a love triangle with two women Joan Leslie and Ellen Drew after one man (Scott)is at times overplayed. Exactly what Owen's relationship was with Laurie Bidwell (Leslie) before she married Will Isham (Alexander Knox) for money and power is never revealed. Apparently the two had one hell of a relationship the way it still tugs at their heartstrings and is the continued buzz of the town. The hired gun is not just after more ranch land for his boss but after Owen as well.
Alexander Knox who played President Woodrow Wilson magnificently in "Wilson" several years earlier was thus typecast and unable to find himself in other parts. When he played the boss rancher in "Man in the Saddle" he was still trying to find his way after Wilson. Alfonso Bedoya and veteran cowboy actor Guinn 'Big Boy' Williams do well in the comedy department. Bedoya is a good foil for Big Boy. He continually looks for a new hat. Big Boy tells him he doesn't need a new hat for his head, he needs a new head for a hat. Even Randy Scott gets in on the humor this time and comes across with some funny lines. When Bedoya tells Scott that the trees are talking to him. Scott replies, "You'd better lay off that vanilla extract." When he is hold up with Nan Melotte (Ellen Drew)recuperating from a gunshot wound he feels the stubble on his face and comments, "It's like a coyote running through brush." The usually serious Scott plays a lighter role this go around and it is a plus for this otherwise dark and moody film. Look for Cameron Mitchell of television's "The High Chaparral" in a small part as one of the two brothers murdered by Will Isham's gang.
In the days before Tex Ritter gave immortality to the theme from "High Noon," showing Hollywood how cowboy music should be presented to the public, multi-talented Tennessee Ernie Ford sang the theme to "Man in the Saddle" with much the same feeling of authenticity. He also gets to sing another ballad on camera as one of the wranglers. He's hard to recognize at first because of his youth and no mustache. Tennessee Ernie was singing hillbilly boogie that sounded very much like Rockabilly when Elvis was still driving a truck in Memphis. He ended up concentrating mainly on television, retiring early from show business, except to cut a gospel album every now and then. "Man in the Saddle" is one of his few screen appearances.
Though not up to par for a Randolph Scott western, still worth seeing for fans of 50's westerns.
The story of a love triangle with two women Joan Leslie and Ellen Drew after one man (Scott)is at times overplayed. Exactly what Owen's relationship was with Laurie Bidwell (Leslie) before she married Will Isham (Alexander Knox) for money and power is never revealed. Apparently the two had one hell of a relationship the way it still tugs at their heartstrings and is the continued buzz of the town. The hired gun is not just after more ranch land for his boss but after Owen as well.
Alexander Knox who played President Woodrow Wilson magnificently in "Wilson" several years earlier was thus typecast and unable to find himself in other parts. When he played the boss rancher in "Man in the Saddle" he was still trying to find his way after Wilson. Alfonso Bedoya and veteran cowboy actor Guinn 'Big Boy' Williams do well in the comedy department. Bedoya is a good foil for Big Boy. He continually looks for a new hat. Big Boy tells him he doesn't need a new hat for his head, he needs a new head for a hat. Even Randy Scott gets in on the humor this time and comes across with some funny lines. When Bedoya tells Scott that the trees are talking to him. Scott replies, "You'd better lay off that vanilla extract." When he is hold up with Nan Melotte (Ellen Drew)recuperating from a gunshot wound he feels the stubble on his face and comments, "It's like a coyote running through brush." The usually serious Scott plays a lighter role this go around and it is a plus for this otherwise dark and moody film. Look for Cameron Mitchell of television's "The High Chaparral" in a small part as one of the two brothers murdered by Will Isham's gang.
In the days before Tex Ritter gave immortality to the theme from "High Noon," showing Hollywood how cowboy music should be presented to the public, multi-talented Tennessee Ernie Ford sang the theme to "Man in the Saddle" with much the same feeling of authenticity. He also gets to sing another ballad on camera as one of the wranglers. He's hard to recognize at first because of his youth and no mustache. Tennessee Ernie was singing hillbilly boogie that sounded very much like Rockabilly when Elvis was still driving a truck in Memphis. He ended up concentrating mainly on television, retiring early from show business, except to cut a gospel album every now and then. "Man in the Saddle" is one of his few screen appearances.
Though not up to par for a Randolph Scott western, still worth seeing for fans of 50's westerns.
Good yarn, nasty baddies and strong goodies with great scenery and a terrific punch up in the mountains - sorry for grandpas cabin. Randolph Scott in one of his better movies.
क्या आपको पता है
- ट्रिवियाTennessee Ernie Ford was brought in for one brief scene to sing the title song. He was, at this time, a new and relatively unknown singer. This was his first film appearance.
- गूफ़Rep fires 8 shots from a six shooter.
- भाव
Henchman: Like shooting a crippled duck in a barrel.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Man in the Saddle?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Muerte a medias
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं 27 मि(87 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1
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