I Was a Communist for the F.B.I.

According to the Wikipedia, "I Was a Communist for the FBI" was the name of a series of articles written by Matt Cvetic that appeared in the Saturday Evening Post. The stories were later turned into a best-selling book, an American espionage thriller radio series, and also this motion picture. Mr. Cvetic's articles were the true story of his undercover life, but the radio show and this film were largely fictionalized for dramatic effect. Matt Cvetic was actually an undercover agent for the FBI posing as a Communist for nine years. It is true that he alienated his family and friends as a result of them believing that he was actually a Communist, and even wound up divorced as a result of his assignment, although the divorce is not mentioned in the film. It is not true that the Communists posed as big a threat to the U.S. from within as is shown in the motion picture. The film itself is quite interesting and a pretty good thriller in its own right. It will keep you guessing as to whether or not Cvetic's true identity will be revealed before he is finished collecting information.

You just have to forget about the stretching of the truth that goes on here and enjoy this film for what it is - a window into a particularly paranoid time in America with a good pace to it. A film that is equivalent to it and made about the same time is the better known "Big Jim McLain" starring John Wayne. It too has many wild stereotypes, but the action is good and you just have to remember when and why it was made. If you do that, you should thoroughly enjoy both films.

The fear of Communism runs high. Truth or propaganda? An FBI agent turns counterspy burrowing his way into the U.S. Communist Party. Documentary style Film-Noir. Watching this fifty some years after its release dilutes the original intentions. A case of do as I say; not as I do. Frank Lovejoy is sometimes stoic but effective. Also featured are Philip Carey, Dorothy Hart and Richard Webb. You may possibly get more into CONFESSIONS of a NAZI SPY(1939)starring Edward G. Robinson.

Once you overlook its propagandist nature, this is a well-made B-movie with fascinating spycraft focussing on the Communist organisation's effects on politics, race relations and social unrest. In addition, a spotlight is placed on the pressure that FBI agent Matt Cvetic is under as he inveigles his way into the party. Personal and romantic relationships are also brought under strain as a result of the double-life our hero leads with those around him not understanding how he could seemingly betray the country. There are flashes of not-bad action here and there and a tense atmosphere throughout. If you liked The House on 92nd Street (1945) this has similar vibes (but without the documentary-like interludes) and if you like this, you'll like the former.

This film was released in the United States in May 1951, when I was a teenager. This was just five short years after World War II ended, and while nearly destroyed Europe and Asia were still being repaired and rebuilt under America's massive Marshall Plan. As a boy I had watched all the men in my extended family go off to war against nazism/fascism, and then saw only some of them return home. Now I was watching more young American men go off to war against communism.

The first of the many armed conflicts after World War II which became known as the 45-year-long East-West "Cold" War began already a year earlier in June 1950 when Communist North Korean forces, backed by Communist Russian forces occupying the north, drove south across the 38th parallel into US-military occupied South Korea. That aggression started the bloody Korean War, which still raged with high US military casualties when this film was being shown in American theaters. Both Communist China under Mao Zedong and Soviet Communist Russia under Stalin, along with the very ominously growing communist Warsaw Pact military alliance, represented very real threats to the United States and Western Europe - when this film was released. While it is true that the movie is a bit "over the top" by today's dramatic standards, it did have both a context and a purpose that definitely was not laughable.

Most responsible people in 1950 fully recognized that the Communist Party, along with its clandestine intelligence operators, was very active in the United States and benefited from considerable Chinese and Russian clandestine government support. That no one was certain of the degree of influence of the secretive Communist Party in the United States gave rise to much public, academic and media speculation, as well as the need for public education plus secret domestic intelligence and counter-intelligence operations to get a better fix on reality.

It is easy for Americans today who have lived their entire lives in historic safety and comfort to assume that it was all some sort of "unjustified scare" since the communists never succeeded in their objective of subjugating the United States. In 1950 I remember an America that was no more concerned with communist subversives than Americans today are concerned with extremist Muslim militants who might be engineering another 9/11. Threats can be real, but still not engender panic - if the people have faith in their government. But I also remember that in 1950 the United States was the only country of any significance that had been left still largely intact and undamaged after the Second World War. This made the US the last best hope against any further deterioration of freedom in the world, and thus the Number One Target of Communist expansionism.

Due in no small part to very active domestic vigilance, communism never had much success inside the United States. But communism was very successful in employing a wide range of deceptive and duplicitous tactics, including exploiting social discontent and infiltrating key political and social movements, to undermine many other countries.

Communism did succeed in thoroughly disrupting life for much of the planet and killing tens of millions of people over a very long period. Most of the atrocities which we today associate with right-wing extremism under Hitler's Nazism were in fact preceded by equal or greater left-wing extremist atrocities under Stalin's Communism. Those were indeed very dangerous times, and Americans in the 1950s who had spent their entire lives under extremely depressing and deadly times, from 1915-45, were naturally suspicious of and opposed to any extremist ideology that might send them, and their children, back into the abyss.

The movie is gripping and well constructed. Some of it may seem obvious but look at what is going on in 2021. There are family conflicts, racial lies and exaggeration, horrifying legal maneuvers; the movie is smarter than it ever intended, they couldn't have known. I found the movie to be rather sad to think that my country has sunk back to this. The movie is a wake up call to today.