Fixed Bayonets!

Fixed Bayonets completes director Samuel Fuller's one-two of 1951 movies about the Korean War, the other being the equally (maybe even slightly better) gritty and gripping The Steel Helmet. For those unfamiliar with Fuller's style, let's just say it is as far removed as possible from what Hollywood passes for war movies the past 20 years. No sentimentality and schmaltz here, just a straight-forward and fine-tuned soldier movie, from the boys, for the boys.

Fuller, a war veteran himself, takes a no-frills, realistic approach. With a tight script that weaves themes of courage and confronting one's fears into superb suspense and action scenes that have stood the test of time admirably, Fixed Bayonets does exactly what it says on the cover. The miniature work is decent enough and the studio backlot that passes for the Korean mountains completes the illusion without distractions. It's still a low-budget b-movie but it's holding well at the seams. The acting is all-around solid with Gene Evans once again stealing the show as the gruffy, no-nonsense Sgt. Rock.

Having worked as a journalist for New York newspapers in his younger years, Fuller understands the importance of story above all. Sure, he's not exactly the epitome of subtle - the inner monologues for example should have been avoided altogether. But I'm willing to ignore that because his movies have a sense of urgency and conviction that is hard to find: he's a man with a story to tell, he grabs you by the shoulder and says "this is how it happened, now watch this". And "this" is not about the politics or dramatization of war but war itself, men killing other men in some snowy hills in the middle of nowhere.

I saw this movie on the AMC movie channel, (cable). Had to be in 1997 or 98, I'm not that sure but I do know it was just before Saving Pvt. Ryan came out and AMC was playing all these war movies on Memorial day.

I never saw this movie before so I started watching and from the first scene of the General jamming a big hunk of chew in his mouth I knew this would be a good movie.

Well need-less to say it just got better. I only wish film makers today, or should I say movie exec's had the stones to make these kind of movies. No message, just a good story about men in combat doing the task that that job requires.

A warriors story about warriors - Great job Sam.

I was able to tape it too, so I have it to view anytime - what a treat.

Fixed bayonets! is directed by Sam Fuller and Fuller writes the screenplay which is based around a novel by John Brophy. It stars Richard Basehart, Gene Evans, Michael O'Shea, Richard Hylton, Craig Hill and Skip Homeier. Music is by Roy Webb and cinematography by Lucien Ballard.

The Korean War, and a platoon of GIs are tasked with diverting the enemy to allow the command units time to regroup and prepare for a counter attack.

"Somebody's got to get left behind, get their bayonets wet. It's tough picking out an outfit, but it's got to be picked"

Samuel Fuller was a real life infantryman combat veteran of WWII, so any time he chose to direct a war film it was time to sit up and take notice, Fixed bayonets! finds him in prime form. All his great traits are here, how things are so understated yet so potent, how his characters are stripped to a very real human form, there's no fuss, filler or pointless flab here. Every line of dialogue and the various combat scenarios positively beg our utmost attention, so as to get some sort of feel as to just what it must have been like in war.

Plot revolves around 48 men holding a rearguard action so as to give 15,000 others a break. The odds aren't really in their favour, because not only do they have to face the oncoming enemy and all their numbers, but they have to battle the terrain, for they are up in the snowy mountains, the harsh coldness a fitting accompaniment to the psychological pangs at work in the platoon. The main narrative thread is based around Basehart's Cpl. Denno, who has trouble shooting an enemy soldier, which is not great since there's a very real chance he may soon have to take command. Ouch! The pressure of impending command...

Combat action scenes are thrilling, artillery warfare in the snow constructed with skillful thought. While this wouldn't be a Fuller film without some edge of seat drama, with the stand out here a breath holding sequence of events in a minefield. Tech guys come up trumps, the sound mix is bang on (a haunting cacophony of Asian bugles really rattles the head), Ballard's black and white photography is crisp and captures the pending peril vibe suitably, and Webb's musical compositions are unobtrusive and rightly keeping focus on the human drama.

A lesson in being simple yet so potently effective, Fuller on blob. 8/10

The premise of this film is factually based on Task Force Faith in the Korean War:In late November 1950, the Chinese struck, along the Chongchon River, and overran several ROK divisions and landed an extremely heavy blow into the flank of the remaining UN forces. The resulting withdrawal of the United States Eighth Army was the longest retreat of an American unit in national history. In the east, at the Battle of Chosin Reservoir (November 26–December 13) a 3,000 man unit from the US 7th Infantry Division, Task Force Faith, was virtually wiped out, with numerous hand to hand fighting. The Marines fared better; though surrounded and forced to retreat, they inflicted heavy casualties on the Chinese who committed 6 divisions while trying to destroy the Marines.

Of the Task Force Faith and the 2,500 troops trapped by the Chinese, about 1,500 eventually made it back to American lines, the majority of them wounded or badly frostbitten. Roughly 300 able-bodied survivors were formed into a provisional battalion which was attached to the Marines and fought with them in the breakout of the 1st Marine Division during the remainder of the Battle of Chosin Reservoir. Over 1,000 soldiers of Task Force Faith were killed or died in Chinese captivity.

This film is a very accurate, no frills look at the emotions that come with perceived lost causes during war.

I have only recently seen some of Fuller's films after hearing about him for years. I have been surprised and pleased by each one. "Fixed Bayonets!" Is a great example of how Fuller made the Hollywood system of the time work for him simply because he got films done on time and on budget, (I think). What would have been either a "GungHo" movie or a trite rehash of "Red Badge of Courage" becomes an involving and action packed story of a man becoming a soldier and leader, something Fuller had first hand experience of in WWII.

If you have heard the expression "dogface" applied to a soldier and wondered what it meant this picture will provide your answer. Fuller uses the closeup in just the right amount and just the right time here, and the closeups put the finishing touch on each of the characters, all of whom are distinct and varied. Instead of seeing soldiers similar to others films, these men come across somebody you might know as a regular guy.

Anyone interested in putting stories on the screen should see Sam Fuller's work.