The Long Dark Hall

Rex Harrison stars as Arthur Groom, a man on trial for murdering a stage girl. This girl was young and became an obsession of Groom. The timeline becomes very critical as Groom claims that he spoke to a "large Italian man" at 10:00pm, the very time when the girl was murdered. All the circumstantial evidence such as the knife, seen there, lied about being in neighborhood and knowing the girl. No one can find his alibi. Trouble is as Groom tells everyone on the witness stand "I'm telling the truth but no one believes me, trouble is that it doesn't sound true, what good is the truth when it doesn't sound true." Lilli Palmer is Mary Groome, his faithful wife that stands with Arthur but will her marriage vow of "until death" be tested.

A Broody, Moody Movie that is a slightly better than Average British Thriller that makes up for its slim Story and vapid Ending with Atmospheric touches and strong Characters. It has a striking Noirish beginning with very dark streets inhabited by a Serial Killer that resembles a sewer rat.

One of the Victims has a cheating Husband as a Lover and He is falsely accused of Her Murder. The middle becomes a Courtroom Melodrama with cross examinations and suspect Witnesses. This all leads to a confrontation between the real Killer and the Accused Man's Wife that is edge of your seat Suspenseful.

This Movie has a Sleazy Look and a Downbeat Tone that aside from the aforementioned Wrap Up, places it in the Realm of Foreign Film-Noir and has a Creep Factor that is exploited by the truly unsettling Murderer and dingy surroundings. Slightly underrated.

The plot is not original...Mistress is Murdered,Married Man accussed...Wife stands by him. But Sir Rex Harrison makes you believe in the story. Harrison gives an extremely fine and brilliant performance which raises the film from a typical pot boiler into the story of a regretful innocent man. Lily Palmer (at the time..Mrs. Harrison) is also in fine form as his on screen wife.

When Arthur Groome (Rex Harrison) finds his girlfriend murdered at her Earls Court flat and becomes stricken with grief and fear, he promptly runs from the scene of the crime. Questioned by the police about the crime, Arthur, a married man, in panic denies all knowledge of the girl. Soon, however, he finds himself charged with murder and inexorably drawn towards the gallows...

Directed by Anthony Bushell and Reginald Beck, it is adapted to screenplay by Nunnally Johnson and William Fairchild from Edgar Lustgarten's novel. Harrison's real life wife at the time, Lilli Palmer, plays his loyal spouse here, while Benjamin Frankel scores the music and Wilkie Cooper is the cinematographer.

Largely ignored and underseen these days, due in the main that some critics of the time noted it has uncomfortable parallels to the real life Harrison and Carole Landis suicide affair - plus Harrison himself quickly denounced the film as dreadful - it's actually a decent wrong man court case picture often filmed in gorgeous film noir styles.

There is no mystery element here, for we know Arthur is innocent, and in fact we know who the killer is. We are given two murders in the first twenty minutes, each a year apart, the first is photographed on the outside in shadows, gaslights and upon a moist cobbled alleyway. The second, where the object of Arthur's lovelorn attention (Patricia Cutts) resides, is stifling in its cruel intensity.

It's a sly story of obsession, circumstantial devilments, manipulation and somewhat oddly, loyalty. The suspense is ramped up as Arthur gets ever deeper in the mire during the court case (look how Cooper photographs the critical sequences in court), while his loving wife is being befriended by the real murderer (a wonderfully rat faced Anthony Dawson) who has his own distorted motives that he wants to bare out.

Viewing it now the police work due to the writing comes off as being very shoddy, and the finale is just a bit too much leftfield to wholly satisfy. Yet this is a very tidy Brit-Noir styled suspenser that comes recommended to fans of leading man and noirish visuals. 7/10

Solid if not impressive light thriller about a man infatuated with a young actress whilst still married soon to be entombed in a vault of lies when the young girl turns up dead and murdered - not by his hand or so he says? Rex Harrison gives a subtly good performance as Arthur Groome - the man who loves his wife and children yet also "loves" the young murdered actress. The film chronicles how the pieces of that puzzle unravel and whether or not Groome or someone else is the actual murderer. As a mystery film The Long Dark Hall is effective and entertaining for the most part. Harrison is as ever affable and Lili Palmer, his real-life wife, plays his wife here. All of the British cast do workmanlike jobs with Anthony Dawson particularly being effective. Patricia Cutts plays a very lovely girl in her turn as the victim. I would agree that the ending is somewhat unsatisfying and predictable but not wholly bleak. Directors Anthony Bushell and editor Reginald Beck(also getting his one time directorial credit for this film)create some very nice work - particularly those shots of the long, dark hall. This film is not a big budget affair in any way but still makes for a relaxing, enjoyable time.