I'll See You in My Dreams

"I'll See You in My Dreams" has great songs and terrific acting. Doris Day and Danny Thomas are extremely believable as the characters of songwriter Gus Kahn and his wife Grace. Their story is quite sweet, but not overly sappy as some classic bio - pics tend to be.

Doris Day portrays the character of Grace LeBoy, a rather comandeering woman who works at a music publisher. She falls for Gus Kahn, an aspiring lyricist, who eventually will write "Pretty Baby", "I'll See You in My Dreams", "Tootsie", and other such memorable songs. While showcasing Kahn's classic songs, the film also shows the ups and downs of their marriage. Doris sings many of the songs, but Danny Thomas sings a few himself. Most of the songs are recognizable, so perhaps you will be singing along with the film. This movie had me singing along, crying a little bit, and laughing a lot.

I strongly recommend this film to fans of Doris Day and Danny Thomas. Both deliver marvelous performances. Check it out, and keep an eye out for Mary Wickes as the stern but lovable housekeeper.

At first glance, I did not think that this combination (Doris Day & Danny Thomas) would be as compatible as some of Ms. Day's other co-stars. It was a wonderful surprise and a delight to find out just how wrong I was. The timing was impeccable and the ease with which they played off each other was great.

In Chicago, the aspiring songwriter Gus Kahn (Danny Thomas) seeks out Miss Grace LeBoy (Doris Day) that works in a sheet music publisher and shows his lyrics expecting her assessment. The insistent Gus calls the attention of Grace and sooner she quits her job to help him in his career. They get married, Gus Kahn rises to the stardom and they have two children.

However, Gus Kahn loses his fortune in stock market crash in the Great Depression and the couple has serious financial difficulties. But behind every great man, there is a great woman and Grace encourages him to return to a successful career.

"I'll See You in My Dreams" is a delightful drama with the biography of the songwriter Gus Kahn and his beloved wife Grace LeBoy Kahn by Michael Curtiz. The story is very beautiful and Doris Day and Danny Thomas have magnificent performances and show wonderful chemistry.

The music score is fantastic and the moment when Gus Kahn sings "It Had to Be You" is heartwarming. My vote is eight.

Title (Brazil): "Sonharei com Você" ("I Will Dream of You")

This is the kind of Hollywoodized biography of a famous composer that springs to life whenever DORIS DAY sings one of those warm and tender melodies. It's Day, at her perkiest, who makes the film rather than DANNY THOMAS, who simply lacked the screen charisma a leading man should have. He's not bad, but brings the film down a notch with his one-dimensional performance.

Thankfully, there are some reliable supporting role players that help Doris sell the film--notably, PATRICE WYMORE, FRANK LOVEJOY and MARY WICKES who all do their best to keep the tale moving along at a brisk pace. Wickes is especially mirthful when she tosses off a one-liner with aplomb and clearly seems to be enjoying her role as a sharp-tongued maid.

The Michael Curtiz touch is not too evident because the story drags in spots, but whenever Doris gets to warble an old-fashioned tune it doesn't matter what else is going on. Her rendition of "The One I Love Belongs to Somebody Else" is especially touching and her spirited version of "Makin' Whoopie" is another delight. Whether tossing off a ballad or jump tune she can do no wrong.

Doris Day fans will enjoy this tuneful and sentimental trip down memory lane.

I'll See You In My Dreams is one of the many songs that lyricist Gus Kahn had a hand in writing during the first half of the 20th Century. You couldn't possibly have gotten all the titles and fairly well known ones at that into a nearly two hour picture though Warner Brothers certainly gave it a try. Even if maybe a bar or two of music was played the film tried to get them in.

Gus Kahn was not as well known a public personality as say George Gershwin or Cole Porter was so I'm sure certain liberties had to have been taken. Doing a little bit of internet research I learned next to nothing about him personally before writing this review.

Kahn died in 1941 and his widow Grace LeBoy Kahn was still alive and she collaborated in the writing of this film. Danny Thomas and Doris Day play Gus and Grace and since their public personalities were a blank slate I'm sure what we saw was Danny Thomas and Doris Day on the screen pretty much as themselves. In fact Danny Thomas in his domestic scenes with Doris, their children and with wisecracking maid Mary Wickes is not any different from the Danny Thomas from the long running television family comedy that Thomas starred in.

This was the first of two projects that Doris Day starred in as the widow of a famous personality, the second being The Winning Team where she is the wife of Grover Cleveland Alexander the famous baseball pitcher. In both cases Grace LeBoy Kahn and Amy Arrants Alexander served as custodians of their husband's legacy although Grover Cleveland Alexander led a far more public life than Gus Kahn.

A lot of liberties were taken with the lives of Gus and Grace and there's no way the average moviegoer would know. But with these films it's the music that counts and the Kahn lyrics are sung beautifully by Doris, Danny, and others.

One that wasn't sung by either was Love Me Or Leave Me which in real life Gus Kahn wrote for Ruth Etting for the show Whoopee. Here Patrice Wymore plays a fictional musical comedy star who unsuccessfully tries to seduce Kahn. Her character is far more like Marilyn Miller than Etting. And coincidentally enough when Ruth Etting's story came to the screen in 1955, Doris Day played her and played her well in both a great acting performance and a great singing one as well.

Kahn wrote lyrics for many different composers, but the only one of his partners who gets a substantial role here is Walter Donaldson played by Frank Lovejoy. Donaldson apparently had a love of the sport of kings and required his partners to indulge same. When Kahn proved he could write at the clubhouse track he was in as far as Donaldson was concerned.

I never worry that these films ever get the biography right and I don't know how close they came here, but the lyrics that Gus Kahn wrote will be sung for the next millenia and that's what really counts.