Flaming Feather

This a good picture for what it is. It seems to start out as a formula western with an age old plot, white man running with Indians doing bad things, lone hero sets out to stop him, etc. However the script is pretty good, there is some suspense, though we sort of know from the get-go who the bad guy is,the moment he shows on the screen. I love Sterling Hayden...for a guy who really didn't like being an actor, he does all right. Barbara Rush is beautiful and appealing. Forrest Tucker just shows up, and Victory Jory steals the picture with his oily charm.Edgar Buchannian is wasted in a role he really isn't suited for.

However, all in all, a pretty good picture. I enjoyed it.

Presumably, the title relates to the Red Feather Saloon, and flaming-haired Arleen Whelan, who sometimes sings there. Arleen's character: Carolina, is your iconic 'bad' girl, as opposed to Barbara Rush's 'good' girl, Nora. They both have occasional incidents with the lead male: Sterling Hayden, as Tex. Tex saves Nora from great harm on several occasions. Thus, naturally, she is friendly with him. But, she also feels gratitude toward wealthy local, Lucky Lee, who looked after her, after her parents were killed and their house ransacked and burned by The Sidewinder and his band of renegade Utes, who have been the terror of Arizona Territory for 20 years! Now, Lucky has asked her to marry him, and she has accepted. However, Nora has also developed an obvious attraction to Tex, and worries about his safety. Meanwhile, Lucky has a beautiful Ute mistress in Turquoise(Carol Thurston), which doesn't seem to bother Nora. Turquoise thinks Lucky should marry her, but he says a man in his (exalted) position should marry his own kind..... Caroline has an attraction/repulsion relationship with Tex. Sometimes, she tries to have him killed. Other times, she saves him from being killed. Sometimes she's angry at him. Other times, she proposes that they run off together. Caroline also has a thing going with cowboy Showdown((Richard Arlen). Most of these romantic conflicts will be resolved in the spectacular climax battle between The Sidewinder plus his Ute vs. most of those characters I've talked about, plus the US cavalry. This battle takes place in and around the Montezuma Castle Pueblo cliff dwellings, with a number of successive ladders to climb to the top......The main point of the story is the search for the identity of The Sidewinder, and eliminating him and his Utes......Some of the other characters include: Tombstone(Ian MacDonald): a shady gunslinger type, Forrest Tucker as Lt. Blaine, and his sidekick: Edgar Buchanan, as Sgt. O'Rourke. Another easily identified character actor is George Cleveland, who plays the aged Dr. Fallon: horse and people doctor, dentist, lawyer, justice of the peace, and no doubt a few other odd skills.......The location shooting takes place in various scenic areas of Arizona, and complements the 3 beautiful women included. You can see it all free, at YouTube

Flaming Feather casts Sterling Hayden as a rancher and Forrest Tucker as a cavalry lieutenant who make a bet as to who will catch the notorious outlaw known as the Sidewinder. Hayden whose ranch was recently burned out and cattle stolen is not satisfied with the performance of the army in catching this desperado. The Sidewinder has as his gang a collection renegade Ute Indians which makes him the army business as opposed to civilian law enforcement. Hayden and Tucker have a wager on who will catch him first as no white people know his identity.

It wasn't hard to figure it out just look at the casting. Even without IMDb identifying the Sidewinder on Flaming Feather's page it was easy to figure out by the kind of roles this player is usually cast in. The real suspense is whether Hayden or Tucker will wind up with leading ladies Arleen Whelan and Barbara Rush. Another good part is that of Carol Thurston who played many exotic types in her career and is the Indian mistress of The Sidewinder.

Flaming Feather is good, but highly predictable.

"Flaming Feather", shot on location around Oak Creek Canyon near Sedona, Arizona, is a good example of a new type of Western which was becoming popular in the early fifties, using striking Technicolor photography of the magnificent scenery of the West as a backdrop to their stories. The Hollywood studios hoped that such films would become an important weapon in their battle against the new enemy, television, which at this stage could only show black-and-white pictures on a small screen.

The story centres upon a mysterious outlaw, known as the Sidewinder (after a species of poisonous snake). Although the Sidewinder is believed to be a white man, he leads a band of Ute Indians who have carried out a number of robberies. A rancher named Tex McCloud and a U.S. Cavalry officer named Tom Blaine both decide to bring the Sidewinder and his gang to justice and make a wager over which will get him first. There are a number of complications to the plot, including an attempt by a saloon entertainer named Carolina to persuade Tex to pursue Lucky Lee, a businessman and mine owner who allegedly owes her $20,000. (We never find out what this debt is for). Other important characters include Lucky's beautiful girlfriend Nora Logan, Turquoise, an Indian woman who is Nora's rival for Lucky's affections, a gambler named Showdown Calhoun and a mysterious figure named Tombstone Jack who is suspected of being the Sidewinder.

Some of the "new Westerns" of this period, such as the Mann/Stewart Western "The Naked Spur" were not just notable for striking photography but also brought to the genre a greater degree of character development and psychological analysis. Others, however, were beautiful to look at but their looks only served to hide a banal plot or second-rate acting. (I am thinking here of something like William Wellman's "Across the Wide Missouri", conceived as a large-scale epic, but so cut by the studio into something resembling a B-movie that Wellman virtually disowned it).

"Flaming Feather" falls somewhere between the two extremes. It does not have the depth of something like "The Naked Spur" or some of the other Mann/Stewart Westerns, but it is well-made and the plot, although complex, is always entertaining. There is no one outstanding star performance, but the acting is generally of a good standard. There is some very fine photography of the Arizona desert scenery. This is not quite in the first class of Westerns, but it is a good example of a second division one. 7/10

Sterling Hayden stars as a cowboy who hits the trail in search of a renegade white man leading a band of Indians who burned his ranch and ran off his horses and cattle. The mysterious raider is responsible for the killing and looting of towns and wagon trains manages to elude the pursuing cavalry until events conspire to unmask the villain. Barbara Rush is the romantic interest of Hayden and also the renegade and her role is that of a damsel in distress throughout the picture. Forrest Tucker is good as an army lieutenant and there are comical exchanges between old timers Edgar Buchanan and George Cleveland. Victor Jury is also good as the dark, saturnine trading post owner. Arleen Whelan's role as a saloon singer doesn't have much to do with the film's plot but is quite a looker nonetheless. The technicolor is excellent, as is Paul Sawtell's spare music score.