The Dark Man

I wanted to see 'The Dark Man'for a while mainly because of Maxwell Reed; i seem lately to have watched him in a few of his 'Clouded Yellow'/'Night Beat'/'Dear Murderer'/'Square Ring'. I got a copy of Dark Man off ebay finally.It is a short 'B' film, however it is well done for its style, punchy and effective. Unfortunately, i think the shortened US version is the one doing the rounds, not the longer UK version.I'd be interested in seeing the original longer release. A very young Natasha Parry is the leading lady and does the job very nicely, though the age difference between her and Edward Underdown is a bit too great for easy belief. Maxwell Reed is the title's otherwise unnamed 'Dark Man' and he fits the role well both in his looks and behaviour. He brings an edgy presence to the film, the dark side of Underdown's whiter than white policeman. The 2 men have a passing physical resemblance as well. There is interesting location filming down on the coast and a very unusual finale on the shooting range. The way Maxwell Reed stalks Natasha Parry, building her fear, is effective and realistic; a simple beach scene has dark undertones. The director also writer Jeffrey Dell didn't helm many projects, a pity based on this effort.

A frequently incoherent but extremely well photographed drama in which tall dark Maxwell Reed, having demonstrated how ruthless a killer he is despatching his first two victims then makes a complete pig's ear of silencing Natasha Parry, who happened to be cycling past just after the second murder.

Many of the plot contrivances (including a very perfunctorily engineered romance between Miss Parry and the rather elderly looking detective played by Edward Underdown) and character vignettes by the likes of Barbara Murray and William Hartnell seem thrown in just as filler between cameraman Eric Cross's vivid noirish night scenes and enterprising use of the South Coast in bright sunshine to surprisingly sinister effect that anticipates 'And Soon the Darkness' nearly twenty years later.

Poor old "Molly" (Natasha Parry) has the misfortune to witness the eponymous character commit double murder. He knows she knows, and she knows he knows that she does, and so now he (Maxwell Reed) is determined to shut her up before she can tell pursuing police inspector "Vine" (Edward Underdown) and he faces the gallows. There's no real jeopardy here - we all know who did what to whom, but it's still quite an engaging little cat and mouse thriller that, though it could certainly do with losing twenty minutes or so, has a strong supporting cast and some nice photography of England's Sussex coast as the adventure hots up to an exciting, if predictable, denouement. The acting and script are all pretty generic, but it's still worth a watch.

Short but effective suspense thriller shot on England's south-east coast. Although we know the bad guy from the start, the suspense is nevertheless maintained until the final shoot out on the rifle ranges which provide an unusual setting. Accents & dialogues typical of 50s England. Definitely worth viewing !

A young actress happens to witness a ruthless criminal commit a second murder, putting her own life in danger. Filmed in England on the south-east coast it is very much a film of the time - everybody speaks with a stiff upper lip and everybody smokes, even when in the back of an ambulance! It's not exactly Hitchcock but does have some effective moments of suspense, plus it also makes good use of outdoor locations. Also notable for starring William Hartnell, who went on to become the first Dr Who.